{"title":"SYDNEY CONTEMPORARY 2026","description":null,"products":[{"product_id":"rachel-rose","title":"RACHEL ROSE \/ Rachel Rose","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRachel Rose\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eRachel Rose  \u003c\/em\u003e2020\u003cbr\u003eSoftcover, 240 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e22 x 29cm\u003cbr\u003eWalther Koenig, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKöln\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNew York–based artist Rachel Rose (born 1986) approaches visual storytelling as a sensory experience informed by key elements of the human experience: our relationship to landscape and the belief systems that have developed around ideas of mortality. Entrenched in historical references and culled from a variety of sources from soul music to spacewalks, Rose’s composite video installations are created to question what it is that makes us human and how we continue to find ways to alter and escape that designation.\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePublished on the occasion of Rose’s first large-scale solo shows in Germany and France, this volume documents a variety of her video installations and a new series of sculptures.\u003c\/p\u003e","brand":"Rachel Rose","offers":[{"title":"Default Title","offer_id":44903991902489,"sku":"","price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/9783960986805_e97a7560-9da7-48a9-a19f-a7c4c21d081a.jpg?v=1684067043"},{"product_id":"part-fantasy-the-sexual-imagination-of-seven-lesbian-artists-explored-through-the-medium-of-drawing","title":"NICOLA TYSON \/ Part Fantasy: The Sexual Imagination of Seven Lesbian Artists Explored Through the Medium of Drawing","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eE\u003cmeta charset=\"utf-8\"\u003ellen Cantor, Elise Dodeies, Nicole Eisenman, Daphne Fitzpatrick, Eliza Jackson, G. B. Jones, and Nicola Tyson\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePart Fantasy: The Sexual Imagination of Seven Lesbian Artists Explored Through the Medium of Drawing  \u003c\/em\u003e1992 \u003cbr\u003eSoftcover, 30 pages, \u003cmeta charset=\"utf-8\"\u003e23 x 18.5cm.\u003cbr\u003eTrial Balloon, New York\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eForward by Nicola Tyson. Essay by Faye Hirsch.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Good, with minimal wear. \u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA rare thirty-year-old exhibition catalog with Nicole Eisenman cover. \u003c\/span\u003eThe catalogue accompanied a \"1992 exhibition at the New York venue Trial Balloon that featured seven young lesbian artists (Eisenman, Nicola Tyson, Ellen Cantor, Daphne Fitzpatrick, Elise Dodeles, Eliza Jackson, and G. B. Jones).\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEisenman’s black-and-white drawing \u003ci\u003eTrash’s Dance\u003c\/i\u003e brings to life the earlier lesbian leather photo portraits of the artist then known as Della Grace (now Del La Grace Volcano). Del’s were taken in Scott’s Bar, an underground lesbian leather dive in ’80s San Francisco. Eisenman’s version includes the photos’ leather vest over bare breasts and expands to a community scene that is passionate, in thrall, and very individuated.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTrash, a mustached bodybuilder in heels, is dancing on the bar for tips, while the unfazed bartenders keep the beer flowing. Two separated dykes, on barstools, are alone, depressed, and drunk amid the frenzy, while the rest are highly engaged, often in couples. Sex is happening, ass-grabbing, breast-baring, and also convivial conversation. Kissing, fighting, explicating, large, small, butch, femme, happy, sallow. And most important, these lesbians are crowded into a very small space, as was almost always the case in lesbian bars, basically stark and empty rooms to which the women, themselves, brought romance and glamour.\" -  Sarah Schulman, Artforum\u003c\/p\u003e","brand":"Ellen Cantor, Elise Dodeies, Nicole Eisenman, Daphne Fitzpatrick, Eliza Jackson, G. B. Jones, and Nicola Tyson","offers":[{"title":"Default Title","offer_id":44904334426393,"sku":"","price":120.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/Folio_5643e8be-8436-4553-8e25-5ddc5d47339a.jpg?v=1680617530"},{"product_id":"claus-oldenburg-store-days","title":"CLAES OLDENBURG \/ Store Days","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eClaes Oldenburg\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eStore Days, \u003c\/em\u003e1967\u003cbr\u003eHardcover, first Edition\u003cbr\u003eSomething Else Press, New York\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eCondition:\u003cspan\u003e Very Good. Minimal wear; the book remains crisp and well preserved. Original Store business card present and in pristine condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cem\u003e\u003cspan\u003eStore Days\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a wonderfully eccentric document of one of the most important experiments in early Pop art: Claes Oldenburg’s \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Store\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the artist’s notorious Lower East Side storefront at 107 East 2nd Street. Opened in 1961, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Store\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e blurred the line between shop, studio, installation and performance, filling a deliberately makeshift commercial space with hand-made versions of everyday commodities — food, clothing, furniture and consumer goods rendered in plaster, cardboard and other humble materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe book captures this world through Oldenburg’s own texts alongside an energetic mix of black-and-white and colour photographs and illustrations. Produced with the aid of poet and Fluxus figure Emmett Williams, with photographs by Robert R. McElroy, it has the feel of an artist’s scrapbook or visual archive rather than a conventional monograph, reflecting the anarchic spirit of the project itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eA particularly great feature of this copy is the original business card for “The Store,” at 107 E. 2nd St., preserved in pristine condition in its original glassine pocket pasted to the front of the book. The surviving card is a small but fantastic piece of Oldenburg ephemera, giving the publication a direct physical connection to the legendary storefront.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eAn essential early Oldenburg publication and a highly desirable document of the artist’s formative New York period.\u003c\/p\u003e","brand":"CLAES OLDENBURG","offers":[{"title":"Default Title","offer_id":45151171477785,"sku":"","price":180.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_0578_5c0db9e6-45ce-42db-9a51-ffe34b22df73.jpg?v=1786806979"},{"product_id":"various-producing-futures-a-book-on-post-cyber-feminisms","title":"VARIOUS \/ Producing Futures, A Book on Post-Cyber Feminisms","description":"\u003cp\u003e\u003cstrong\u003eElsa Himmer, Heike Munder, Joanna Walsh, Paul B. Preciado, Yvonne Volkart\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eProducing Futures, A Book on Post-Cyber Feminisms  \u003c\/em\u003e2019\u003cbr\u003eHardcover, 148 pages\u003cbr\u003e23 x 17.5cm\u003cbr\u003eJRP, CH\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eStemming from the timely spring 2019 group exhibition at the Migros Museum für Gegenwartskunst, “Producing Futures: A Book on Post-Cyber-Feminisms” focuses on feminist concerns in the post-internet era. While in the 1990s cyber-feminism—a term coined by artist collective VNS Matrix—celebrated the cyberspace as a place of liberation and empowerment, one is now confronted with the fact that, rather, it multiplied and enforced existing hierarchies and power structures. Thus the question remains of whether the cyberspace can be appropriated when striving for gender justice, emancipation and social equality. As the virtual world(s) and real life are increasingly merging, artists reflect on and productively alienate the tools and platforms on hand to produce a future that is worth living in—offline and online.\u003c\/p\u003e\n\u003cp\u003eTo relate historical claims and visions of cyber-feminism to the current situation, as well as to different feminist approaches which focus on the tension between body and technology and discriminatory gender norms, this publication gathers together works and approaches by Cao Fei, Cécile B. Evans, Guan Xiao, Lynn Hershman Leeson, Juliana Huxtable, Mary Maggic, Malaxa, Shana Moulton, Tabita Rezaire, Gavin Rayna Russom, Frances Stark, Wu Tsang, Anna Uddenberg, VNS Matrix, and Anicka Yi.\u003c\/p\u003e\n\u003cp\u003eNewly commissioned essays by Elsa Himmer, Heike Munder, Paul B. Preciado, Yvonne Volkart, and Joanna Walsh.\u003c\/p\u003e\n\u003cp\u003ePublished with the Migros Museum für Gegenwartskunst, Zurich, on the occasion of the exhibition “Producing Futures: An Exhibition on Post-Cyber-Feminisms,” February 16–May 12, 2019.\u003c\/p\u003e","brand":"ANICKA YI","offers":[{"title":"Default Title","offer_id":45548060803353,"sku":"","price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/ProducingFutures_19s_1024x1024_46f9f5b4-452c-413a-8493-1519f743d1c1.jpg?v=1687869301"},{"product_id":"lawrence-weiner-as-often-as-not","title":"LAWRENCE WEINER \/ As Often As Not","description":"\u003cp\u003e\u003cstrong\u003eLawrence Weiner\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eAs Often As Not  \u003c\/em\u003e2017\u003cbr\u003eFibreglass serving tray, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiameter: 30,5 cm\u003cbr\u003eFiberglass (Antique parchment) Silkscreen Printing (dishwasher safe)\u003cbr\u003eOpen edition\u003cbr\u003e\u003c\/span\u003eOne Star Press, Paris\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eIn 1930 fibreglass was invented, initially used for the purpose of thermal building insulation. Then in 1950 Charles and Ray Eames mass produced their iconic fiberglass chair with Herman Miller, Inc. In 1951, Camtray (now renamed as Cambro) began manufacturing fiberglass trays in Huntington Beach, CA. Many years later, in 2017, onestar press invited Lawrence Weiner to design an open edition serving tray produced by Cambro.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLawrence Weiner used his trademark font and came up with the following text : AS OFTEN AS NOT. The artist then concluded: LET US GET SOME DRINKS ON THE TRAY!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e","brand":"LAWRENCE WEINER","offers":[{"title":"Default Title","offer_id":45620568883481,"sku":"","price":225.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/LW.jpg?v=1691759623"},{"product_id":"rirkrit-tiravanija-fear-eats-the-soul","title":"RIRKRIT TIRAVANIJA \/ Fear Eats The Soul","description":"\u003cp\u003e\u003cstrong\u003eRirkrit Tiravanija\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eFear Eats The Soul  \u003c\/em\u003e2018\u003cbr\u003eFibreglass serving tray, 41.5 x 31cm \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eFiberglass (Antique parchment) Silkscreen Printing (dishwasher safe)\u003cbr\u003eOpen edition\u003cbr\u003e\u003c\/span\u003eOne Star Press, Paris\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"mt-headerSM lg:mt-header pt-10\"\u003e\n\u003cdiv class=\"mb-beforeFooter\"\u003e\n\u003cdiv class=\"px-10 grid gap-5 gap-y-beforeFooter pt-edit lg:grid-cols-2\"\u003e\n\u003cdiv class=\"DESCRIPTION\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"grid\"\u003e\n\u003cdiv class=\"portableText\"\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eFollowing onestar press’ inaugural tray project by Lawrence Weiner, they are proud to present Rirkrit Tiravanija’s FEAR EATS THE SOUL.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eHere Tiravanija has appropriated his text from the title of Rainer Werner Fassbinder’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAli: Fear Eats the Soul\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea film which still resonates today with its vibrant questions of race and class raised in 1970s Germany.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eThe 4-worded phrase used by Rirkrit literally “serves” as a cornerstone of his artistic practice, using appropriated language to underscore the exploration between art and food, and now perfectly encapsulated in a fiberglass tray produced by Cambro, Huntington Beach, CA U.S.A\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RIRKRIT TIRAVANIJA","offers":[{"title":"Default Title","offer_id":45621114143001,"sku":"","price":235.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/RT.jpg?v=1692086578"},{"product_id":"martine-syms-pictures-2014-2024","title":"MARTINE SYMS \/ Pictures, 2014-2024","description":"\u003cp\u003e\u003cstrong\u003eMartine Syms\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003ePictures, 2014-2024\u003c\/em\u003e  2024\u003cbr\u003eSoftcover, 556 pages\u003cbr\u003e23 x 16.5cm\u003cbr\u003eClimax, New York\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp data-v-4827a628=\"\"\u003eClimax Books presents\u003cspan\u003e \u003c\/span\u003e\u003cem data-v-4827a628=\"\"\u003ePICTURES, 2014–2024\u003c\/em\u003e, a new 550-page tome from Martine Syms, surveying 10 years of images produced by the American artist.\u003c\/p\u003e\n\u003cp data-v-4827a628=\"\"\u003eMartine Syms’ practice, comprising most notably moving image, installation, publishing and performance, is characterised by acute observations examining imposed and performed identities, and representations of Blackness and gender, offering social commentary imbued with radical humour.\u003cbr data-v-4827a628=\"\"\u003e\u003cbr data-v-4827a628=\"\"\u003eIn this new book, designed by Paige Hanserd, narratives unfold from the conflicting demands of personal photographs, self-portraits, cinematic and ambient scenes capturing the artist’s gaze, exhibition documentation and research imagery, as distinctions between reality and fiction are blurred.\u003c\/p\u003e","brand":"MARTINE SYMS","offers":[{"title":"Default Title","offer_id":50736530096409,"sku":"","price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_751.jpg?v=1746259154"},{"product_id":"avery-singer-unity-bachelor","title":"AVERY SINGER \/ Unity Bachelor","description":"\u003cp\u003e\u003cstrong\u003eAvery Singer\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eUnity bachelor\u003c\/em\u003e 2024\u003cbr\u003eHardcover, 160 pages\u003cbr\u003e23 x 28cm\u003cbr\u003eDelMonico Books\/Institute of Contemporary Art, Miami\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eReflecting the innovative tools employed in their production, the iconic paintings of New York–based Avery Singer (born 1987) are complex interpretations of contemporary social realities and technologies. The large-scale paintings portray worlds that emerge from digital renderings and take shape through manual and digital airbrush techniques, liquid and solid masking, and complex layering processes.\u003c\/span\u003e\u003cbr\u003e\u003ci\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eUnity Bachelor\u003c\/i\u003e\u003cspan\u003e presents a striking series of narrative paintings featuring a trio of digital characters. Singer sets the story of the main characters Unity Bachelor and Priya Prasad in New York in 2001, a coming-of-age period and place for the artist. Their fictionalized love story is marked by the collective trauma of September 11, 2001, when Priya goes missing, while a third figure, an inebriated art student, who has doubled as a self-portrait of sorts throughout Singer’s career, roams Lower Manhattan.\u003c\/span\u003e\u003c\/p\u003e","brand":"AVERY SINGER","offers":[{"title":"Default Title","offer_id":51032777851161,"sku":null,"price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/011_98e7bbde-21db-4bea-a034-3198eed6ad2f.jpg?v=1752309106"},{"product_id":"loie-fuller-lecture-on-radium","title":"LOIE FULLER \/ Lecture on Radium","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLoïe Fuller \u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003eLecture on Radium\u003c\/em\u003e, 2025\u003cbr\u003eHardback, 88 pages\u003cbr\u003e17.8 x 12.1 cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eChristine Burgin | Further Reading Library\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe luminous and radical dance performances of Loïe Fuller at the turn of the 20th century were unlike anything that had ever been staged before. While her profound influence on writers and artists such as Mallarmé and Rodin is well documented, less well known is Fuller’s passion for technology and her involvement with the leading scientists of the time. This title spotlights Fuller’s scientific forays in her own words alongside an array of archival documents and photographs of the dancer in action. In her 'Serpentine Dance', she wore a large, diaphanous gown she manipulated with her arms to form undulating waves, while coloured lights projected onto the fabric gave the illusion of birds, animals or flowers. The centrepiece of the book is her 1907 lecture on the invention of radium, her notes on meeting Marie and Pierre Curie and Thomas Alva Edison, and her literally explosive efforts to create a glow-in-the-dark dance performance. Featuring an introduction by renowned cinema scholar Tom Gunning, this book presents Fuller’s eccentric passions and pioneering pursuits in a fresh light.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"catcopy\"\u003eChristine Burgin | Further Reading Library commemorates forgotten ideas, overlooked accomplishments and eccentric worldviews.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"LOIE FULLER","offers":[{"title":"Default Title","offer_id":51374009418009,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/015_48b01dda-b2a1-4dba-834d-854566840f8a.jpg?v=1760322925"},{"product_id":"margaret-watts-hughes-sound-may-be-seen","title":"MARGARET WATTS HUGHES \/ Sound May Be Seen","description":"\u003cp\u003e\u003cstrong\u003eMargaret Hughes\u003c\/strong\u003e\u003cbr\u003eSound May Be Seen, 2025\u003cbr\u003eHardcover, 88 pages \u003cbr\u003e17.8 x 12.1 cm\u003cbr\u003eChristine Burgin \/ Further Reading Library \u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe acclaimed Welsh singer and philanthropist Margaret Watts Hughes (1842–1907) was one of many inventors of her day fascinated by the visual documentation of sound. By singing into her self-designed \"eidophone\", the vibrations of her voice would etch out patterns onto a disc: an artistic rendering of the scientific principle of standing-wave resonance. This title presents selections from Hughes’ original 1891 publication “Voice Figures” and a rare surviving set of her glass slides.Her “eidophone” comprised a tube attached to a chamber covered in rubber, or “diaphragm.” Hughes covered a glass slide with grains of sand or coarse pigment, then saturated it with water or milk. Her “Voice Figures,” as she called them, ranged from primitive patterns to designs resembling flowers, seashells and other natural phenomena. While Hughes valued her discovery for both its scientific and spiritual implications, leaders of the Theosophical movement saw her work as a means of making visible the invisible world.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"MARGARET WATTS HUGHES","offers":[{"title":"Default Title","offer_id":51479564091673,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/016_acf0b514-8ca9-4d55-b4fe-db7cee4c67a2.jpg?v=1760695261"},{"product_id":"cady-noland-polaroids-1986-2024","title":"CADY NOLAND \/ Polaroids 1986-2024","description":"\u003cp\u003e\u003cstrong\u003eCady Noland\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003ePolaroids 1986-2024\u003c\/em\u003e  2025\u003cbr\u003eSoftcover, 118 pages\u003cbr\u003e29.8 x 24cm\u003cbr\u003eGagosian, NY\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eConceived, designed, and edited by the artist, \u003c\/span\u003e\u003ci\u003eCady Noland:\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePolaroids 1986–2024\u003c\/i\u003e\u003cspan\u003e is devoted to Polaroid photographs taken by Noland in the process of developing her sculptures and exhibitions. Published to coincide with a solo show of Noland’s new work at Gagosian, 555 West 24th Street, New York, this artist’s book reproduces nearly one hundred previously unpublished Polaroids from the course of her career, providing unique insight into her sculptural practice.\u003c\/span\u003e\u003c\/p\u003e","brand":"CADY NOLAND","offers":[{"title":"Default Title","offer_id":51494994247961,"sku":null,"price":190.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/noland_polaroids_cover-v2_1024x1024_2x_454e9f0f-c167-4772-9962-56c6d32f07cd.jpg?v=1759723632"},{"product_id":"eva-hesse-transatlantique","title":"EVA HESSE \/ Transatlantique","description":"\u003cp\u003e\u003cstrong\u003eEva Hesse\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eTransatlantique\u003c\/em\u003e 2024\u003cbr\u003eSoftcover, 152 pages\u003cbr\u003e19 x 10cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eER Publishing, Fr\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eEdited by Sébastien Gokalp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eContributors : \u003c\/span\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eKatinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, \u003c\/span\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eMélanie Matranga, Juliette Minchin, Valérie Mréjen and \u003c\/span\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eAgnès Thurnauer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_7 wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eTranscending the aesthetic categories and currents of her time, the German-born American artist Eva Hesse (1936–1970) revolutionized the very concept of sculpture with her use of unconventional materials. Her dazzling, prolific body of work has had a considerable influence ever since. Seven European women artists brought together by Sébastien Gokalp share their views on this major figure of the 20th century.\u003c\/span\u003e\u003c\/p\u003e","brand":"EVA HESSE","offers":[{"title":"Default Title","offer_id":51511300882713,"sku":null,"price":49.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Couv-EvaHesse.avif?v=1760070510"},{"product_id":"lin-may-saeed-fables","title":"LIN MAY SAEED \/ Fables","description":"\u003cp\u003e\u003cstrong\u003eLin May Saeed\u003c\/strong\u003e\u003cbr\u003eFables, 2024\u003cbr\u003eSoftcover, 64 pages \u003cbr\u003e11 x 16 cm \u003cbr\u003eMousse Publishing, Milan\u003c\/p\u003e\n\u003cp\u003eFables is published on the occasion of the exhibition dedicated to Lin May Saeed (1973–2023), presented concurrently at GAMeC in Bergamo, as part of the project\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThinking Like a Mountain,\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand in the ninth edition of the Biennale Gherdëina,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Parliament of Marmots\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe volume collects six fables the artist wrote in the early 2000s—the only ones Saeed ever shared—which explore fundamental issues of interspecies coexistence, combining scientific, ethical, and philosophical motivations. These short stories expand Saeed’s research on the relationships between animals—both human and nonhuman—with an unusual, ironic, and paradoxical take. As Lorenzo Giusti highlights, these tales anticipate the themes of Saeed’s visual research, enriching the narrative apparatus of her artistic production, and providing essential interpretive keys for her oeuvre.\u003c\/p\u003e","brand":"LIN MAY SAEED","offers":[{"title":"Default Title","offer_id":51514145767705,"sku":null,"price":39.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/lin-may-saeed-fables-18.jpg?v=1760148415"},{"product_id":"alice-neel-translantique","title":"ALICE NEEL \/ Translantique","description":"\u003cp\u003e\u003cstrong\u003eAlice Neel \u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eTranslantique\u003c\/em\u003e 2022\u003cbr\u003eSoftcover, 144 pages\u003cbr\u003e19 x 10cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eER Publishing, Fr\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp class=\"font_7 wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eEdited by Fabienne Dumont\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eContributors : \u003c\/span\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eCathryn Boch, Ymane Chabi-Gara, Nina Childress, Marie Docher, \u003c\/span\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eMarlene Dumas, Natacha Lesueur, Deborah de Robertis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_7 wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eThe work of American artist Alice Neel (1900 – 1984) is marked by a powerful political and social commitment. Down the years, she mainly produced portraits, realistic accounts of the remarkable diversity of America. For Transatlantique, art historian Fabienne Dumont brings together seven European women artists and their views on this exceptional body of work.\u003c\/span\u003e\u003c\/p\u003e","brand":"ALICE NEEL","offers":[{"title":"Default Title","offer_id":51518757044505,"sku":null,"price":49.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/1eb096_8664c098d7dd4ee998a89db6596c2cc8_mv2.jpg?v=1760322206"},{"product_id":"valie-export-valie-export-in-her-own-words","title":"VALIE EXPORT \/ Valie Export: In Her Own Words","description":"\u003cp class=\"redstrong\"\u003e\u003cstrong\u003eValie Export\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eValie Export: In Her Own Words\u003c\/em\u003e, 2023\u003cbr\u003ePaperback, 384 pages\u003cbr\u003e22.g x 14.4 cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eWalther Koenig\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"redstrong\"\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eAustrian avant-garde artist Valie Export (born 1940) is regarded internationally as one of the most important pioneers of conceptual media art, performance and experimental film. This volume showcases her published and unpublished texts, interviews and lectures from 1967 to 2020.\u003c\/p\u003e","brand":"VALIE EXPORT","offers":[{"title":"Default Title","offer_id":51576240701721,"sku":null,"price":75.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/1.webp?v=1761628129"},{"product_id":"soufiane-ababri-yes-i-am","title":"SOUFIANE ABABRI \/ Yes I Am","description":"\u003cp\u003e\u003cstrong\u003eSoufiane Ababri\u003c\/strong\u003e\u003cbr\u003eYes I Am, 2024\u003cbr\u003eSoftcover, 244 pages\u003cbr\u003e32 x 24cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTriangle Books (Brussels)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis publication brings together for the first time a selection of drawings from the \u003c\/span\u003e\u003ci\u003eYes I am\u003c\/i\u003e\u003cspan\u003e series begun in 2020 by Soufiane Ababri. Through this gallery of portraits, Ababri weaves a queer community in which he recognises himself, and which testifies as much to the kinship as to the singularity of each of its members. Some are close friends of the artist, others personalities from the worlds of art, literature, cinema and fashion... James Baldwin, Andy Warhol, Guillaume Dustan, Tom Ford, Jimmy Sommerville, Tarek Lakhrissi, John Waters and many other figures for whom Ababri declares not only his admiration but also his queer closeness. In her essay, art historian and activist Elisabeth Lebovici explores the semantic, historical and political resonances of the bed that serves as Ababri's studio, and describes his work as 'bedworks'.\u003c\/span\u003e\u003c\/p\u003e","brand":"SOUFIANE ABABRI","offers":[{"title":"Default Title","offer_id":51600228122905,"sku":null,"price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/015_5dd0f96d-f021-4c26-b6b3-82e06c8971c0.jpg?v=1762141123"},{"product_id":"barbara-sanchez-kane-sofia-alazraki-fortuna-y-fetiche","title":"BÁRBARA SÁNCHEZ-KANE + SOFIA ALAZRAKI \/ Fortuna y Fetiche","description":"\u003cp\u003e\u003cstrong\u003eBárbara Sánchez-Kane + Sofia Alazraki\u003cbr\u003e\u003c\/strong\u003eFortuna y Fetiche 2025\u003cbr\u003eHardcover, 96 pages\u003cbr\u003e32.5 x 22.5cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDashwood Books (New York)\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBárbara Sánchez-Kane is still in her thirties but in the past five years has established herself as an important, original voice in contemporary art. She participated in the 60th international art exhibition, La biennale di Veneza, Stranieri Ovunque, with the video and sculptural installation \u003ci\u003ePrêt-à-Patria\u003c\/i\u003e (2024). Her works resists the traditional notions of mexicanidad and its relationship with the feminine and masculine. Whether through fashion, performance, painting or installation, all of her works present the anxieties and fears of daily life to question pleasure and domination within a hegemonic masculine society.\u003cbr\u003e\u003cbr\u003eSofía Alazraki is a photographer and set designer working across art, fashion, and film. Formed as an art historian, her practice focuses on still life photography and installation, where she builds carefully choreographed assemblages with objects and unconscious mechanisms as active characters. Her work investigates how desire is projected onto objects and shaped within systems of consumption and representation, unfolding as a multiplicity of symbolic and affective layers.\u003cbr\u003e\u003cbr\u003eThe series continues to explore Sánchez-Kane’s roots in fashion, where she began as a designer, and her obsession with clothing is still a central part of her artistic practice. As Sánchez-Kane says 'I like the possibilities of exploration…for Sofía and me, using these objects, was exciting.  My job was just putting them together in an orgy.'\u003cbr\u003e\u003cbr\u003eDesigned by Brooklyn based designer Alex Lin of Studio Lin the book includes an with an essay by the Mexican journalist, Guillermo Osorno. Osorno is an editor, media entrepreneur, and journalist living in Mexico City. He is a graduate of Columbia University’s journalism program and was editor in chief of the Latin American narrative journalism magazine, Gatopardo. Recently, he published \u003ci\u003eTengo que morir todas las noches\u003c\/i\u003e, a story of ’80s underground and gay culture in Mexico City, and launched the news analysis website Horizontal.mx.\u003cbr\u003e\u003cbr\u003eThe book was published in the occasion of the exhibition of the same name at Dashwood Projects on view April 10th through May 24th, 2025, comprised of 11 (16 x 20 inch) pigment prints by the two artists and one sculpture by Bárbara Sánchez-Kane.\u003c\/span\u003e\u003c\/p\u003e","brand":"BÁRBARA SÁNCHEZ-KANE + SOFIA ALAZRAKI","offers":[{"title":"Default Title","offer_id":51600425353497,"sku":null,"price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/017_5038de48-e89e-468b-9eb1-e71d18d6cf44.jpg?v=1762145935"},{"product_id":"nick-mauss-dispersed-events","title":"NICK MAUSS \/ Dispersed Events","description":"\u003cp\u003eNick Mauss\u003cbr\u003eDispersed Events, 2024\u003cbr\u003eSoftcover, 296 pages\u003cbr\u003e18.5 x 12cm\u003cbr\u003eAfter 8 Books, FR\u003c\/p\u003e\n\u003cp\u003eDispersed\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eEvents\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ebrings together for the first time Nick Mauss’ essays from the last fifteen years. Shimmering with the urgency of a new generation of queer thinkers, Mauss’ writing refracts contemporary art through histories of decorative art, film, theater, and dance.\u003c\/p\u003e\n\u003cp\u003eAn artist renowned for critically and poetically reconfiguring inherited genealogies and hierarchies of visual culture and art history, Mauss engages writing as a space for relentlessly activating counter-histories, repositioning the voice of the artist and the readers along the way. Whether he considers the practice of artist Lorraine O’Grady, the radical fashion of Susan Cianciolo, the anarcho-vaudevillian theater of Reza Abdoh, or the potential for textiles to disclose a different way of thinking, Mauss insists on the intense power of forms and feelings in their actual rather than enforced prehistories. Reevaluating experiments in fashion, dance, and the decorative arts on the same plane as painting, sculpture and cinema, he locates art as taking shape in the middle of conversations—“between art history and any afternoon.”\u003c\/p\u003e\n\u003cp\u003e“Among what might initially appear, following Mauss, ‘a wildly inscrutable web of lineages,’ the reader quickly perceives unexpected, unheralded, conjunctions: affiliations, alignments, and affinities. . . . It generates a conviction that, in the best sense, is partisan. Singular, independent, illuminating.”\u003cbr\u003e—from the foreword by Lynne Cooke\u003c\/p\u003e","brand":"NICK MAUSS","offers":[{"title":"Default Title","offer_id":51622390202649,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/014_9d5d6335-a13c-47fb-aea1-eb2d562b64d1.jpg?v=1762677522"},{"product_id":"sara-yukiko-xo1-second-edition","title":"SARA YUKIKO \/ XO1 (second edition)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eSara Yukiko\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eXO1,\u003c\/em\u003e 2025 (Second edition) \u003cbr\u003ePaperback, 350 pages\u003cbr\u003e15.24 x 15.24 cm\u003cbr\u003eXO \u0026amp; Co. New York, NY\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eXO1 by Sara Yukiko captures the thrill of the hunt — a curated collection of unexpected finds pulled from the edges of memory, impulse, and chance. It invites a quick glance, but rewards a slower look. A rhythm of discovery, where each turn leads you further into what can’t quite be named, yet feels like something you’ve always been searching for.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SARA YUKIKO","offers":[{"title":"Default Title","offer_id":51761236803865,"sku":null,"price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/ED2_1_c249323e-cb63-4603-8eb3-c0fa7c42a8cf.jpg?v=1765600927"},{"product_id":"bas-jan-ader-im-searching","title":"BAS JAN ADER \/ I'm searching...","description":"\u003cp\u003e\u003cstrong\u003eBas Jan Ader\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eI'm searching..., \u003c\/em\u003e2025\u003cbr\u003eHardcover, 208 pages\u003cbr\u003e27 x 22cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eWalther König, Köln\/Hamburger Kunsthalle, Hamburg\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn 1975, Dutch artist Bas Jan Ader (1942–75) set out from Cape Cod to cross the North Atlantic as part of a conceptual project titled 'In Search of the Miraculous'. Though an experienced sailor, he was never seen again. Yet Ader left behind a profound body of work that resonated on both sides of the ocean that claimed his life. Marking 50 years since his disappearance, 'I’m searching...' resurrects Ader’s career through seminal pieces, which influenced other conceptual artists. Previously unpublished images from his 16mm films, slides installations and even Ader’s own personal photographs are contextualised both within the world of conceptual art and without, including a eulogy to Bas by his brother, Erik.\u003c\/span\u003e\u003c\/p\u003e","brand":"BAS JAN ADER","offers":[{"title":"Default Title","offer_id":51865565200665,"sku":null,"price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/011_4049bb47-d8ef-4c31-9276-8cadeac1a048.jpg?v=1768516338"},{"product_id":"jessica-backsell-provoking-the-freeport-magic-art-assemblage-in-late-capitalism","title":"JESSICA BACKSELL \/ Provoking the Freeport Magic: Art Assemblage in Late Capitalism","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eJessica Inez Backsell\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cem\u003eProvoking the Freeport Magic: Art Assemblage in Late Capitalism\u003c\/em\u003e, 2025\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePaperback, 112 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13×19 cm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSternberg Press (co-published with Stockholm School of Economics)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003eWhat is magic? And what can it do? \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003eIn this book, Jessica Backsell interrogates the magic of the art world and culture’s stubborn habit of foregrounding art as representative of an alternative value system. Through the empirical example of the freeport—luxury warehouses where valuable art is stored for preservation and taxation purposes—Backsell explores the implications of understanding the art world through contingent entanglements and practices. Examining the contested site of the freeport, Backsell addresses the dichotomous “culture v. capitalism” debate by showing how magic is not an innate and mysterious quality. Rather, it is a practice, a central yet unexplored element of curatorial toolboxes, that unfolds through what Backsell denotes as the enactment of “conspicuous withdrawal.” This insight, she argues, sheds new light and understanding on broader political issues in contemporary market society.\u003c\/span\u003e secrets which have a rather special connection to cognitive judgment. They require us to see while we do not see or perhaps even better—to notice but not openly acknowledge. They hover as forms of semi-knowledge, never fully rescinded yet neither completely present.\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JESSICA BACKSEL","offers":[{"title":"Default Title","offer_id":51934835114265,"sku":null,"price":42.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/2026_Backsell001.jpg?v=1770333253"},{"product_id":"marc-camille-chaimowicz-writings-and-interviews","title":"MARC CAMILLE CHAIMOWICZ \/ Writings and Interviews","description":"\u003cdiv class=\"single-book-main-wrapper grid-12\"\u003e\n\u003cdiv class=\"col-right col-6\"\u003e\n\u003cdiv id=\"single-book-body-text\"\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMarc Camille Chaimowicz\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eEdited by Alexis Vaillant\u003cbr\u003e\u003cem\u003eWritings and Interviews\u003c\/em\u003e, 2025\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePaperback, 728 pages, 10 illustrations\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14×21 cm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSternberg Press\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMarc Camille Chaimowicz (1946–2024) was an acclaimed visual artist known for his performances, installations and curatorial flair. He was also a writer. This volume, the first comprehensive collection of writings by the artist, includes seminal interviews, chitchats, jokes, performance reports, insightful statements and letters in essay form, as well as rare documents, such as early surviving leaflets, typewriter handouts and hard-to-find articles. Spanning 1971–2023, the book unlocks the work of an artist considered to be a refreshing role model for a new generation of culture mavens and style savants. Drawing from literature, modernist architecture, interior design, art theory, glam rock and camp culture, the collection reveals the artist’s inner self alongside the art, social flânerie and the goings-on of his time. Entertaining and witty, the texts stand out brilliantly with their early acumen and inclusivity, while setting a new template for an expression of queerness through writing. With access to Chaimowicz’s personal material and photographs, curator and editor Alexis Vaillant is a guide to the artist’s writings. Vaillant provides behind-the-scenes commentary and context—a time capsule of pleasure featuring Andy Warhol, Des Esseintes, Josef Frank, David Bowie, Vito Acconci, Eileen Gray, Alex Kapranos, Jean Cocteau, Elsa Schiaparelli, Jean Genet, Bob Dylan, Emma Bovary and Roger Cook, among others. This book presents readers with an in-depth look into Chaimowicz’s quixotic shaping of his written work, which comes to life as a knowing and longing prose for the twenty-first century.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"single-book-images\" class=\"gallery\"\u003e\n\u003cdiv class=\"gallery-wrapper slick-initialized slick-slider\"\u003e\n\u003cdiv class=\"slick-list draggable\"\u003e\n\u003cdiv class=\"slick-track\"\u003e\n\u003cdiv class=\"gallery-item slick-slide slick-cloned\" data-slick-index=\"-2\" aria-hidden=\"true\" tabindex=\"-1\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"MARC CAMILLE CHAIMOWICZ","offers":[{"title":"Default Title","offer_id":51934839275801,"sku":null,"price":88.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/MCC_COUV_14X20_FINAL_PRINT-WEB.png?v=1770333119"},{"product_id":"bruce-hainley-under-the-sign-of-sic-sturtevants-volte-face","title":"BRUCE HAINLEY \/ Under the Sign of [sic]: Sturtevant's Volte-Face","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eBruce Hainley\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eUnder the Sign of [sic]: Sturtevant's Volte-Face\u003c\/em\u003e, 2013\u003cbr\u003eHardcover, 344 pages, illustrated throughout\u003cbr\u003e23.2×18.2 cm (small quarto)\u003cbr\u003eSemiotext(e)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAsked to sum up her artistic pursuit, the American artist Elaine Sturtevant once replied: \"I create vertigo.\" Since the mid-1960s, Sturtevant has been using repetition to change the way art is understood. In 1965, what seemed to be a group show by then \"hot\" artists (Andy Warhol, Jasper Johns, Roy Lichtenstein, George Segal, and James Rosenquist, among others) was in fact Sturtevant's first solo exhibit, every work in it created by herself.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSturtevant would continue to make her work the work of others. The subject of major museum exhibitions throughout Europe and awarded the Golden Lion for lifetime achievement at the 54th Venice Biennale, she will have a major survey at the MoMA, New York, in 2014.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn Under the Sign of [sic], Bruce Hainley unpacks the work of Sturtevant, providing the first book-length monographic study of the artist in English. Hainley draws on elusive archival materials to tackle not only Sturtevant's work but also the essential problem that it poses. Hainley examines all of Sturtevant's projects in a single year (1967); uses her Gonzalez-Torres Untitled (Go-Go Dancing Platform) from 1995 as a conceptual wedge to consider contemporary art's place in the world; and, finally, digs into the most occluded part of her career, from 1971 to 1973, when she created works by Michael Heizer and Walter de Maria, and had her first solo American museum exhibit.\u003c\/p\u003e","brand":"BRUCE HAINLEY","offers":[{"title":"Default Title","offer_id":51934911922457,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/BruceHainley_UnderTheSignOf.webp?v=1770332666"},{"product_id":"yoshi-yubai-discommunication-landslide-books","title":"YOSHI YUBAI \/ Discommunication","description":"\u003cp\u003e\u003cstrong\u003eYoshi Yubai\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eDiscommunication\u003c\/em\u003e, 2026\u003cbr\u003eSpiralbound hardcover, 44 pages\u003cbr\u003e42 x 30cm\u003cbr\u003eEdition of 120\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes an essay by Marc Weidenbaum\u003cbr\u003eLandslide Books + Objects\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eFor more than a decade, Japanese photographer Yoshi Yubai has developed a singular photographic practice between Japan and the United States. Working through accumulation, repetition and reflection, his images dissolve architecture, signage and everyday encounters into compositions suspended between recognition and abstraction.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOversized and silver foiled throughout, \u003cem\u003eDiscommunication\u003c\/em\u003e is conceived as an artist's book in which material and image become inseparable. Printed on mirror-finished silver stock and spiral bound, the reflective pages shift with light and movement, making each encounter with the work subtly different.\u003c\/p\u003e\n\u003cp\u003ePublished by Landslide Books \u0026amp; Objects with a new essay by writer and editor Marc Weidenbaum, \u003cem\u003eDiscommunication\u003c\/em\u003e is Yubai's most ambitious publication to date—an immersive photobook that expands the possibilities of the photographic image.\u003c\/p\u003e","brand":"YOSHI YUBAI","offers":[{"title":"Default Title","offer_id":52829769924889,"sku":null,"price":260.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/2026-07-13-LB-S2-01_copy.jpg?v=1784101668"},{"product_id":"oscar-perry-greece-police-pumice-1","title":"OSCAR PERRY \/ Greece Police Pumice","description":"\u003cp\u003e\u003cstrong\u003eOscar Perry\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eGREECE POLICE PUMICE  \u003c\/em\u003e2024\u003cbr\u003eSoftcover,\u003cstrong\u003e \u003c\/strong\u003e73 pages\u003cbr\u003e18 x 12cm\u003cbr\u003eLandslide Books \u0026amp; Objects\u003c\/p\u003e\n\u003cp\u003ePlaying fast and loose with language across 41 poems, Perry parboils the sublime in mundanity, irreverence and humour.\u003c\/p\u003e\n\u003cdiv title=\"Page 7\" class=\"page\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cem\u003e\"WE SHALL GO ONTO THE END \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThey are vaping on the beaches,\u003cbr\u003eThey are vaping on the landing grounds,\u003cbr\u003eThey are vaping in the fields and in the streets, They vape in the hills;\u003cbr\u003eThey shall never stop vaping, and even if,\u003cbr\u003ewhich I do not for a moment believe, this island or a large part of it were subjugated,\u003cbr\u003ethen the vapour beyond the seas would\u003cbr\u003ecarry on the wind, until, in God’s good time, The prior plane, with all its power and might, steps forth to inhale and exhale.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"OSCAR PERRY","offers":[{"title":"Default Title","offer_id":52830687363353,"sku":null,"price":38.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_0092.jpg?v=1784115539"}],"url":"https:\/\/landslidebooksandobjects.com\/collections\/sydney-contemporary-2026.oembed","provider":"Landslide","version":"1.0","type":"link"}