{"title":"Surplus Selection","description":"","products":[{"product_id":"pranks","title":"RE\/SEARCH \/ Pranks !","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eVarious \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePranks !  \u003c\/em\u003e1987\u003cbr\u003eHardback, 333 pages\u003cbr\u003e29 x 23cm\u003cbr\u003eRe\/Search, V.Vale (signed)\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cspan\u003eCondition: New \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cspan\u003eA prank is a \"trick, a mischievous act, a ludicrous act.\" Although not regarded as poetic or artistic acts, pranks constitute an art form and genre in themselves. Here pranksters such as Timothy Leary, Abbie Hoffman, Monte Cazazza, Jello Biafra, Earth First!, Joe Coleman, Karen Finley, John Waters and Henry Rollins (and more) challenge the sovereign authority of words, images and behavioural convention. This iconoclastic compendium will dazzle and delight all lovers of humour, satire and irony.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"block-c2574becbf3ecc0b64c7\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e“Pranks is absolutely fascinating – remarkable source material for any experimental psychologist. It crosses the whole spectrum from mere pranks and practical jokes into concept art and the shaky foundations of a lot of everyday reality, and beyond that into pure psychopathy, in a few cases. One of your very best books yet.” — J.G. Ballard\u003c\/p\u003e\n\u003cp class=\"\"\u003eFeaturing Timothy Leary; Abbie Hoffman; Mark Pauline; John Waters; Karen Finley; Bruce Conner; Paul Krassner. \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RE\/SEARCH","offers":[{"title":"Default Title","offer_id":44891963359513,"sku":"","price":100.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/rs11-pranks_4-3.jpg?v=1680438070"},{"product_id":"copy-of-pranks","title":"RE\/SEARCH \/ Modern Primitives","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cstrong\u003eVarious \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eModern Primitives  \u003c\/em\u003e1987\u003cbr\u003eHardback, 333 pages\u003cbr\u003e29 x 23cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eRe\/Search, V.Vale (signed)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cmeta charset=\"utf-8\"\u003eEdition: 500\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003eCondition: New\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cdiv class=\"sqs-block html-block sqs-block-html\" data-block-type=\"2\" id=\"block-c2574becbf3ecc0b64c7\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis is the book that launched “a Revolution” and introduced the world to body piercing and full-body tattoos. Additional interview with Raelyn Gallina, plus tattoo\/piercing community sponsorship pages in the back. Supersedes all previous editions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e“I loved the introduction in your previous book, and all the introductions to the other wonderful books you’ve made. Incidentally, your last publication, 'Modern Primitives', was extraordinary. That was an amazing book – that was a genuine work of modern urban anthropology. It was incredible. You could have been Margaret Mead going to Samoa – it was the equivalent of that. And it was never voyeuristic. It was an extraordinary book, beautifully conceived and researched in such depth. That’s what’s so wonderful about all your publications: the depth of them – they just go on and on. Where most books end, yours are just about beginning. I mean they really are very, very impressive. You’ve produced really amazing books; there’s no question about that.” \u003cem\u003e– \u003c\/em\u003eJ.G. Ballard\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RE\/SEARCH","offers":[{"title":"Default Title","offer_id":44892151677209,"sku":"","price":100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/rs12_4-3.jpg?v=1680438463"},{"product_id":"copy-of-judith-bernstein-hard","title":"RAYMOND PETTIBON \/ Selected Works from 1982 - 2011","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eSelected Works from 1982 - 2011  \u003c\/em\u003e2020\u003cbr\u003eBlack \u0026amp; White Offset Print, \u003cmeta charset=\"utf-8\"\u003e32 pages\u003cbr\u003e14 x 20cm, \u003cmeta charset=\"utf-8\"\u003eReprint of the book first published in 2014\u003cbr\u003eInnen, c\u003cspan data-mce-fragment=\"1\"\u003eo-Published with Nieves, Zurich\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition: 29 of 150\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: Excellent \u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"accroche\" itemprop=\"description\"\u003eAn anthology of Pettibon's drawings.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eRaymond Pettibon (born 1957 in Tucson, lives and works in Venice Beach) is mostly known for his comic-book-like\u003cspan\u003e drawings \u003c\/span\u003eto which he appends disconcerting and sarcastic texts.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eHis work embraces a wide spectrum of American “high” and “low” culture, from the deviations of marginal youth to art history, literature, sports, religion, politics, and sexuality. Taking their points of departure in the Southern California punk-rock culture of the late 1970s and 1980s and the “do-it-yourself” aesthetic of album covers, comics, concert flyers, and fanzines that characterized the movement, his drawings have come to occupy their own genre of potent and dynamic artistic commentary.\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"bioAuteur\"\u003eAs well as artist's books, fanzines, and prints Pettibon's production includes animations and large wall installations.\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":44894276321561,"sku":"","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/1_b57a8bd9-d211-4862-ae60-4b4e7e5fa2b4.jpg?v=1680475680"},{"product_id":"copy-of-raymond-pettibon-selected-works-from-1982-2011","title":"HIROKI TSUKUDA \/ They Live","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eHiroki Tsukuda\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThey Live  \u003c\/em\u003e2021\u003cbr\u003eSoftcover, 24 pages, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBlack \u0026amp; White Offset Print\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e13 x 19cm, f\u003c\/span\u003eirst Edition\u003cbr\u003eInnen\u003c\/p\u003e\n\u003cp\u003eCondition: Fine\/Like New\u003c\/p\u003e\n\u003cp\u003eHiroki Tsukuda was born in 1978 in Kagawa, Japan. He graduated from the Department of Imaging Arts \u0026amp; Sciences at Musashino Art University in 2001. Tsukuda lives and works in Tokyo.\u003c\/p\u003e\n\u003cp\u003eThe artist’s drawings and digital collage explore the turbulent, futuristic cityscapes of his imaginings. Created with meticulous detail, these intricate, monochromatic works illustrate collapsed spaces, in which mechanised worlds merge with sci-fi mythos in states of controlled chaos and organic mutation. Similarly, Tsukuda creates installation works out of raw industrial material, flora, and found objects that transpire directly from the artist’s drawings.\u003c\/p\u003e\n\u003cp\u003eTsukuda’s has mounted solo exhibitions at the Museum of Modern Art, Gunma (2019); Capitain Petzel (2018); Neuer Aachener Kunstverein, Aachen, Germany (2017); and Nanzuka, Tokyo (2014), among others. He has been included in group exhibitions at the Mori Art Museum, Tokyo (2019); Tai Kwun Contemporary, Hong Kong (2019); Jack Hanley Gallery, New York (2016); and Brandenburgischer Kunstverein Postdam e.V., Potsdam (2015), among others.\u003c\/p\u003e\n\u003cp\u003eThis publication shares its name with a 2020 solo exhibition at Petzel Gallery, New York. \u003c\/p\u003e","brand":"HIROKI TSUKUDA","offers":[{"title":"Default Title","offer_id":44894297850137,"sku":"","price":35.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/1_1913f920-7327-410e-843a-8f431ae5f1cd.jpg?v=1680476060"},{"product_id":"copy-of-lee-lozano-private-book-3","title":"LEE LOZANO \/ Private book #4","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eLee Lozano \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePrivate book #4  \u003c\/em\u003e2018 \u003cbr\u003eSpiral-bound paperback, 186 pages\u003cbr\u003eEdition of 2,500\u003cbr\u003eKarma, New York\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: New \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is the fourth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. It is primarily a calendar of Lozano’s personal, artistic and chemical interactions in 1969-1970. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project. Eleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.\u003cbr\u003e\u003c\/p\u003e","brand":"LEE LOZANO","offers":[{"title":"Default Title","offer_id":44895789220121,"sku":"","price":47.5,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/private-book-4.png?v=1680498397"},{"product_id":"lee-lozano-private-book-9","title":"LEE LOZANO \/ Private book #9","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eLee Lozano \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePrivate book #9  \u003c\/em\u003e2021 \u003cbr\u003e\u003cspan\u003eSpiral-bound paperback, 200\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e pages \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e13 x 7.5cm\u003cbr\u003e\u003c\/span\u003eKarma, New York\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: New \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis is the ninth volume in Karma’s 11-volume facsimile printing of Lee Lozano’s “Private Book” project. It is primarily a calendar of Lozano’s personal, artistic and chemical interactions in 1969-1970.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA prolific writer and documenter of both her art and her relationships, the public and private, the painter Lee Lozano (1930–99) kept a series of personal journals from 1968 to 1970 while living in New York’s SoHo neighborhood. In 1972 she rigorously edited these books, thus completing the project.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEleven of these private books survive, containing notes on her work, detailed interactions with artist friends and commentary on the alienations of gender politics, as well as philosophical queries into art’s role in society and humorous asides from daily life.\u003c\/p\u003e","brand":"LEE LOZANO","offers":[{"title":"Default Title","offer_id":44895820153113,"sku":"","price":49.95,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/Private-Book-9test.png?v=1680499763"},{"product_id":"paul-mccarthy","title":"PAUL McCARTHY \/ 1993 exhibition catalogue from Galerie Krinzinger","description":"\u003cdiv class=\"book-desc mt-2\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003ePaul McCarthy\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e1993 exhibition catalogue from Galerie Krinzinger, \u003c\/em\u003e1993 \u003cbr\u003ePaperback, 21 x 14.7cm\u003cbr\u003eFirst Edition\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eGalerie Krinzinger\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Used, l\u003cspan data-mce-fragment=\"1\"\u003eight wear to the edges.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDescription: Catalogue to accompany Paul McCarthy's 1993 exhibition at Galerie Krinzinger.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"book-desc mt-2\"\u003ePaul McCarthy is widely considered to be one of the most influential and groundbreaking contemporary American artists. Born in 1945, and raised in Salt Lake City, Utah, he first established a multi-faceted artistic practice, which sought to break the limitations of painting by using unorthodox materials such as bodily fluids and food. He has since become known for visceral, often hauntingly humorous work in a variety of mediums—from performance, photography, film and video, to sculpture, drawing and painting.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"book-desc mt-2\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDuring the 1990s, he extended his practice into installations and stand-alone sculptural figures, utilizing a range of materials such as fiberglass, silicone, animatronics and inflatable vinyl. Playing on popular illusions and cultural myths, fantasy and reality collide in a delirious yet poignant exploration of the subconscious, in works that simultaneously challenge the viewer’s phenomenological expectations.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhether absent or present, the human figure has been a constant in his work, either through the artist‘s own performances or the array of characters he creates to mix high and low culture, and provoke an analysis of our fundamental beliefs. These playfully oversized characters and objects critique the worlds from which they are drawn: Hollywood, politics, philosophy, science, art, literature, and television. McCarthy’s work, thus, locates the traumas lurking behind the stage set of the American Dream and identifies their counterparts in the art historical canon.\u003c\/p\u003e\n\u003cbr\u003e\n\u003c\/div\u003e","brand":"PAUL McCARTHY","offers":[{"title":"Default Title","offer_id":44913134240025,"sku":"","price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/products\/Folio_f026cf2e-d07d-4f6b-9aa1-71b6872a1266.jpg?v=1680736067"},{"product_id":"assemb","title":"DeFORREST BROWN JR \/ Assembling a Black Counter Culture","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDeForrest Brown, Jr.\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eAssembling a Black Counter Culture\u003c\/em\u003e  2022\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePaperback, 432 pages, \u003c\/span\u003e13 x 21cm\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003ePrimary Information, New York. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: New. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEditor: Rachel Valinsky; Editorial Consultant: Ting Ding and Camille Crain Drummond; Designer: Scott Ponik; Copy Editor: Madeleine Compagnon. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeForrest Brown, Jr.’s \u003c\/span\u003e\u003cem\u003eAssembling a Black Counter Culture\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003epresents a comprehensive account of techno with a focus on the history of Black experiences in industrialised labor systems—repositioning the genre as a unique form of Black musical and cultural production.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrown traces the genealogy and current developments in techno, locating its origins in the 1980s in the historically emblematic city of Detroit and the broader landscape of Black musical forms. Reaching back from the transatlantic slave trade to Emancipation, the Industrial Revolution, and the Great Migration from the rural South to the industrialised North, Brown details an extended history of techno rooted in the transformation of urban centres and the new forms of industrial capitalism that gave rise to the African American working class. Following the groundbreaking work of key early players like The Belleville Three, the multimedia output of Underground Resistance and the myth-science of Drexciya, Brown illuminates the networks of collaboration, production, and circulation of techno from Detroit to other cities around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAssembling a Black Counter Culture\u003c\/em\u003e\u003cspan\u003e reframes techno from a Black theoretical perspective distinct from its cultural assimilation within predominantly white, European electronic music contexts and discourse. With references to Theodore Roszak’s \u003c\/span\u003e\u003cem\u003eMaking of a Counter Culture, \u003c\/em\u003e\u003cspan\u003ewritings by African American autoworker and political activist James Boggs, and the “techno rebels” of Alvin Toffler’s \u003c\/span\u003e\u003cem\u003eThird Wave, \u003c\/em\u003e\u003cspan\u003eamong others, Brown draws parallels between movements in Black electronic music and Afrofuturist, speculative, and \u003c\/span\u003e\u003cspan\u003eAfrodiasporic practices to imagine a world-building sonic fiction and futurity embodied in techno.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeForrest Brown, Jr. is an Alabama-raised rhythmanalyst, writer, and representative of the Make Techno Black Again campaign. As Speaker Music, he channels the African American modernist tradition of rhythm and soul music as an intellectual site and sound of generational trauma. On Juneteenth of 2020, he released the album Black Nationalist Sonic Weaponry on Planet Mu. His written work explores the links between the Black experience in industrialised labor systems and Black innovation in electronic music, and has appeared in \u003c\/span\u003e\u003cem\u003eArtforum\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eTriple Canopy\u003c\/em\u003e\u003cspan\u003e, NPR, \u003cem\u003eCTM Festival\u003c\/em\u003e, \u003c\/span\u003e\u003cem\u003eMixmag\u003c\/em\u003e\u003cspan\u003e, among many others. He has performed or presented work at Haus der Kulturen der Welt, Berlin; Camden Arts Centre, UK; Unsound Festival, Krakow; Sónar, Barcelona; Issue Project Room, New York; and elsewhere. \u003cem\u003eAssembling a Black Counter Culture\u003c\/em\u003e is Brown’s debut book.\u003c\/span\u003e\u003c\/p\u003e","brand":"DeFORREST BROWN JR","offers":[{"title":"Default Title","offer_id":45180379005209,"sku":"","price":44.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/PI_Brown_Cover_Final-676x1024.jpg?v=1683524668"},{"product_id":"raymond-pettibon-tripping-corpse-three","title":"RAYMOND PETTIBON \/ Tripping Corpse 3","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eTripping Corpse 3  \u003c\/em\u003e1983\u003cbr\u003eOffset print of ink on paper, 28 pages\u003cbr\u003e22 x 14cm, 1st edition\u003cbr\u003eSST Pubs\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e#369 of 500. Approximately 400 copies from the edition were later destroyed. Hand-numbered by Raymond Pettibon in red ink on the front cover.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Very good.\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eMild toning due to age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"358\" data-end=\"749\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished by SST Publications in 1983, \u003cstrong data-start=\"397\" data-end=\"418\"\u003eTripping Corpse 3\u003c\/strong\u003e is the third instalment of Raymond Pettibon's seminal \u003cem data-start=\"473\" data-end=\"490\"\u003eTripping Corpse\u003c\/em\u003e series. Produced while Pettibon was creating record sleeves, flyers and artist's books for the Southern California punk underground, these self-published zines mark the emergence of one of the most influential drawing practices of the late twentieth century.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"751\" data-end=\"1194\"\u003eThroughout the \u003cem data-start=\"766\" data-end=\"783\"\u003eTripping Corpse\u003c\/em\u003e series, Pettibon dismantles the mythology of the American 1960s, weaving together psychedelia, Charles Manson, violence, religion and popular culture through his unmistakable pairing of hand-drawn imagery and fragmented text. Rejecting linear narrative, the pages unfold through abrupt shifts in image and language, exposing the paranoia, humour and contradictions that lie beneath the American counterculture.\u003c\/p\u003e\n\u003cp data-start=\"1196\" data-end=\"1345\"\u003eThis copy is hand-numbered \u003cstrong data-start=\"1223\" data-end=\"1234\"\u003e369\/500\u003c\/strong\u003e by Pettibon in red ink. With the majority of the edition destroyed, surviving copies are exceptionally scarce.\u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":45332022362393,"sku":"","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_0153.jpg?v=1784246285"},{"product_id":"copy-of-re-search-george-kuchar-1","title":"H.R. 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This American science fiction and fantasy comics magazine, published beginning in 1977 after the French magazine Métal Hurlant (est. 1974) remains incredibly popular and helped launch the careers of many artists including Giger. All Giger’s artworks are located and re-produced here from the pages of many lost issues of Heavy Metal, along with all accompanying articles and interviews re-typeset along with newly presented reference imagery throughout, all painstakingly indexed. H.R. Giger: Heavy Metal Index comes with exclusive bootleg stickers.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-c2574becbf3ecc0b64c7\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"H.R. GIGER","offers":[{"title":"Default Title","offer_id":45433351602457,"sku":"","price":30.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/HeavyMetalindex_2048x1638_crop_center_1.jpg?v=1686557919"},{"product_id":"copy-of-re-search-pranks-1","title":"RE\/SEARCH \/ Zines!","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eVarious \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eZines!  \u003c\/em\u003e1996\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover, 184 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e28 x 22cm, Vol I\u003cbr\u003e\u003c\/span\u003eRe\/Search, V.Vale \u003c\/p\u003e\n\u003cp class=\"\"\u003eCondition: New \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eZines Vol One comprises The First History of the Zine Movement. In the past few decades a quiet revolution has gained force: over 100,000 “zines” (independent, not-for-profit self publications) have emerged and spread–mostly through the mail, with little publicity…\u003c\/p\u003e\n\u003cp class=\"\"\u003eTHE FIRST BOOK ON ZINES! Flaunting off-beat interests, extreme personal revelations \u0026amp; social activism, zines directly counter the pseudo-communication \u0026amp; glossy lies of the mainstream media monopoly. V. Vale’s interviews capture all the excitement associated with uncensored freedom of expression, while offering insight, inspiration \u0026amp; delight.\u003c\/p\u003e\n\u003cp class=\"\"\u003eFeatures: how to tips to create a great ZINE without money! Better Living through creative scams \u0026amp; pranks! Queerpunk, Riot Grrrl, Fat Girl! A history of pre-zine rebel publishing! Thrift Store Shopping Confidential! Includes 10 pages of inspiring quotations, a directory of 800 selected zines, index \u0026amp; introduction\/overview.\u003c\/p\u003e\n\u003cdiv id=\"block-c2574becbf3ecc0b64c7\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RE\/SEARCH","offers":[{"title":"Default Title","offer_id":45434050347289,"sku":"","price":85.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/1001_5582c315-57ea-4268-8ed9-50d11db28647.jpg?v=1686564894"},{"product_id":"copy-of-re-search-zines","title":"RE\/SEARCH \/ Zines!","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eVarious \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eZines!  \u003c\/em\u003e1997\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSoftcover, 184 pages\u003cbr\u003e28 x 22cm. Vol II\u003cbr\u003eRe\/Search, V.Vale \u003c\/p\u003e\n\u003cp class=\"\"\u003eCondition: New \u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cmeta charset=\"utf-8\"\u003eZines Vol One comprises The First History of the Zine Movement. In the past few decades a quiet revolution has gained force: over 100,000 “zines” (independent, not-for-profit self publications) have emerged and spread–mostly through the mail, with little publicity…\u003c\/p\u003e\n\u003cp class=\"\"\u003eTHE FIRST BOOK ON ZINES! Flaunting off-beat interests, extreme personal revelations \u0026amp; social activism, zines directly counter the pseudo-communication \u0026amp; glossy lies of the mainstream media monopoly. V. Vale’s interviews capture all the excitement associated with uncensored freedom of expression, while offering insight, inspiration \u0026amp; delight.\u003c\/p\u003e\n\u003cp class=\"\"\u003eFeatures: how to tips to create a great ZINE without money! Better Living through creative scams \u0026amp; pranks! Queerpunk, Riot Grrrl, Fat Girl! A history of pre-zine rebel publishing! Thrift Store Shopping Confidential! Includes 10 pages of inspiring quotations, a directory of 800 selected zines, index \u0026amp; introduction\/overview.\u003c\/p\u003e\n\u003cdiv id=\"block-c2574becbf3ecc0b64c7\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RE\/SEARCH","offers":[{"title":"Default Title","offer_id":45437708960025,"sku":"","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/1001copy.jpg?v=1686615649"},{"product_id":"various-producing-futures-a-book-on-post-cyber-feminisms","title":"VARIOUS \/ Producing Futures, A Book on Post-Cyber Feminisms","description":"\u003cp\u003e\u003cstrong\u003eElsa Himmer, Heike Munder, Joanna Walsh, Paul B. Preciado, Yvonne Volkart\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eProducing Futures, A Book on Post-Cyber Feminisms  \u003c\/em\u003e2019\u003cbr\u003eHardcover, 148 pages\u003cbr\u003e23 x 17.5cm\u003cbr\u003eJRP, CH\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eStemming from the timely spring 2019 group exhibition at the Migros Museum für Gegenwartskunst, “Producing Futures: A Book on Post-Cyber-Feminisms” focuses on feminist concerns in the post-internet era. While in the 1990s cyber-feminism—a term coined by artist collective VNS Matrix—celebrated the cyberspace as a place of liberation and empowerment, one is now confronted with the fact that, rather, it multiplied and enforced existing hierarchies and power structures. Thus the question remains of whether the cyberspace can be appropriated when striving for gender justice, emancipation and social equality. As the virtual world(s) and real life are increasingly merging, artists reflect on and productively alienate the tools and platforms on hand to produce a future that is worth living in—offline and online.\u003c\/p\u003e\n\u003cp\u003eTo relate historical claims and visions of cyber-feminism to the current situation, as well as to different feminist approaches which focus on the tension between body and technology and discriminatory gender norms, this publication gathers together works and approaches by Cao Fei, Cécile B. Evans, Guan Xiao, Lynn Hershman Leeson, Juliana Huxtable, Mary Maggic, Malaxa, Shana Moulton, Tabita Rezaire, Gavin Rayna Russom, Frances Stark, Wu Tsang, Anna Uddenberg, VNS Matrix, and Anicka Yi.\u003c\/p\u003e\n\u003cp\u003eNewly commissioned essays by Elsa Himmer, Heike Munder, Paul B. Preciado, Yvonne Volkart, and Joanna Walsh.\u003c\/p\u003e\n\u003cp\u003ePublished with the Migros Museum für Gegenwartskunst, Zurich, on the occasion of the exhibition “Producing Futures: An Exhibition on Post-Cyber-Feminisms,” February 16–May 12, 2019.\u003c\/p\u003e","brand":"ANICKA YI","offers":[{"title":"Default Title","offer_id":45548060803353,"sku":"","price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/ProducingFutures_19s_1024x1024_46f9f5b4-452c-413a-8493-1519f743d1c1.jpg?v=1687869301"},{"product_id":"tim-coghlan-jonathan-ellery-immortal-tribes-blazing-across-the-northern-and-southern-skies","title":"TIM COGHLAN \u0026 JONATHAN ELLERY \/ Immortal Tribes: Blazing Across the Northern and Southern Skies","description":"\u003cp\u003e\u003cstrong\u003eTim Coghlan\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eImmortal Tribes: Blazing Across the Northern and Southern Skies  \u003c\/em\u003e2022\u003cbr\u003eSoftcover, spiral bound\u003cbr\u003e18 x 10.5cm\u003cbr\u003ePublished by Knowledge Editions, Melbourne\u003c\/p\u003e\n\u003cp\u003e1st edition \u003cspan data-mce-fragment=\"1\"\u003eof 100\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eImmortal Tribes is a dialog through images sent between London artist Jonathan Ellery and Melbourne designer Tim Coghlan. The images were sent back and forth over iMessage during the long periods of lockdown that each city live in imposed on them throughout the Covid-19 Pandemic. The images play off one another that document life before and during the Pandemic.\u003cbr\u003e\u003c\/p\u003e","brand":"TIM COGHLAN \u0026 JONATHAN ELLERY","offers":[{"title":"Default Title","offer_id":45609797812505,"sku":"","price":40.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/immortal-tribes-blazing-across-the-northern-southern-skies-jonathan-ellery-tim-coghlan.jpg?v=1688373097"},{"product_id":"tom-of-finland-1999-calander","title":"TOM  OF FINLAND \/ 1999 Calander","description":"\u003cp\u003e\u003cstrong\u003eTom Of Finland\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e1999 Calendar  \u003c\/em\u003e1999\u003cbr\u003eVintage Tom of Finland 1999 wall calendar\u003cbr\u003e28 x 21cm\u003c\/p\u003e\n\u003cp\u003ePublisher: Tom Of Finland Foundation\u003c\/p\u003e\n\u003cp\u003eCondition: Some slight folding of corners and a slight crease on the back cover. Some of the images double up on certain months.\u003c\/p\u003e","brand":"TOM OF FINLAND","offers":[{"title":"Default Title","offer_id":45611384078617,"sku":"","price":90.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_008_5884ffef-23e7-4f75-94fb-70d720000518.jpg?v=1688380023"},{"product_id":"ebecho-muslimova-fatebe-volume-1","title":"EBECHO MUSLIMOVA \/ FATEBE Volume 1","description":"\u003cp\u003e\u003cstrong\u003eEbecho Muslimova\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eFATEBE Volume 1  \u003c\/em\u003e2016\u003cbr\u003eSoftcover, 80 pages, \u003cbr\u003e22.5 x 14cm\u003cbr\u003e250 numbered copies\u003cbr\u003eOne Star Press, Paris\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"This is the first book of drawings of my beloved Fatebe. Fatebe is a kind of alter ego character I created 5 years ago. She only exists in drawing. I don't know the length of this project but she persists. I hope you love her too.\" E.M.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e","brand":"EBECHO MUSLIMOVA","offers":[{"title":"Default Title","offer_id":45620228292889,"sku":"","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_006_20191359-6ce9-43e2-a809-d17a31f4d880.jpg?v=1688473207"},{"product_id":"lawrence-weiner-as-often-as-not","title":"LAWRENCE WEINER \/ As Often As Not","description":"\u003cp\u003e\u003cstrong\u003eLawrence Weiner\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eAs Often As Not  \u003c\/em\u003e2017\u003cbr\u003eFibreglass serving tray, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiameter: 30,5 cm\u003cbr\u003eFiberglass (Antique parchment) Silkscreen Printing (dishwasher safe)\u003cbr\u003eOpen edition\u003cbr\u003e\u003c\/span\u003eOne Star Press, Paris\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eIn 1930 fibreglass was invented, initially used for the purpose of thermal building insulation. Then in 1950 Charles and Ray Eames mass produced their iconic fiberglass chair with Herman Miller, Inc. In 1951, Camtray (now renamed as Cambro) began manufacturing fiberglass trays in Huntington Beach, CA. Many years later, in 2017, onestar press invited Lawrence Weiner to design an open edition serving tray produced by Cambro.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLawrence Weiner used his trademark font and came up with the following text : AS OFTEN AS NOT. The artist then concluded: LET US GET SOME DRINKS ON THE TRAY!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e","brand":"LAWRENCE WEINER","offers":[{"title":"Default Title","offer_id":45620568883481,"sku":"","price":225.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/LW.jpg?v=1691759623"},{"product_id":"rirkrit-tiravanija-fear-eats-the-soul","title":"RIRKRIT TIRAVANIJA \/ Fear Eats The Soul","description":"\u003cp\u003e\u003cstrong\u003eRirkrit Tiravanija\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eFear Eats The Soul  \u003c\/em\u003e2018\u003cbr\u003eFibreglass serving tray, 41.5 x 31cm \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eFiberglass (Antique parchment) Silkscreen Printing (dishwasher safe)\u003cbr\u003eOpen edition\u003cbr\u003e\u003c\/span\u003eOne Star Press, Paris\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"mt-headerSM lg:mt-header pt-10\"\u003e\n\u003cdiv class=\"mb-beforeFooter\"\u003e\n\u003cdiv class=\"px-10 grid gap-5 gap-y-beforeFooter pt-edit lg:grid-cols-2\"\u003e\n\u003cdiv class=\"DESCRIPTION\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"grid\"\u003e\n\u003cdiv class=\"portableText\"\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eFollowing onestar press’ inaugural tray project by Lawrence Weiner, they are proud to present Rirkrit Tiravanija’s FEAR EATS THE SOUL.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eHere Tiravanija has appropriated his text from the title of Rainer Werner Fassbinder’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAli: Fear Eats the Soul\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea film which still resonates today with its vibrant questions of race and class raised in 1970s Germany.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eThe 4-worded phrase used by Rirkrit literally “serves” as a cornerstone of his artistic practice, using appropriated language to underscore the exploration between art and food, and now perfectly encapsulated in a fiberglass tray produced by Cambro, Huntington Beach, CA U.S.A\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RIRKRIT TIRAVANIJA","offers":[{"title":"Default Title","offer_id":45621114143001,"sku":"","price":235.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/RT.jpg?v=1692086578"},{"product_id":"copy-of-raymond-pettibon-other-christs","title":"RAYMOND PETTIBON \/ Asbestos","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eAsbestos  \u003c\/em\u003e1982\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOffset print of ink on paper, 28 pages\u003cbr\u003e22 x 14cm, 1st edition\u003cbr\u003eSST Publications\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEdition: \u003cmeta charset=\"utf-8\"\u003e#491 of 500. Approximately 400 copies from the edition were later destroyed. Hand-numbered by Raymond Pettibon on the front cover.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Very good. Mild toning and light handling wear consistent with age.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e~\u003c\/p\u003e\n\u003cp data-start=\"396\" data-end=\"816\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished by SST Publications in 1982, \u003cstrong data-start=\"435\" data-end=\"447\"\u003eAsbestos\u003c\/strong\u003e is among Raymond Pettibon's earliest artist's books, produced during the formative years of the Southern California punk movement. Created while Pettibon was designing record covers, flyers and zines for his brother Greg Ginn's label, SST, these self-published works became the foundation of one of the most influential drawing practices of the late twentieth century.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"818\" data-end=\"1151\"\u003eOffset printed in a modest edition of 500 copies, \u003cem data-start=\"868\" data-end=\"878\"\u003eAsbestos\u003c\/em\u003e combines Pettibon's unmistakable ink drawings with fragments of text that shift between confession, satire and violence. Popular culture, American mythology and private anxiety collide across its pages, foreshadowing the visual language that would later define his career.\u003c\/p\u003e\n\u003cp data-start=\"1153\" data-end=\"1305\"\u003eThis copy is hand-numbered \u003cstrong data-start=\"1180\" data-end=\"1191\"\u003e491\/500\u003c\/strong\u003e by Pettibon. With the majority of the edition destroyed, surviving copies of \u003cem data-start=\"1269\" data-end=\"1279\"\u003eAsbestos\u003c\/em\u003e are exceptionally scarce.\u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":45958298272025,"sku":"","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_0110_9d73adc1-efcc-48b5-901f-6c4b3973831e.jpg?v=1784117279"},{"product_id":"copy-of-raymond-pettibon-virgin-fears","title":"RAYMOND PETTIBON \/ The Navigator's Wives","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThe Navigator's Wives  \u003c\/em\u003e1985\u003cbr\u003eOffset print of ink on paper, 35 pages\u003cbr\u003e22 x 14cm, 1st edition \u003cbr\u003eSST Pubs\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsed, very good.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMild toning due to age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eEdition: 265 of 500. \u003cmeta charset=\"utf-8\"\u003e(Approximately 400 from the edition were destroyed), noted in red ink in Pettibon's hand on the front cover. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eKnown for his poetic collisions of \"high\" and \"low\" cultural forms, Raymond Pettibon first launched his career as an artist making zines, fliers, and other ephemera within the SoCal punk scene of the late 1970s and 1980s, published by his brother's record label SST Publications. \u003c\/span\u003e\u003cspan\u003e\"His work became identified with a brash and iconoclastic visual style that would influence and speak for an entire generation of disaffected youth … He stands alongside a generation of Los Angeles artists who have tackled the dissolution of American idealism head-on using fragments of its own visual culture.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThese early zines were at first mimeographed and later offset printed or photocopied. The drawings often express disillusionment with the utopian 1960s, a common punk sentiment at the time. One zine in particular, Tripping Corpse, which was serialised, tends to focus on hippie culture gone terribly wrong. Charles Manson is a favourite subject, and even in drawings where he’s not explicitly portrayed, his presence is felt. Far from purely reactionary, though, Pettibon’s work from this time targets the underlying violence of American culture at large, with portrayals of corrupt police officers, classic teen angst, drug addiction, self-loathing, marital dissatisfaction, and the private lives of celebrities and politicians such as Joan Crawford and J. Edgar Hoover.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":45959171440921,"sku":"","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Pettibon_front_15.jpg?v=1690720785"},{"product_id":"joan-mitchell-by-her-friends","title":"JOAN MITCHELL \/ By Her Friends","description":"\u003cp\u003e\u003cstrong\u003eJoan Mitchell\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eBy Her Friends  \u003c\/em\u003e2023\u003cbr\u003eSoftcover, 224 pages\u003cbr\u003e21 x 15cm\u003cbr\u003eLes Presses du Reel, FR\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInfluential American painter, Joan Mitchell (1925–1992), was a leading figure in the Abstract Expressionist movement of the mid-20th century. Breaking boundaries as a female artist, Mitchell achieved critical acclaim in a male-dominated art world. This book provides an intimate portrait of the artist through a collection of previously unpublished conversations with Mitchell’s closest friends. From artists, art historians, and personalities such as Paul Auster and Zuka, this book brings together Guy Bloch-Champfort's interviews, revealing new character traits and stories about the artist. The author was a close friend of Mitchell and the coordinator of her estate after her death.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInterviews with Paul Auster, Claude Bauret Allard, Carole Benzaken, Franck Bordas, Velma Bury, Henri-Claude Cousseau, John Cheim, Philipe Dagen, Monique Frydman, Alan Glass, Elga Heinzen, Jacqueline Hyde, Betsy Jolas, Klaus Kertess, Serge Lemoine, Adrien Maeght, Brice Marden, Françoise Marquet, Joyce Pensato, Philippe Piguet, Marcelin Pleynet, Philippe Richard, Michaële Andréa Schatt, Bill Scott, Robert Storr, Jill Weinberg Adams, Mâkhi Xenakis, Zuka.\u003c\/span\u003e\u003c\/p\u003e","brand":"JOAN MITCHELL","offers":[{"title":"Default Title","offer_id":46462259757337,"sku":"","price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/9782378964283_mitchell_jpg.jpg?v=1692612706"},{"product_id":"mindy-seu-cyberfeminism-index","title":"MINDY SEU \/ Cyberfeminism Index","description":"\u003cp\u003e\u003cstrong\u003eMindy Seu\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eCyberfeminism Index  \u003c\/em\u003e2023\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSoftcover, 560 pages\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e24 x 17cm\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInventory Press, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eLos Angeles\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: new\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eCyberfeminism Index\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eis a collection of resources for techno-critical works from 1990–2020, gathered and facilitated by Mindy Seu.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eIn\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCyberfeminism Index,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ehackers, scholars, artists, and activists of all regions, races and sexual orientations consider how humans might reconstruct themselves by way of technology. When learning about internet history, we are taught to focus on engineering, the military-industrial complex, and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers, and computers. It is an environment that shapes and is shaped by its inhabitants and their use.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe creation and use of the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCyberfeminism Index\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a social and political act. It takes the name cyberfeminism as an umbrella, complicates it, and pushes it into plain sight. Edited by designer, professor, and researcher Mindy Seu, it includes more than 700 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, and bio-hacktivism; and depictions of feminist net art and new media art.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eBoth a vital introduction for laypeople and a robust resource guide for educators,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCyberfeminism Index\u003c\/i\u003e—an anti-canon, of sorts—celebrates the multiplicity of practices that fall under this imperfect categorization and makes visible cyberfeminism’s long-ignored origins and its expansive legacy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContributors include: Skawennati, Charlotte Web, Melanie Hoff, Constanza Pina, Melissa Aguilar, Cornelia Sollfrank, Paola Ricaurte Quijano, Mary Maggic, Neema Githere, Helen Hester, Annie Goh, VNS Matrix, Klau Chinche \/ Klau Kinky and Irina Aristarkhova.\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"MINDY SEU","offers":[{"title":"Default Title","offer_id":47379121144089,"sku":"","price":73.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/seu-web.jpg?v=1699672173"},{"product_id":"richard-prince-the-hippie-drawings","title":"RICHARD PRINCE \/ The Hippie Drawings","description":"\u003cp\u003e\u003cstrong\u003eRichard Prince\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThe Hippie Drawings: The Richard Prince Purple Book  \u003c\/em\u003e2005\u003cbr\u003esoftcover, 48 pages\u003cbr\u003e28 x 21cm\u003cbr\u003eThe Purple Institute, Paris\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: Fine, near new\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Richard Prince Purple Book. A special edition artist's book \"the hippie drawings\" by Richard Prince published in conjunction with Purple Magazine issue number 3 Spring\/Summer 2005. offset-printed black-and-white.\u003c\/span\u003e\u003c\/p\u003e","brand":"RICHARD PRINCE","offers":[{"title":"Default Title","offer_id":48766000693529,"sku":"","price":190.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_050_0b50a27c-2166-4fa4-a184-2c6be7ef9af7.jpg?v=1714963142"},{"product_id":"larry-clark-10-postcards","title":"LARRY CLARK \/ 10 Postcards","description":"\u003cp\u003e\u003cstrong\u003eLarry Clark\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e10 Postcards  \u003c\/em\u003e1999\u003cbr\u003e10 black and white postcards\u003cbr\u003eperforated, perfect bound\u003cbr\u003e20 x 13cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGroninger Museum, Holland\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: Very good\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis little postcard book of was created for an exhibition of photographer Larry Clark that took place at Groninger Museum in the Netherlands in 1999, and depicts some of Clark's earliest most iconic images from his books Tulsa and Teenage Lust. \u003cmeta charset=\"utf-8\"\u003eThe cards are bound making this a book until separated. Most of these postcard sets were pulped\/destroyed as the designer misdated many of the photos and Clark refused to let them be released.\u003c\/span\u003e\u003c\/p\u003e","brand":"LARRY CLARK","offers":[{"title":"Default Title","offer_id":48766146314521,"sku":"","price":175.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_119.jpg?v=1714968264"},{"product_id":"sofia-coppola-archive","title":"SOFIA COPPOLA \/ Archive","description":"\u003cp\u003e\u003cstrong\u003eSofia Coppola\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eArchive\u003c\/em\u003e  2023\u003cbr\u003eSoftcover, 488 pages\u003cbr\u003e28 x 21.5cm\u003cbr\u003eMACK, London\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: new\u003c\/p\u003e\n\u003cp\u003e\u003ci data-mce-fragment=\"1\"\u003eArchive\u003c\/i\u003e\u003cspan\u003e is the first book by Sofia Coppola, covering the entirety of her singular and influential career in film. Constructed from Coppola’s personal collection of photographs and ephemera, including early development work, reference collages, influences, annotated scripts, and unseen behind-the-scenes documentation, it offers a detailed account of all eight of her films to date. Mapping a course from \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Virgin Suicides\u003c\/i\u003e\u003cspan\u003e (1999), through \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eLost in Translation\u003c\/i\u003e\u003cspan\u003e (2003) and \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eMarie Antoinette\u003c\/i\u003e\u003cspan\u003e (2006), to \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Beguiled\u003c\/i\u003e\u003cspan\u003e (2017) and her upcoming feature \u003c\/span\u003e\u003ci data-mce-fragment=\"1\"\u003ePriscilla\u003c\/i\u003e\u003cspan\u003e (fall 2023), exploring Priscilla Presley’s early years at Graceland, this luxurious volume reflects on one of the defining and most unmistakable cinematic oeuvres of the twenty-first century.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAn art book personally edited and annotated throughout by Coppola, \u003ci data-mce-fragment=\"1\"\u003eArchive\u003c\/i\u003e offers an intimate encounter with her methods, references, and collaborators and an unprecedented insight into her working processes. Accompanying the highly personal images and texts from Coppola’s archive is an extended interview with renowned film journalist Lynn Hirschberg discussing the remarkable oeuvre they reflect.\u003c\/p\u003e\n\u003c!----\u003e","brand":"SOFIA COPPOLA","offers":[{"title":"Default Title","offer_id":49385160573209,"sku":"","price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/art-60020-01.jpg?v=1721474007"},{"product_id":"liz-jobey-ed-rays-a-laugh-a-reader","title":"LIZ JOBEY (ED.) \/ Ray's a laugh: a reader","description":"\u003cp\u003e\u003cstrong\u003eLiz Jobey\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eRay's a laugh: a reader  \u003c\/em\u003e2024\u003cbr\u003eSoftcover, 160 pages\u003cbr\u003e19.5 x 12.5cm\u003cbr\u003eMACK, London\u003c\/p\u003e\n\u003cp\u003eCondition: new\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn 1996, a book of photographs by an unknown young British photographer was launched on to the London contemporary art market to immediate popular and critical success. The pictures were taken within the claustrophobic, chaotic interior of a Birmingham council flat where the photographer’s father, Ray, an alcoholic, lived with Liz, his sedentary and occasionally violent mother, and his younger brother Jason.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor the public, including cultured, art-loving viewers, the pictures were a shock: more intimate, more personal, more oppressive than the well-meaning photojournalistic study of working-class poverty to which they were accustomed. Some saw them as a betrayal – exposing unsuspecting family members to potential humiliation – but from Richard Billingham’s point of view they made moral judgements and had no social or political purpose. He had taken them as reference images for his painting, and their lives as artworks were as much a result of the interventions of other editors and gallerists as of Billingham’s own intentions.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThis reader traces the history of a body of work which remains as vital and provocative as on its first release, and whose story tells us much about the workings of art, publishing, and the politics of dissemination. Editor Liz Jobey charts the history in a new essay drawing on interviews with Billingham and all the primary protagonists of the work’s emergence, including Michael Collins, Julian Germain, and Paul Graham. This is followed by an extensive selection of conversations and essays from 1996 to the present day, by writers including Charlotte Cotton, Gordon Burn, Lynn Barber, and Jim Lewis. This book coincides with the release of a new edition of \u003c\/span\u003e\u003ca href=\"https:\/\/landslide.sydney\/products\/richard-billingham-rays-a-laugh\"\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003ci\u003eRay’s a Laugh\u003c\/i\u003e\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e restoring Billingham’s original vision for the book. \u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"LIZ JOBEY (ED)","offers":[{"title":"Default Title","offer_id":49385206022425,"sku":"","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/rays_a_laugh-a_reader_liz_jobey_ffb461d0-b1e3-4e85-9d7b-b869f167bf67.jpg?v=1721478332"},{"product_id":"martin-wong-footprints-poems-and-leaves","title":"MARTIN WONG \/ Footprints, Poems and Leaves","description":"\u003cp\u003e\u003cstrong\u003eMartin Wong\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eFootprints, Poems and leaves  \u003c\/em\u003e2024 \u003cbr\u003eSoftcover, 68 pages\u003cbr\u003e21.5 x 14cm\u003cbr\u003ePrimary Information, NY\u003c\/p\u003e\n\u003cp\u003eCondition: new\u003c\/p\u003e\n\u003cp\u003eSelf-published in 1968, Footprints, Poems, and Leaves collects dozens of poems written by Martin Wong between 1966 and 1968. Hand-written in a signature calligraphic style that he was just beginning to develop, the poems ebb and flow visually across the page, much like the fluctuating characters, scenes, and moods that inhabit them. This was Wong’s first book of poetry and it contains a double cover showcasing intricate drawings of skeletal angels and other tableaux, as well as a folded, looseleaf broadsheet containing two poems and a drawing of a boney leaf.\u003c\/p\u003e\n\u003cp\u003eThe poems were written during a relatively free period for the artist, shortly after he dropped out of Berkeley and began exploring San Francisco at the height of the hippy movement. The poems range from surrealist and pastoral descriptions of the urban subculture that surrounded him to downtrodden, travel-weary biographical entries that are both lonely and tender. Footprints, Poems, and Leaves functions like a journal capturing Wong’s tumultuous life in this period, which included being arrested at a queer, drug-fueled house party (along with Rudolf Nureyev and Dame Margot Fonteyn) and a stay in a mental institution in late 1967 and early 1968. Around the time of the book’s publication, Wong enrolled in Humboldt State University to finish his degree, beginning a new chapter for the artist.\u003c\/p\u003e\n\u003cp\u003eDespite the dark backdrops of many of the works, the writing displays a playfulness with form and language and a sense of humour that can be seen throughout Wong’s later work as well. 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