{"title":"NEW YORK OUTPOST","description":"\u003cdiv class=\"flex flex-col text-sm pb-25\"\u003e\n\u003carticle data-turn=\"assistant\" data-scroll-anchor=\"true\" data-testid=\"conversation-turn-4\" data-turn-id=\"request-WEB:9932f4de-821e-4e57-a81c-8fec902f72f2-1\" dir=\"auto\" class=\"text-token-text-primary w-full focus:outline-none [--shadow-height:45px] has-data-writing-block:pointer-events-none has-data-writing-block:-mt-(--shadow-height) has-data-writing-block:pt-(--shadow-height) [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-10 [--thread-content-margin:--spacing(4)] @w-sm\/main:[--thread-content-margin:--spacing(6)] @w-lg\/main:[--thread-content-margin:--spacing(16)] px-(--thread-content-margin)\"\u003e\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\" tabindex=\"-1\"\u003e\n\u003cdiv class=\"flex max-w-full flex-col grow\"\u003e\n\u003cdiv data-message-model-slug=\"gpt-5-2\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal [.text-message+\u0026amp;]:mt-1\" dir=\"auto\" data-message-id=\"475838d9-23b6-4bf1-8538-b22615b4c89a\" data-message-author-role=\"assistant\"\u003e\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden first:pt-[1px]\"\u003e\n\u003cdiv class=\"markdown prose dark:prose-invert w-full wrap-break-word light markdown-new-styling\"\u003e\n\u003cp data-is-only-node=\"\" data-is-last-node=\"\" data-end=\"337\" data-start=\"0\"\u003eOriginally from Sydney, Australia, Landslide is an independent art bookshop and publisher sourcing rare and new art books, artist editions, and ephemera from around the world. For this special event, Landslide will present a curated outpost at Dutton Gallery in New York City, showcasing a selection drawn from its international collection.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"mt-3 w-full empty:hidden\"\u003e\n\u003cdiv class=\"text-center\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/article\u003e\n\u003c\/div\u003e","products":[{"product_id":"claus-oldenburg-store-days","title":"CLAES OLDENBURG \/ Store Days","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eClaes Oldenburg\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eStore Days, \u003c\/em\u003e1967\u003cbr\u003eHardcover, first Edition\u003cbr\u003eSomething Else Press, New York\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eCondition:\u003cspan\u003e Very Good. Minimal wear; the book remains crisp and well preserved. Original Store business card present and in pristine condition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cem\u003e\u003cspan\u003eStore Days\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a wonderfully eccentric document of one of the most important experiments in early Pop art: Claes Oldenburg’s \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Store\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, the artist’s notorious Lower East Side storefront at 107 East 2nd Street. Opened in 1961, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Store\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e blurred the line between shop, studio, installation and performance, filling a deliberately makeshift commercial space with hand-made versions of everyday commodities — food, clothing, furniture and consumer goods rendered in plaster, cardboard and other humble materials.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe book captures this world through Oldenburg’s own texts alongside an energetic mix of black-and-white and colour photographs and illustrations. Produced with the aid of poet and Fluxus figure Emmett Williams, with photographs by Robert R. McElroy, it has the feel of an artist’s scrapbook or visual archive rather than a conventional monograph, reflecting the anarchic spirit of the project itself.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eA particularly great feature of this copy is the original business card for “The Store,” at 107 E. 2nd St., preserved in pristine condition in its original glassine pocket pasted to the front of the book. The surviving card is a small but fantastic piece of Oldenburg ephemera, giving the publication a direct physical connection to the legendary storefront.\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003eAn essential early Oldenburg publication and a highly desirable document of the artist’s formative New York period.\u003c\/p\u003e","brand":"CLAES OLDENBURG","offers":[{"title":"Default Title","offer_id":45151171477785,"sku":"","price":180.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_0578_5c0db9e6-45ce-42db-9a51-ffe34b22df73.jpg?v=1786806979"},{"product_id":"lawrence-weiner-deep-blue-sky-light-blue-sky-2","title":"LAWRENCE WEINER \/ Deep blue sky \/ Light blue sky 2","description":"\u003cp\u003e\u003cstrong\u003eLawrence Weiner\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eDeep blue sky \/ Light blue sky 2  \u003c\/em\u003e2007\u003cbr\u003eSoftcover, 150 pages\u003cbr\u003e22.5 x 14cm\u003cbr\u003eSecond edition, printed in blue\u003cbr\u003e600 numbered copies\u003cbr\u003eOne Star Press\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn artists book by Lawrence Weiner incorporating texts and diagram drawings that plays on maritime theme and passages. Printed in blue ink on white paper. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e","brand":"LAWRENCE WEINER","offers":[{"title":"Default Title","offer_id":45621425766681,"sku":"","price":185.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_008_0168338c-39aa-42a6-a4c4-c613b9e98ab0.jpg?v=1688470810"},{"product_id":"copy-of-raymond-pettibon-like-death-valley","title":"RAYMOND PETTIBON \/ At First Watching","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eAt First Watching  \u003c\/em\u003e1989\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOffset print of ink on paper, 28 pages\u003cbr\u003e22 x 14cm, 1st edition\u003cbr\u003eSST Pubs\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsed, very good.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMild toning due to age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdition: #32 of 70, n\u003cspan data-mce-fragment=\"1\" itemprop=\"description\"\u003eoted in black ink in Pettibon's hand on the front cover\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eKnown for his poetic collisions of \"high\" and \"low\" cultural forms, Raymond Pettibon first launched his career as an artist making zines, fliers, and other ephemera within the SoCal punk scene of the late 1970s and 1980s, published by his brother's record label SST Publications. \u003c\/span\u003e\u003cspan\u003e\"His work became identified with a brash and iconoclastic visual style that would influence and speak for an entire generation of disaffected youth … He stands alongside a generation of Los Angeles artists who have tackled the dissolution of American idealism head-on using fragments of its own visual culture.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThese early zines were at first mimeographed and later offset printed or photocopied. The drawings often express disillusionment with the utopian 1960s, a common punk sentiment at the time. One zine in particular, Tripping Corpse, which was serialised, tends to focus on hippie culture gone terribly wrong. Charles Manson is a favourite subject, and even in drawings where he’s not explicitly portrayed, his presence is felt. Far from purely reactionary, though, Pettibon’s work from this time targets the underlying violence of American culture at large, with portrayals of corrupt police officers, classic teen angst, drug addiction, self-loathing, marital dissatisfaction, and the private lives of celebrities and politicians such as Joan Crawford and J. Edgar Hoover.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":45959060750617,"sku":"","price":1200.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Pettibon_front_12.jpg?v=1690719583"},{"product_id":"copy-of-raymond-pettibon-wein-weib-und-gesang","title":"RAYMOND PETTIBON \/ Virgin Fears","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eVirgin Fears  \u003c\/em\u003e1983\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOffset print of ink on paper, 35 pages\u003cbr\u003e22 x 14cm, 1st edition\u003cbr\u003eSST Pubs\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsed, very good.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMild toning due to age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition: #358 of 500. \u003cmeta charset=\"utf-8\"\u003e(Approximately 400 from the edition were destroyed), noted in red ink in Pettibon's hand on the front cover. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eKnown for his poetic collisions of \"high\" and \"low\" cultural forms, Raymond Pettibon first launched his career as an artist making zines, fliers, and other ephemera within the SoCal punk scene of the late 1970s and 1980s, published by his brother's record label SST Publications. \u003c\/span\u003e\u003cspan\u003e\"His work became identified with a brash and iconoclastic visual style that would influence and speak for an entire generation of disaffected youth … He stands alongside a generation of Los Angeles artists who have tackled the dissolution of American idealism head-on using fragments of its own visual culture.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThese early zines were at first mimeographed and later offset printed or photocopied. The drawings often express disillusionment with the utopian 1960s, a common punk sentiment at the time. One zine in particular, Tripping Corpse, which was serialised, tends to focus on hippie culture gone terribly wrong. Charles Manson is a favourite subject, and even in drawings where he’s not explicitly portrayed, his presence is felt. Far from purely reactionary, though, Pettibon’s work from this time targets the underlying violence of American culture at large, with portrayals of corrupt police officers, classic teen angst, drug addiction, self-loathing, marital dissatisfaction, and the private lives of celebrities and politicians such as Joan Crawford and J. Edgar Hoover.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":45959144767769,"sku":"","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Pettibon_front_14.jpg?v=1690720350"},{"product_id":"copy-of-raymond-pettibon-virgin-fears","title":"RAYMOND PETTIBON \/ The Navigator's Wives","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThe Navigator's Wives  \u003c\/em\u003e1985\u003cbr\u003eOffset print of ink on paper, 35 pages\u003cbr\u003e22 x 14cm, 1st edition \u003cbr\u003eSST Pubs\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsed, very good.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMild toning due to age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eEdition: 265 of 500. \u003cmeta charset=\"utf-8\"\u003e(Approximately 400 from the edition were destroyed), noted in red ink in Pettibon's hand on the front cover. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eKnown for his poetic collisions of \"high\" and \"low\" cultural forms, Raymond Pettibon first launched his career as an artist making zines, fliers, and other ephemera within the SoCal punk scene of the late 1970s and 1980s, published by his brother's record label SST Publications. \u003c\/span\u003e\u003cspan\u003e\"His work became identified with a brash and iconoclastic visual style that would influence and speak for an entire generation of disaffected youth … He stands alongside a generation of Los Angeles artists who have tackled the dissolution of American idealism head-on using fragments of its own visual culture.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThese early zines were at first mimeographed and later offset printed or photocopied. The drawings often express disillusionment with the utopian 1960s, a common punk sentiment at the time. One zine in particular, Tripping Corpse, which was serialised, tends to focus on hippie culture gone terribly wrong. Charles Manson is a favourite subject, and even in drawings where he’s not explicitly portrayed, his presence is felt. Far from purely reactionary, though, Pettibon’s work from this time targets the underlying violence of American culture at large, with portrayals of corrupt police officers, classic teen angst, drug addiction, self-loathing, marital dissatisfaction, and the private lives of celebrities and politicians such as Joan Crawford and J. Edgar Hoover.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":45959171440921,"sku":"","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Pettibon_front_15.jpg?v=1690720785"},{"product_id":"copy-of-raymond-pettibon-the-navigators-wives","title":"RAYMOND PETTIBON \/ Kismet's Account","description":"\u003cp class=\"p1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eKismet's Account  \u003c\/em\u003e1984\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eOffset print of ink on paper, \u003c\/span\u003e35 pages\u003cbr\u003e22 x 14cm, 1st edition\u003cbr\u003eSST Pubs\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsed, very good.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMild toning due to age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eEdition: #277 of 500. \u003cmeta charset=\"utf-8\"\u003e(Approximately 400 from the edition were destroyed), noted in red ink in Pettibon's hand on the front cover. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eKnown for his poetic collisions of \"high\" and \"low\" cultural forms, Raymond Pettibon first launched his career as an artist making zines, fliers, and other ephemera within the SoCal punk scene of the late 1970s and 1980s, published by his brother's record label SST Publications. \u003c\/span\u003e\u003cspan\u003e\"His work became identified with a brash and iconoclastic visual style that would influence and speak for an entire generation of disaffected youth … He stands alongside a generation of Los Angeles artists who have tackled the dissolution of American idealism head-on using fragments of its own visual culture.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThese early zines were at first mimeographed and later offset printed or photocopied. The drawings often express disillusionment with the utopian 1960s, a common punk sentiment at the time. One zine in particular, Tripping Corpse, which was serialised, tends to focus on hippie culture gone terribly wrong. Charles Manson is a favourite subject, and even in drawings where he’s not explicitly portrayed, his presence is felt. Far from purely reactionary, though, Pettibon’s work from this time targets the underlying violence of American culture at large, with portrayals of corrupt police officers, classic teen angst, drug addiction, self-loathing, marital dissatisfaction, and the private lives of celebrities and politicians such as Joan Crawford and J. Edgar Hoover.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":45959212138777,"sku":"","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Pettibon_front_16.jpg?v=1690721259"},{"product_id":"copy-of-raymond-pettibon-console-heal-or-depict-1","title":"RAYMOND PETTIBON \/ Pig Cupid","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePig Cupid  \u003c\/em\u003e1985\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOffset print of ink on paper, 28 pages\u003cbr\u003e22 x 14cm, 1st edition \u003cbr\u003eSST Pubs\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsed, very good.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMild toning due to age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdition #143 of 500. \u003cspan data-mce-fragment=\"1\"\u003e(Approximately 400 of the edition were destroyed), noted in red ink in Pettibon's hand on the front cover. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe plaintive cover image of \u003ci\u003ePig Cupid\u003c\/i\u003e is captioned “Why do I dream of undertow when I don’t even know what it is?” This zine, by punk artist Raymond Pettibon, deals with violent love and toxic relationships. Many of the women within have been violated, deserted, shot, bought or sold, but Pettibon’s fluid line drawings capture the inexplicable pull of desire, even against a woman’s better judgement. Cupid, argues Pettibon, is a pig.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eKnown for his poetic collisions of \"high\" and \"low\" cultural forms, Raymond Pettibon first launched his career as an artist making zines, fliers, and other ephemera within the SoCal punk scene of the late 1970s and 1980s, published by his brother's record label SST Publications. \u003c\/span\u003e\u003cspan\u003e\"His work became identified with a brash and iconoclastic visual style that would influence and speak for an entire generation of disaffected youth … He stands alongside a generation of Los Angeles artists who have tackled the dissolution of American idealism head-on using fragments of its own visual culture.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThese early zines were at first mimeographed and later offset printed or photocopied. The drawings often express disillusionment with the utopian 1960s, a common punk sentiment at the time. One zine in particular, Tripping Corpse, which was serialised, tends to focus on hippie culture gone terribly wrong. Charles Manson is a favourite subject, and even in drawings where he’s not explicitly portrayed, his presence is felt. Far from purely reactionary, though, Pettibon’s work from this time targets the underlying violence of American culture at large, with portrayals of corrupt police officers, classic teen angst, drug addiction, self-loathing, marital dissatisfaction, and the private lives of celebrities and politicians such as Joan Crawford and J. Edgar Hoover.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":45960159592729,"sku":"","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Pettibon_front_22.jpg?v=1690724091"},{"product_id":"larry-clark-10-postcards","title":"LARRY CLARK \/ 10 Postcards","description":"\u003cp\u003e\u003cstrong\u003eLarry Clark\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e10 Postcards  \u003c\/em\u003e1999\u003cbr\u003e10 black and white postcards\u003cbr\u003eperforated, perfect bound\u003cbr\u003e20 x 13cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGroninger Museum, Holland\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: Very good\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis little postcard book of was created for an exhibition of photographer Larry Clark that took place at Groninger Museum in the Netherlands in 1999, and depicts some of Clark's earliest most iconic images from his books Tulsa and Teenage Lust. \u003cmeta charset=\"utf-8\"\u003eThe cards are bound making this a book until separated. 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Light handling wear to the uncoated boards with faint surface marks consistent with age and careful use. Binding remains firm and square, with a clean, bright interior free from inscriptions or significant defects. A beautifully preserved copy.\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp data-start=\"356\" data-end=\"886\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFirst published by Roshin Books in 2015, \u003cem data-start=\"397\" data-end=\"413\"\u003eWonderful Days\u003c\/em\u003e gathers Masahisa Fukase's deeply personal photographs of his cats, Sasuke and Momoe. Made during the final years of the photographer's life, the series transforms everyday moments into quietly theatrical encounters, revealing the humour, affection and companionship that existed between Fukase and his feline subjects. Equal parts portrait, diary and meditation on domestic life, the photographs demonstrate the same emotional sensitivity that defines his best-known work.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"891\" data-end=\"1242\"\u003eBeautifully sequenced by Tomo Kosuga, the volume moves effortlessly between moments of playfulness and contemplation. Close-ups, interiors and fleeting gestures accumulate into an intimate portrait of shared existence, where Fukase's characteristic blend of tenderness and melancholy is directed towards the animals that became his closest companions.\u003c\/p\u003e\n\u003cp data-start=\"1247\" data-end=\"1440\"\u003eNow out of print, \u003cem data-start=\"1267\" data-end=\"1283\"\u003eWonderful Days\u003c\/em\u003e offers a rare glimpse into one of the most personal chapters of Fukase's life.\u003c\/p\u003e","brand":"MASAHISA FUKASE","offers":[{"title":"Default Title","offer_id":49989683314969,"sku":"","price":350.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_0740_52fa34f5-3b12-4036-95e5-5d97cf8b30ed.jpg?v=1783868550"},{"product_id":"daido-moriyama-shinobu-signed-copy","title":"DAIDO MORIYAMA \/ Naomi","description":"\u003cp\u003e\u003cstrong\u003eDaido Moriyama\u003cbr\u003e\u003c\/strong\u003eNaomi  2021\u003cbr\u003eSoftcover, stapled and printed on canvas, 80 pages\u003cbr\u003e30 x 21cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAkio Nagasawa Publishing, JP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLimited edition of 350 copies, signed and numbered.\u003cbr\u003e306\/350\u003c\/p\u003e\n\u003cp\u003eCondition: \u003cmeta charset=\"utf-8\"\u003eFine condition. A bright, clean copy with only the slightest handling wear. The printed canvas covers remain crisp, the staple binding is sound, and the interior is immaculate.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp data-start=\"28\" data-end=\"441\" class=\"PDq2pG_selectionAnchorContainer\"\u003eOriginally published in 2017 in a highly sought-after limited edition, \u003cem data-start=\"99\" data-end=\"106\"\u003eNaomi\u003c\/em\u003e was reissued by Akio Nagasawa Publishing in 2021, preserving the intimate, tactile qualities of the original. The book brings together Moriyama's photographs inspired by Jun'ichirō Tanizaki's 1924 novel \u003cem data-start=\"310\" data-end=\"317\"\u003eNaomi\u003c\/em\u003e (\u003cem data-start=\"319\" data-end=\"333\"\u003eChijin no Ai\u003c\/em\u003e), a seminal work exploring modernity, desire, obsession and the changing role of women in Taishō-era Japan.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"443\" data-end=\"829\"\u003eRather than illustrating the novel directly, Moriyama responds to its atmosphere through a sequence of grainy black-and-white photographs that blur fiction and reality. His signature high-contrast aesthetic transforms Tokyo into a landscape of fleeting encounters, anonymous bodies and fragmented desire, echoing the novel's psychological intensity while remaining unmistakably his own.\u003c\/p\u003e\n\u003cp data-start=\"831\" data-end=\"1058\"\u003eA beautifully produced artist's book, stapled in an unconventional binding, reflecting Akio Nagasawa's commitment to innovative contemporary photobook design.\u003c\/p\u003e\n\u003cdiv class=\"content unset js-translate-target\"\u003e\n\u003cp\u003e\u003cem\u003eThere was a woman called Naomi in the Nishiki area in Nagoya.\u003cbr\u003eShe was a person who loved cars. I often took her for a drive.\u003cbr\u003eIt’s already three years since she disappeared from Nishiki.\u003cbr\u003eEven now, I still think of her sometimes.\u003cbr\u003eThis is a profile of her as she appears in my memory.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DAIDO MORIYAMA","offers":[{"title":"Default Title","offer_id":50293862695193,"sku":null,"price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_1548.jpg?v=1783944150"},{"product_id":"daido-moriyama-naomi-signed-copy","title":"DAIDO MORIYAMA \/ Momoe (signed)","description":"\u003cp\u003e\u003cstrong\u003eDaido Moriyama\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eMamoe\u003c\/em\u003e  2021\u003cbr\u003eSoftcover, stapled and printed on canvas, 80 pages\u003cbr\u003e30 x 21cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAkio Nagasawa Publishing, JP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLimited edition of 350 copies, signed and numbered.\u003cbr\u003e349\/350\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cdiv class=\"content unset js-translate-target\"\u003e\n\u003cp\u003e\u003cem\u003eMomoe\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the extra issue of a four books new series by Daido Moriyama 'Woman in the Night'.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShe called herself Shinobu in Shinjuku, Hiroko in Minami, Naomi in Nishiki, Yukari in Nakasu.\u003cbr\u003eRumor has it that she is now living quietly in Ishikari where she was born, under the name she was given by her parents.\u003cbr\u003eMomoe. 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This copy is \u003cstrong data-start=\"198\" data-end=\"208\"\u003e67\/350\u003c\/strong\u003e.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"211\" data-end=\"525\"\u003ePublished by Akio Nagasawa in 2023, \u003cstrong data-start=\"247\" data-end=\"256\"\u003eTokyo\u003c\/strong\u003e presents a previously unseen body of photographs made by Daido Moriyama in 1992. Bound in a silkscreen-printed canvas cover, the volume brings together seventy-eight images that remained unpublished for more than three decades before appearing here for the first time.\u003c\/p\u003e\n\u003cp data-start=\"527\" data-end=\"949\"\u003ePhotographed during a period of personal and professional transition, the work captures Moriyama roaming the streets of Shinjuku, Shibuya and Ikebukuro with an instinctive urgency. Grainy, high-contrast views of alleyways, signage, passers-by and fleeting moments coalesce into a portrait of Tokyo that is both restless and deeply intimate, revealing the city through movement, memory and chance rather than documentation.\u003c\/p\u003e\n\u003cp data-start=\"951\" data-end=\"1298\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe book concludes with an afterword by Moriyama reflecting on the circumstances in which the photographs were made and on his enduring compulsion to walk the streets with a camera. More than thirty years after these images were taken, \u003cstrong data-start=\"1187\" data-end=\"1196\"\u003eTokyo\u003c\/strong\u003e offers a rare glimpse into an unseen chapter of one of photography's most influential bodies of work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DAIDO MORIYAMA","offers":[{"title":"Default Title","offer_id":50511830188313,"sku":null,"price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_1555.jpg?v=1784268758"},{"product_id":"nobuyoshi-araki-the-complete-works-of-nobuyoshi-araki-volume-4-new-york","title":"NOBUYOSHI ARAKI \/ The Complete Works of Nobuyoshi Araki Volume 4 (New York)","description":"\u003cp\u003e\u003cstrong\u003eNobuyoshi Araki\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThe Complete Works of Nobuyoshi Araki Volume 4 (New York)  \u003c\/em\u003e1996\u003cbr\u003eSoftcover, 239 pages\u003cbr\u003e22.5 x 17 cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHeibonsha, JP\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eCondition:\u003cspan\u003e Very Good. Minor scratching to the cover; otherwise clean and well preserved.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eThe fourth volume in Heibonsha’s comprehensive series devoted to Nobuyoshi Araki, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eNew York\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e brings together photographs made during Araki’s visits to New York, alongside images reflecting his ongoing fascination with urban life, sexuality, intimacy and the photographic act itself. Published in the mid-1990s at a particularly prolific period in Araki’s career, the volume offers an important view of his work beyond Japan and his response to the visual culture of New York.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"isSelectedEnd\"\u003e\u003cspan\u003eAn increasingly difficult volume to find from Araki’s \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eComplete Works\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e series, particularly in good condition.\u003c\/span\u003e\u003c\/p\u003e","brand":"NOBUYOSHI ARAKI","offers":[{"title":"Default Title","offer_id":50753071382809,"sku":"","price":150.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_0675_af600c09-7522-4830-816b-944fe521f4e2.jpg?v=1786765969"},{"product_id":"toshio-saeki-the-red-box","title":"TOSHIO SAEKI \/ The Red Box","description":"\u003cp\u003e\u003cstrong\u003eToshio Saeki\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eThe Red Box \u003c\/em\u003e1972\u003cbr\u003eHardcover with outer box, Unpaginated\u003cbr\u003e34 x 26cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHaga Shoten, Tokyo\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-start=\"578\" data-end=\"605\" class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong data-start=\"578\" data-end=\"588\"\u003eSigned\u003c\/strong\u003e by Toshio Saeki.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: \u003cmeta charset=\"utf-8\"\u003eFine. Some foxing to the interior pages. The outer slipcase shows a prominent band of fading\/discolouration along the left edge, together with minor shelf wear. Internally, the book remains in excellent condition.\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp data-start=\"607\" data-end=\"958\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished by Haga Shoten in Tokyo in 1972, \u003cstrong data-start=\"650\" data-end=\"665\"\u003eThe Red Box\u003c\/strong\u003e (\u003cem data-start=\"667\" data-end=\"678\"\u003eAkai Hako\u003c\/em\u003e) is Toshio Saeki's third major publication and one of the defining books of his early career. Housed in its striking red slipcase, the volume showcases the vivid erotic and grotesque imagery that established Saeki as one of Japan's most distinctive illustrators during the 1970s.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"960\" data-end=\"1374\"\u003eUnlike his earlier monochrome publications, \u003cstrong data-start=\"1004\" data-end=\"1019\"\u003eThe Red Box\u003c\/strong\u003e makes dramatic use of two-colour printing, amplifying the tension between humour, violence and eroticism that runs throughout Saeki's work. Drawing equally from \u003cem data-start=\"1181\" data-end=\"1189\"\u003eshunga\u003c\/em\u003e, \u003cem data-start=\"1191\" data-end=\"1198\"\u003eyōkai\u003c\/em\u003e folklore, manga and post-war popular culture, the images move effortlessly between the absurd and the unsettling, combining technical precision with an irreverent imagination.\u003c\/p\u003e\n\u003cp data-start=\"1376\" data-end=\"1750\"\u003ePublished the same year Saeki's illustrations appeared on John Lennon and Yoko Ono's \u003cem data-start=\"1461\" data-end=\"1489\"\u003eSome Time in New York City\u003c\/em\u003e album, \u003cstrong data-start=\"1497\" data-end=\"1512\"\u003eThe Red Box\u003c\/strong\u003e marks the moment his work began to attract an international audience. Signed examples of this landmark publication are uncommon, making it one of the most desirable of Saeki's early books for collectors of post-war Japanese illustration.\u003c\/p\u003e","brand":"TOSHIO SAEKI","offers":[{"title":"Default Title","offer_id":50764417368345,"sku":"","price":785.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_0106.jpg?v=1784273066"},{"product_id":"toshio-saeki-works","title":"TOSHIO SAEKI \/ Works","description":"\u003cp\u003e\u003cstrong\u003eToshio Saeki\u003c\/strong\u003e\u003cbr\u003eWorks, 1971\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSoftcover in original illustrated slipcase, 68 pages\u003cbr\u003e30 x 29cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGakugeishorin company, Tokyo\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: \u003cmeta charset=\"utf-8\"\u003eNear Fine in a Very Good original slipcase. \u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003eThe softcover volume is exceptionally well preserved, with clean covers, a firm binding and a bright, unmarked interior. Pages remain crisp throughout with only the faintest age toning, as issued. The original publisher's slipcase shows light shelf wear, including gentle rubbing, minor creasing and a few small bumps to the extremities, with light age toning consistent with its age. A handsome and well-preserved example of this increasingly scarce first edition.\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp data-start=\"377\" data-end=\"815\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in 1971, \u003cem data-start=\"396\" data-end=\"403\"\u003eWorks\u003c\/em\u003e is the landmark first monograph by Toshio Saeki, introducing the artist's singular vision at the moment he emerged as one of the defining figures of Japan's underground graphic culture. Issued by Gakugeishorin in Tokyo, the volume captures Saeki's earliest mature works, establishing the visual language that would make him an icon of \u003cem data-start=\"739\" data-end=\"749\"\u003eero-guro\u003c\/em\u003e—the uniquely Japanese fusion of the erotic, grotesque and absurd.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"817\" data-end=\"1300\"\u003eDrawing equally from Edo-period ukiyo-e, manga, folk mythology and post-war popular culture, Saeki populated his images with schoolgirls, ghosts, yokai, elderly figures and uncanny hybrid beings caught in dreamlike narratives that oscillate between humour, violence and desire. Rendered in bold flat colour and stark black line, the compositions possess a deceptive simplicity that belies their psychological intensity, transforming familiar scenes into deeply unsettling allegories.\u003c\/p\u003e\n\u003cp data-start=\"1302\" data-end=\"1637\"\u003eHoused in its original slipcase, \u003cem data-start=\"1335\" data-end=\"1342\"\u003eWorks\u003c\/em\u003e remains one of Saeki's most important and sought-after publications. Produced before his international cult following emerged, it stands as the definitive introduction to an artist whose influence can be traced across contemporary illustration, manga, tattoo culture and underground publishing.\u003c\/p\u003e","brand":"TOSHIO SAEKI","offers":[{"title":"Default Title","offer_id":50782996168985,"sku":"","price":530.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_0061_fc169d75-c1fa-4a8e-9fff-172056f7bac1.jpg?v=1783864898"},{"product_id":"loie-fuller-lecture-on-radium","title":"LOIE FULLER \/ Lecture on Radium","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eLoïe Fuller \u003c\/strong\u003e\u003cbr\u003e\u003c\/span\u003e\u003cem\u003eLecture on Radium\u003c\/em\u003e, 2025\u003cbr\u003eHardback, 88 pages\u003cbr\u003e17.8 x 12.1 cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eChristine Burgin | Further Reading Library\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe luminous and radical dance performances of Loïe Fuller at the turn of the 20th century were unlike anything that had ever been staged before. While her profound influence on writers and artists such as Mallarmé and Rodin is well documented, less well known is Fuller’s passion for technology and her involvement with the leading scientists of the time. This title spotlights Fuller’s scientific forays in her own words alongside an array of archival documents and photographs of the dancer in action. In her 'Serpentine Dance', she wore a large, diaphanous gown she manipulated with her arms to form undulating waves, while coloured lights projected onto the fabric gave the illusion of birds, animals or flowers. The centrepiece of the book is her 1907 lecture on the invention of radium, her notes on meeting Marie and Pierre Curie and Thomas Alva Edison, and her literally explosive efforts to create a glow-in-the-dark dance performance. Featuring an introduction by renowned cinema scholar Tom Gunning, this book presents Fuller’s eccentric passions and pioneering pursuits in a fresh light.\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"catcopy\"\u003eChristine Burgin | Further Reading Library commemorates forgotten ideas, overlooked accomplishments and eccentric worldviews.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"LOIE FULLER","offers":[{"title":"Default Title","offer_id":51374009418009,"sku":null,"price":55.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/015_48b01dda-b2a1-4dba-834d-854566840f8a.jpg?v=1760322925"},{"product_id":"rebecca-holborn-guy-benfield-ed-admin-admin-magazine-vol-2","title":"REBECCA HOLBORN \u0026 GUY BENFIELD ed. \/ ADMIN ADMIN Magazine Vol #2","description":"\u003cp class=\"p1\"\u003eADMIN ADMIN Magazine Vol #2, 2025\u003cbr\u003eSoftcover, 188 pages\u003cbr\u003e21 x 29.7 cm \u003cbr\u003ePrinted in Lithuania\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eContaining original contributions; artwork, art-historofiction, hagiofiction, critical essays, poetry and prose, some loosely centred around instinct and the mind.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFeaturing Erik van Lieshout, Peles Duo x Rob Crosse, CAConrad, Robert McKenzie, Mark Beasley, Hany Armanious, Patrick Hartigan, Elizabeth Pulie, Anthea Behm, Luke Stettner, Skyler Brickley, Tommy Miller, Rebecca Holborn, Penelope Latté, Guy Benfield, Jason Vorhees and more. \u003c\/p\u003e","brand":"Landslide","offers":[{"title":"Default Title","offer_id":51385951322393,"sku":null,"price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/AA_INSTA_1.jpg?v=1762743014"},{"product_id":"ariana-reines-wave-of-blood","title":"ARIANA REINES \/ Wave of Blood","description":"\u003cp\u003e\u003cstrong\u003eAriana Reines \u003c\/strong\u003e\u003cbr\u003eWave of Blood, 2024\u003cbr\u003ePaperback, 200 pages \u003cbr\u003e21.6 x 13.9 cm\u003cbr\u003eDivided Publishing\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIs it the computerization of the planet\u003cbr\u003eOr a loosening of my fidelity to suffering\u003cbr\u003eI don’t understand the intensity\u003cbr\u003eI’ve hidden here but I know I despaired\u003cbr\u003eOf finding a physical place to keep\u003cbr\u003eMy tears. 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By singing into her self-designed \"eidophone\", the vibrations of her voice would etch out patterns onto a disc: an artistic rendering of the scientific principle of standing-wave resonance. This title presents selections from Hughes’ original 1891 publication “Voice Figures” and a rare surviving set of her glass slides.Her “eidophone” comprised a tube attached to a chamber covered in rubber, or “diaphragm.” Hughes covered a glass slide with grains of sand or coarse pigment, then saturated it with water or milk. Her “Voice Figures,” as she called them, ranged from primitive patterns to designs resembling flowers, seashells and other natural phenomena. 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These narrow strips of paper (many of them written during his hospitalization in the Waldau sanatorium) covered with tiny ant-like markings only a millimeter or two high, came to light only after the author’s death in 1956. At first considered a secret code, the microscripts were eventually discovered to be a radically miniaturized form of a Germanic script: a whole story could fit on the back of a business card. Selected from the six-volume German transcriptions from the original microscripts, these twenty-five short pieces are gathered in this gorgeously illustrated co-publication with the Christine Burgin Gallery. Each microscript is reproduced in full color in its original form: the detached cover of a trashy crime novel, a disappointing letter, a receipt of payment. Sometimes Walser used the pages of small tear-off calendars (but only after cutting them lengthwise and filling up each half with text). Schnapps, rotten husbands, small town life, the radio, pigs (and how none of us can deny being one), jealousy, Van Gogh and marriage proposals are some of Walser’s subjects. These texts take strength from Walser’s motto: “To be small and to stay small.”\u003c\/p\u003e","brand":"ROBERT WALSER","offers":[{"title":"Default Title","offer_id":51624965079321,"sku":null,"price":120.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/robwalser.jpg?v=1762749580"},{"product_id":"nobuyoshi-araki-chiro-my-love","title":"NOBUYOSHI ARAKI \/ Chiro, My Love","description":"\u003cp\u003e\u003cstrong\u003eNobuyoshi Araki\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eChiro, My Love\u003c\/em\u003e, 1995\u003cbr\u003eHardcover, 120 pages \u003cbr\u003e19 x 13cm\u003cbr\u003ePublished by Heibonsha, Tokyo\u003cbr\u003e\u003cbr\u003eThis delightful book is devoted entirely to images of Araki and his wife Yoko’s beloved cat, Chiro. Poignant in retrospect as it includes a number of photos of Chiro with Yoko, who died in 1990 of cancer. It includes over 100 black and white photographs of Chiro in numerous situations. Climbing a tree, taking a shower, resting in Yoko’s arms, or on the sleeping belly of Araki. This is an intimate book that gives insight into the shared lives of Araki, Yoko, and Chiro. \u003c\/p\u003e","brand":"NOBUYOSHI ARAKI","offers":[{"title":"Default Title","offer_id":51761104257305,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/011_cfdf8ff3-1816-4ee7-920d-65deaf5f8e51.jpg?v=1765594808"},{"product_id":"jessica-backsell-provoking-the-freeport-magic-art-assemblage-in-late-capitalism","title":"JESSICA BACKSELL \/ Provoking the Freeport Magic: Art Assemblage in Late Capitalism","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eJessica Inez Backsell\u003cbr\u003e\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cem\u003eProvoking the Freeport Magic: Art Assemblage in Late Capitalism\u003c\/em\u003e, 2025\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003ePaperback, 112 pages\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13×19 cm\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSternberg Press (co-published with Stockholm School of Economics)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003eWhat is magic? And what can it do? \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cspan\u003eIn this book, Jessica Backsell interrogates the magic of the art world and culture’s stubborn habit of foregrounding art as representative of an alternative value system. Through the empirical example of the freeport—luxury warehouses where valuable art is stored for preservation and taxation purposes—Backsell explores the implications of understanding the art world through contingent entanglements and practices. Examining the contested site of the freeport, Backsell addresses the dichotomous “culture v. capitalism” debate by showing how magic is not an innate and mysterious quality. Rather, it is a practice, a central yet unexplored element of curatorial toolboxes, that unfolds through what Backsell denotes as the enactment of “conspicuous withdrawal.” This insight, she argues, sheds new light and understanding on broader political issues in contemporary market society.\u003c\/span\u003e secrets which have a rather special connection to cognitive judgment. They require us to see while we do not see or perhaps even better—to notice but not openly acknowledge. They hover as forms of semi-knowledge, never fully rescinded yet neither completely present.\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"JESSICA BACKSEL","offers":[{"title":"Default Title","offer_id":51934835114265,"sku":null,"price":42.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/2026_Backsell001.jpg?v=1770333253"},{"product_id":"isabelle-graw-fear-and-money-a-novel","title":"ISABELLE GRAW \/ Fear and Money: A Novel","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eIsabelle Graw\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eFear and Money\u003c\/em\u003e, 2025\u003cbr\u003ePaperback, 200 pages\u003cbr\u003e13.5×21 cm\u003cbr\u003eSternberg Press\u003c\/p\u003e\n\u003cp\u003eAn intense inner monologue that captures the various manifestations and effects of fear in relation to money or the lack of it.\u003c\/p\u003e\n\u003cp\u003eAn intense inner monologue that captures the various manifestations and effects of fear in relation to money or the lack of it.\u003c\/p\u003e\n\u003cp\u003eIn this fictional work by author and art historian Isabelle Graw, fear indeed eats the soul of the protagonist as she struggles to survive in a world increasingly defined and divided by money, addressing the situation with psychoanalytic depth. Relatable to anyone who recognizes the stream of anxious thoughts along with feelings of isolation and abandonment, the gripping inner monologue in this latest novel from Graw also offers instances of relief, connecting all who feel equally stuck, frayed, and neurotic, and suggesting a collective route through this crisis-shaken world.\u003c\/p\u003e","brand":"ISABELLE GRAW","offers":[{"title":"Default Title","offer_id":51934842454297,"sku":null,"price":60.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/2026_Graw_Fearandmoney001.jpg?v=1770333041"},{"product_id":"bruce-hainley-under-the-sign-of-sic-sturtevants-volte-face","title":"BRUCE HAINLEY \/ Under the Sign of [sic]: Sturtevant's Volte-Face","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eBruce Hainley\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eUnder the Sign of [sic]: Sturtevant's Volte-Face\u003c\/em\u003e, 2013\u003cbr\u003eHardcover, 344 pages, illustrated throughout\u003cbr\u003e23.2×18.2 cm (small quarto)\u003cbr\u003eSemiotext(e)\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eThe first book-length monograph on Elaine Sturtevant, who has focused her career on the artistic copy.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eAsked to sum up her artistic pursuit, the American artist Elaine Sturtevant once replied: \"I create vertigo.\" Since the mid-1960s, Sturtevant has been using repetition to change the way art is understood. In 1965, what seemed to be a group show by then \"hot\" artists (Andy Warhol, Jasper Johns, Roy Lichtenstein, George Segal, and James Rosenquist, among others) was in fact Sturtevant's first solo exhibit, every work in it created by herself.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eSturtevant would continue to make her work the work of others. The subject of major museum exhibitions throughout Europe and awarded the Golden Lion for lifetime achievement at the 54th Venice Biennale, she will have a major survey at the MoMA, New York, in 2014.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eIn Under the Sign of [sic], Bruce Hainley unpacks the work of Sturtevant, providing the first book-length monographic study of the artist in English. Hainley draws on elusive archival materials to tackle not only Sturtevant's work but also the essential problem that it poses. Hainley examines all of Sturtevant's projects in a single year (1967); uses her Gonzalez-Torres Untitled (Go-Go Dancing Platform) from 1995 as a conceptual wedge to consider contemporary art's place in the world; and, finally, digs into the most occluded part of her career, from 1971 to 1973, when she created works by Michael Heizer and Walter de Maria, and had her first solo American museum exhibit.\u003c\/p\u003e","brand":"BRUCE HAINLEY","offers":[{"title":"Default Title","offer_id":51934911922457,"sku":null,"price":70.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/BruceHainley_UnderTheSignOf.webp?v=1770332666"},{"product_id":"daido-moriyama-lips-lips-lips","title":"DAIDO MORIYAMA \/ Lips! Lips! Lips!","description":"\u003cp\u003e\u003cstrong\u003eDaido Moriyama\u003c\/strong\u003e \u003cbr\u003e\u003cem\u003eLips! Lips! Lips!\u003c\/em\u003e, 2018\u003cbr\u003eSoftcover with double page spreads, 47 pages\u003cbr\u003e28 x 21cm\u003cbr\u003eLimited edition 350 copies\u003cbr\u003eAkio Nagasawa Publishing, JP\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp class=\"PDq2pG_selectionAnchorContainer\" data-end=\"810\" data-start=\"444\"\u003ePublished in an edition of just 350 copies by Akio Nagasawa Publishing, \u003cem data-end=\"535\" data-start=\"516\"\u003eLips! Lips! Lips!\u003c\/em\u003e is one of Daido Moriyama's more focused and elusive artist books. Rather than documenting the city, Moriyama turns his attention to fragments of the body—lips, skin, hair and gesture—building a sequence that feels as much about texture and repetition as it does photography.\u003cspan class=\"PDq2pG_selectionAnchor\" aria-hidden=\"true\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-end=\"1086\" data-start=\"812\"\u003ePrinted as a series of full-bleed double-page spreads, the images move between abstraction and intimacy. Faces dissolve into grain, lips become landscapes and everyday details are pushed towards something unfamiliar through Moriyama's unmistakable high-contrast aesthetic.\u003c\/p\u003e\n\u003cp data-end=\"1270\" data-start=\"1088\"\u003eBeautifully understated in its production, \u003cem data-end=\"1150\" data-start=\"1131\"\u003eLips! Lips! Lips!\u003c\/em\u003e is a quietly compelling publication from Moriyama's later practice\u003c\/p\u003e","brand":"DAIDO MORIYAMA","offers":[{"title":"Default Title","offer_id":51963606270233,"sku":null,"price":390.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_1448_92ba197c-62ad-44f2-ac1d-54417923c941.jpg?v=1783860259"},{"product_id":"gilbert-george-oh-the-grand-old-duke-of-york","title":"GILBERT \u0026 GEORGE \/ Oh The Grand Old Duke Of York","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eGilbert \u0026amp; George\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOh The Grand Old Duke Of York\u003c\/em\u003e, 1997\u003cbr\u003eSoftcover, 35 pages\u003cbr\u003e8.3 x 11.4 cm \u003cbr\u003eOktagon\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA compact artist's book by the iconic British duo Gilbert \u0026amp; George, featuring 35 black and white images. Published by Oktagon in 1997, this out-of-print volume exemplifies the artists' distinctive approach to photographic documentation and their ongoing exploration of British cultural motifs through their signature formal style.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"GILBERT \u0026 GEORGE","offers":[{"title":"Default Title","offer_id":51968522256665,"sku":null,"price":145.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Screenshot2026-02-09at19.02.56.png?v=1770625734"},{"product_id":"yosuke-onishi-possibility","title":"YOSUKE ONISHI \/ Possibility","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eYosuke Onishi\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003ePossibility\u003c\/em\u003e, 2025\u003cbr\u003eSoftcover, 24 pages\u003cbr\u003e13 x 19 cm (5.1 x 7.5 in.)\u003cbr\u003eInnen, Zurich\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA brand new artist's zine by Tokyo-based photographer Yosuke Onishi, edited by Hiroshi Iguchi and Hi Bridge Books. Published by Zurich's Innen in 2025, this compact staple-bound publication presents Onishi's contemporary photographic practice in an intimate, accessible format. Part of the growing wave of Japanese photobook culture being distributed internationally through independent publishers and specialty bookshops. Fresh from the press—a first edition collector's item documenting emerging Japanese photography.\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cmeta charset=\"utf-8\"\u003eEdited by Hiroshi Iguchi and Hi Bridge Books.\u003c\/p\u003e","brand":"YOSUKE ONISHI","offers":[{"title":"Default Title","offer_id":51968587170073,"sku":null,"price":30.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/011_57c87c25-3718-444b-a035-8ea7e8208dd3.jpg?v=1770851184"},{"product_id":"daido-moriyama-imitations","title":"DAIDO MORIYAMA \/ Imitations","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eDaido Moriyama\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eImitations\u003c\/em\u003e, 1995\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eHardcover with original glassine dust jacket, unpaginated \u003cbr\u003e27.3 x 21.6 cm\u003cbr\u003eTaka Ishii Gallery, Tokyo\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eCondition: \u003cmeta charset=\"utf-8\"\u003eNear Fine in Very Good original glassine jacket. Light creasing and wear to the fragile glassine, a small spot to the rear jacket, otherwise an exceptionally clean copy.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cmeta charset=\"utf-8\"\u003ePublished on the occasion of Daido Moriyama's 1995 exhibition at Taka Ishii Gallery, \u003cem data-start=\"1074\" data-end=\"1085\"\u003eImitation\u003c\/em\u003e is one of the photographer's most elusive publications. Produced in a numbered edition of 500 copies and designed by Issay Kitagawa, the book brings together forty-three black-and-white photographs that explore repetition, reproduction and the instability of the photographic image. Long out of print and increasingly difficult to source, \u003cem data-start=\"1425\" data-end=\"1436\"\u003eImitation\u003c\/em\u003e remains an important publication from a pivotal period in Moriyama's career.\u003c\/p\u003e","brand":"DAIDO MORIYAMA","offers":[{"title":"Default Title","offer_id":51969076691225,"sku":null,"price":500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_0706_419a7b03-286f-4f65-a3af-f9f69a712d89.jpg?v=1783858941"},{"product_id":"bruno-munari-la-favola-delle-favole","title":"BRUNO MUNARI \/ La Favola delle Favole","description":"\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cstrong\u003eBruno Munari\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eLa Favola delle Favole (The Fable of Fables)\u003c\/em\u003e, 1998\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e56 loose sheets of various papers\u003cbr\u003e30 x 30 cm \u003cbr\u003eCorraini, Mantova\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e\u003cmeta charset=\"utf-8\"\u003eCondition: Very Good — light handling and surface marks to the covers, with minor rubbing; interior sheets are clean and bright. Original binder clips present.\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003e~\u003c\/p\u003e\n\u003cp class=\"font-claude-response-body break-words whitespace-normal leading-[1.7]\"\u003eA remarkable interactive artist's book by Italian design master Bruno Munari, created in collaboration with children. \u003cem\u003eLa Favola delle Favole\u003c\/em\u003e (The Fable of Fables) is an ingenious play-book with interchangeable pages that allows children to create their own personal fables. This is the first reprint (May 1998) of the 1994 first edition, printed in a limited edition of 1000 copies with the notable inscription \"Non ci sono due copie uguali di questo libro\" (No two copies of this book are the same). The album contains 56 loose sheets of entirely different papers—colored, transparent, some with text, some with illustrations, paper cuts, etc.—held between boards with two clasps. Designed to encourage the free play of children's imagination by providing ideas and materials to write and illustrate their own stories. Part of Corraini's \"Opera Munari\" collection, edited by Marzia Corraini. A seminal work in Munari's exploration of the book as an interactive object and educational tool, bridging art, design, and pedagogy. Out of print and highly collectible.\u003c\/p\u003e","brand":"BRUNO MUNARI","offers":[{"title":"Default Title","offer_id":51969138229529,"sku":null,"price":350.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_0936.jpg?v=1786748766"},{"product_id":"sumiharu-watanabe-face-washington-square","title":"SUMIHARU WATANABE \/ Face of Washington Square","description":"\u003cp\u003e\u003cstrong\u003eSumiharu Watanabe\u003c\/strong\u003e\u003cbr\u003eFace of Washington Square (Washington Hiroba no Kao), 1965\u003cbr\u003eFirst edition\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eSoftcover in publisher's printed slipcase with original obi, unpaginated\u003cbr\u003e26 x 18.5cm\u003cbr\u003eHashimoto Yuyudo, Tokyo\u003c\/p\u003e\n\u003cp\u003eCondition: \u003cmeta charset=\"utf-8\"\u003eVery Good. Complete with the publisher's original slipcase and obi. The slipcase shows moderate age toning, light rubbing and scattered shelf wear, with minor wear to the extremities. The book itself is clean and well preserved, with a sound binding, bright pages and only light handling wear. A handsome, complete example of this increasingly scarce photobook.\u003c\/p\u003e\n\u003cp\u003e~\u003c\/p\u003e\n\u003cp data-start=\"167\" data-end=\"713\" class=\"PDq2pG_selectionAnchorContainer\"\u003ePublished in New York in 1965, \u003cem data-start=\"198\" data-end=\"225\"\u003eFace of Washington Square\u003c\/em\u003e is the first and only photobook by Japanese photographer Sumiharu Watanabe. Made while living in New York in the early 1970s, the book offers an intimate portrait of Washington Square Park and the eclectic community that gathered there during a period of profound cultural and social change. Watanabe's quietly observant photographs move between candid street scenes and lyrical moments of everyday life, capturing the spirit of downtown Manhattan with remarkable warmth and sensitivity.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"715\" data-end=\"1000\"\u003eLong out of print and increasingly difficult to source, \u003cem data-start=\"771\" data-end=\"798\"\u003eFace of Washington Square\u003c\/em\u003e has become one of the most sought-after Japanese photobooks documenting New York, prized for its understated vision and its unique position within the history of both Japanese and American photography.\u003c\/p\u003e","brand":"SUMIHARU WATANABE","offers":[{"title":"Default Title","offer_id":52000272843033,"sku":"PHO-STR-2602-0012","price":825.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_1525.jpg?v=1783851607"},{"product_id":"nobuyoshi-araki-yoko-my-love","title":"NOBUYOSHI ARAKI \/ Yoko My Love","description":"\u003cp\u003e\u003cstrong\u003eNobuyoshi Araki\u003c\/strong\u003e\u003cbr\u003eYoko My Love, 1979 \u003cbr\u003eHardcover with dust jacket, 120 pages\u003cbr\u003e21.5 x 20.5 cm\u003cbr\u003eAsahi Sonorama Tokyo\u003c\/p\u003e\n\u003cp\u003eCondition: Very good -\u003cmeta charset=\"utf-8\"\u003eA well-preserved copy with bright illustrated boards and a tight binding. Interior pages are clean with only light, even age toning. Minor rubbing and shelf wear to the board edges and corners, with a few small bumps to the extremities consistent with age. A highly presentable copy of this increasingly scarce early hardcover edition.\u003c\/p\u003e\n\u003cp data-start=\"177\" data-end=\"619\" class=\"PDq2pG_selectionAnchorContainer\"\u003e~\u003c\/p\u003e\n\u003cp data-start=\"177\" data-end=\"619\" class=\"PDq2pG_selectionAnchorContainer\"\u003eFirst published in 1978, \u003cem data-start=\"202\" data-end=\"216\"\u003eYoko My Love\u003c\/em\u003e is one of Nobuyoshi Araki's most personal and enduring photobooks. This second printing from 1979 revisits the intimate photographs of Araki's wife, Yoko Aoki, whose presence would come to define much of his early work. Made shortly after their marriage, the photographs move effortlessly between the domestic and the poetic, transforming everyday moments into a deeply affectionate portrait of companionship.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"621\" data-end=\"988\"\u003eNeither staged nor sentimental, \u003cem data-start=\"653\" data-end=\"667\"\u003eYoko My Love\u003c\/em\u003e reveals the quiet intimacy that underpins Araki's practice before the darker, more provocative work for which he later became known. Long regarded as one of the essential titles in Japanese photography, it remains a moving testament to love, memory and the photographic diary that would become central to Araki's oeuvre.\u003c\/p\u003e","brand":"NOBUYOSHI ARAKI","offers":[{"title":"Default Title","offer_id":52000453198105,"sku":"PHO-JPN-2602-0011","price":475.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_0726_10544ff8-96fd-47ab-ac4a-8abe770c4ab4.jpg?v=1783852669"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/collections\/Folio_783.jpg?v=1770585239","url":"https:\/\/landslidebooksandobjects.com\/collections\/new-york-outpost.oembed?page=2","provider":"Landslide","version":"1.0","type":"link"}