{"title":"The LSD Portfolio","description":"\u003cp\u003eLSD perforated offset lithograph editions produced by Rob Tufnell.\u003c\/p\u003e\n\u003cp\u003eARTISTS:  Art \u0026amp; Language, Thomas Bayrle, Henning Bohl, Steven Claydon, Jeremy Deller, Jim Drain, Liam Gillick, Rodney Graham, Carsten Höller, Mark Leckey, Christ Martin, Aleksandra Mir, Matt Mullican, Laura Owens, Tal R, David Shrigley, Philip Taaffe, Mungo Thomson, Pae White, and Richard Wright.\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"art-language-part-of-an-american-portrait","title":"ART \u0026 LANGUAGE \/ Part of an American Portrait","description":"\u003cp\u003e\u003cstrong\u003eArt \u0026amp; Language\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePart of an American Portrait  \u003c\/em\u003e2013\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm. Edition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"ART \u0026 LANGUAGE","offers":[{"title":"Default Title","offer_id":45960950153497,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_07.jpg?v=1691756015"},{"product_id":"copy-of-art-language-part-of-an-american-portrait","title":"THOMAS BAYRLE \/ Fats Domino","description":"\u003cp\u003e\u003cstrong\u003eThomas Bayrle\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eFats Domino  \u003c\/em\u003e2014\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"THOMAS BAYRLE","offers":[{"title":"Default Title","offer_id":45960972206361,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_01.jpg?v=1691756171"},{"product_id":"copy-of-thomas-baryle-fats-domino","title":"HENNING BOHL \/ Untitled","description":"\u003cp\u003e\u003cstrong\u003eHenning Bohl\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eUntitled  \u003c\/em\u003e2014\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"HENNING BOHL","offers":[{"title":"Default Title","offer_id":45961001500953,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_15.jpg?v=1691756257"},{"product_id":"copy-of-henning-bohl-untitled","title":"STEVEN CLAYDON \/ Black and Speckled","description":"\u003cp\u003e\u003cstrong\u003eSteven Claydon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eBlack and Speckled  \u003c\/em\u003e2014\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"STEVEN CLAYDON","offers":[{"title":"Default Title","offer_id":45961018081561,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_09.jpg?v=1691756326"},{"product_id":"copy-of-steven-claydon-black-and-speckled","title":"JEREMY DELLER \/ Industry \u0026 Technology","description":"\u003cp\u003e\u003cstrong\u003eJeremy Deller\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eIndustry \u0026amp; Technology  \u003c\/em\u003e2013\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"JEREMY DELLER","offers":[{"title":"Default Title","offer_id":45961067168025,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_08.jpg?v=1691756402"},{"product_id":"copy-of-jeremy-deller-industry-technology","title":"JIM DRAIN \/ Shadow Pit","description":"\u003cp\u003e\u003cstrong\u003eJim Drain\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eShadow Pit  \u003c\/em\u003e2014\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"JIM DRAIN","offers":[{"title":"Default Title","offer_id":45971712180505,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_14.jpg?v=1691756628"},{"product_id":"copy-of-jim-drain-shadow-pit","title":"LIAM GILLICK \/ Libra Solidus Denarius","description":"\u003cp\u003e\u003cstrong\u003eLiam Gillick\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eLibra Solidus Denarius\u003c\/em\u003e  2013\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"LIAM GILLICK","offers":[{"title":"Default Title","offer_id":45971734200601,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_11.jpg?v=1691756706"},{"product_id":"copy-of-liam-gillick-libra-solidus-denarius","title":"RODNEY GRAHAM \/ Tiny Tim Tabs","description":"\u003cp\u003e\u003cstrong\u003eRodney Graham\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eTiny Tim Tabs  \u003c\/em\u003e2014\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"RODNEY GRAHAM","offers":[{"title":"Default Title","offer_id":45971758055705,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_13.jpg?v=1691756785"},{"product_id":"copy-of-rodney-graham-tiny-tim-tabs","title":"CARSTEN HÖLLER \/ Untitled","description":"\u003cp\u003e\u003cstrong\u003eCarsten Höller\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eUntitled  \u003c\/em\u003e2015\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print \u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"CARSTEN HÖLLER","offers":[{"title":"Default Title","offer_id":45971784663321,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_02.jpg?v=1691756824"},{"product_id":"copy-of-carsten-holler-untitled","title":"MARK LECKEY \/ Untitled","description":"\u003cp\u003e\u003cstrong\u003eMark Leckey\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eUntitled\u003c\/em\u003e  2014\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"MARK LECKEY","offers":[{"title":"Default Title","offer_id":45971952501017,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_16.jpg?v=1691756910"},{"product_id":"copy-of-mark-leckey-untitled","title":"CHRIS MARTIN \/ Untitled","description":"\u003cp\u003e\u003cstrong\u003eChris Martin\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eUntitled  \u003c\/em\u003e2015\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"CHRIS MARTIN","offers":[{"title":"Default Title","offer_id":45971963347225,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_19.jpg?v=1691756950"},{"product_id":"copy-of-chris-martin-untitled","title":"ALEKSANDRA MIR \/ Mandala (USA Medium)","description":"\u003cp\u003e\u003cstrong\u003eAleksandra Mir\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eMandala (USA Medium)\u003c\/em\u003e  2013\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"ALEKSANDRA MIR","offers":[{"title":"Default Title","offer_id":45971971375385,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_12.jpg?v=1691757002"},{"product_id":"copy-of-aleksandra-mir-mandala-usa-medium","title":"MATT MULLICAN \/ Untitled","description":"\u003cp\u003e\u003cstrong\u003eMatt Mullican\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eUntitled  \u003c\/em\u003e2015\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"MATT MULLICAN","offers":[{"title":"Default Title","offer_id":45971982156057,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_03.jpg?v=1691757083"},{"product_id":"copy-of-matt-mullican-untitled","title":"LAURA OWENS \/ Untitled","description":"\u003cp\u003e\u003cstrong\u003eLaura Owens\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eUntitled  \u003c\/em\u003e2014\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"LAURA OWENS","offers":[{"title":"Default Title","offer_id":45971996049689,"sku":"","price":850.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_10.jpg?v=1691757176"},{"product_id":"copy-of-laura-owens-untitled","title":"TAL R \/ Deaf Institute","description":"\u003cp\u003e\u003cstrong\u003eTal R\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eDeaf Institute  \u003c\/em\u003e2014\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"TAL R","offers":[{"title":"Default Title","offer_id":45972007518489,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_05.jpg?v=1691757254"},{"product_id":"copy-of-tal-r-deaf-institute","title":"DAVID SHRIGLEY \/ Strive for Excellence","description":"\u003cp\u003e\u003cstrong\u003eDavid Shrigley\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eStrive for Excellence\u003c\/em\u003e  2013\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"DAVID SHRIGLEY","offers":[{"title":"Default Title","offer_id":45972066140441,"sku":"","price":1250.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_17.jpg?v=1691757300"},{"product_id":"copy-of-david-shrigley-strive-for-excellence-1","title":"PHILIP TAAFFE \/ Untitled","description":"\u003cp\u003e\u003cstrong\u003ePhilip Taaffe\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eUntitled  \u003c\/em\u003e2014\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"PHILIP TAAFFE","offers":[{"title":"Default Title","offer_id":45972203897113,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_04.jpg?v=1691757375"},{"product_id":"copy-of-philip-taaffe-untitled","title":"MUNGO THOMSON \/ Negative Space (STScI-PRC1999-14d)","description":"\u003cp\u003e\u003cstrong\u003eMungo Thomson\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eNegative Space (STScI-PRC1999-14d)  \u003c\/em\u003e2013\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"MUNGO THOMSON","offers":[{"title":"Default Title","offer_id":45972280279321,"sku":"","price":450.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_06.jpg?v=1691757445"},{"product_id":"copy-of-mungo-thomson-negative-space-stsci-prc1999-14d","title":"PAE WHITE \/ Untitled","description":"\u003cp\u003e\u003cstrong\u003ePae White\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eUntitled  \u003c\/em\u003e2013\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"PAE WHITE","offers":[{"title":"Default Title","offer_id":45972331856153,"sku":"","price":650.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_18.jpg?v=1691757513"},{"product_id":"copy-of-pae-white-untitled","title":"RICHARD WRIGHT \/ Untitled","description":"\u003cp\u003e\u003cstrong\u003eRichard Wright\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eUntitled  \u003c\/em\u003e2013\u003cbr\u003eP\u003cspan data-mce-fragment=\"1\"\u003eerforated offset lithograph print, 19 x 19cm\u003cbr\u003eEdition of 100\u003cbr\u003e\u003c\/span\u003eRob Tufnell, UK\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e*Please note - these will ship mid October, 2023*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e“Discovered by Albert Hofmann in 1938, mass manufactured for use in psychiatry by the pharmaceutical manufacturer Sandoz from 1947 and utilised by the CIA in the 1950s, Lysergic Acid Diethylamide, or LSD-25, was banned in 1967 after its widespread adoption by the counter culture.\u003c\/p\u003e\n\u003cp\u003eAn effective dose of this invisible, tasteless and odourless compound is 20-30 micrograms. Prior to the ban it had been supplied injected in solution, dripped onto sugar cubes like a vaccination against polio and, famously (by Ken Kesey’s Merry Pranksters), stirred into a bowl of Kool Aid. After LSD was banned the severity of being caught in possession, as with other narcotics, was determined by the weight of the prohibited substance found. For this reason and for other practical concerns in the early 1970s many illegal manufacturers opted to distribute doses using perforated sheets of relatively light weight, absorbent paper – so-called ‘blotter’ – that had been immersed in the chemical. These were labeled with increasingly elaborate designs some of which sat within each individual square whilst others spread over a number or even the whole sheet. Such sheets usually adopt the same format: divided into 900 ¼ inch squares.\u003c\/p\u003e\n\u003cp\u003eFor some the ingestion of such ¼ inch printed paper squares resulted in a significant right of passage that promised some level of profound insight (but instead simply disrupted a capacity for basic perception). However, these tiny paper squares became vehicles for an iconography or branding which, ironically, promoted clandestine activity. Rather than celebrating consumer society, they could be seen to have sought to undermine or circumnavigate it. They also recall (and occasionally quote) late Modernism, specifically: Conceptual art, Fluxus, Minimalism, Pop and Surrealism. The prints follow an invitation to the artists involved to design a sheet of ‘blotter’ (without the active ingredient of Lysergic Acid Diethylamide). The resulting designs have each been reproduced in editions of 100 offset lithographic prints. The works at once look back to the shamanic, drug-induced rituals of prehistory and to the signatory grid of Modernism.\" RT\u003c\/p\u003e","brand":"RICHARD WRIGHT","offers":[{"title":"Default Title","offer_id":45972431667481,"sku":"","price":850.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Blotter_20.jpg?v=1691757584"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/collections\/2.-Bayrle.jpg?v=1691757690","url":"https:\/\/landslidebooksandobjects.com\/collections\/lsd.oembed","provider":"Landslide","version":"1.0","type":"link"}