{"title":"China Heights 'IN RESIDENCE' May, 2025","description":"","products":[{"product_id":"punk-1-1976","title":"LOU REED \/ PUNK #1","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"_a9zs\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cb\u003eJohn Holmstrom\u003cbr\u003e \u003c\/b\u003e\u003ci\u003ePUNK #1  \u003c\/i\u003e1976\u003cbr\u003e Magazine, 21 x 29cm\u003cbr\u003e Punk Magazine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eCondition: Good, light wear\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003eIn 1976, New York was home to a booming counter-culture – and one magazine, Punk, was there to chronicle it all.\u003cbr\u003e \u003cbr\u003e Founded in 1975 by cartoonist John Holmstrom, publisher Ged Dunn and journalist Legs McNeil.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp 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29cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePunk Magazine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Good, light wear. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn 1976, New York was home to a booming counter-culture – and one magazine, Punk, was there to chronicle it all.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003eFounded in 1975 by cartoonist John Holmstrom, publisher Ged Dunn and journalist Legs McNeil.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003eIssue 2 of March 1976 features the two faces of Patti Smith on the cover, with editorial covering the likes of Talking Heads, Patti Smith, Lenny Kaye, and Television.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"_ab8w  _ab94 _ab99 _ab9f _ab9m _ab9p _abaj _abb- _abcm\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_ab8w  _ab94 _ab99 _ab9f _ab9m _ab9p _abaj _abb- 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data-mce-fragment=\"1\"\u003ePunk Magazine\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: Good, light wear\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003eIn 1976, New York was home to a booming counter-culture – and one magazine, Punk, was there to chronicle it all.\u003cbr\u003e\u003cbr\u003eFounded in 1975 by cartoonist John Holmstrom, publisher Ged Dunn and journalist Legs McNeil.\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIssue 3 of April 1976 features The Ramones on the cover, with editorial covering the likes of David Johansen, Robert Crumb, the Ramones, and Richard Hell.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"_ab8w  _ab94 _ab99 _ab9f _ab9m _ab9p _abaj _abb- _abcm\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"JOHN HOLMSTROM","offers":[{"title":"Default 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Lebensztejn is one of France’s best-kept secrets. A world-class art historian who has lectured and taught at major universities in the United States, his work has remained almost entirely in French, his American audience limited to a small but dedicated group of cognoscenti. \u003c\/p\u003e\n\u003cp\u003eFirst introducing the\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eManneken Pis\u003c\/em\u003e—the iconic little boy whose stream of urine supplies water to this famous fountain and is also the logo for a Belgian beer company—the author takes the reader through a semi-scatological maze of cultural history. The earliest example is a fresco scene located directly above Cimabue’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eCrucifixion\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efrom around 1280 at the Basilica of Saint Francis of Assisi, in which Lebensztejn’s careful eye locates an angel behind a pillar who looks like he is about to urinate through a hole in his garment. 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The first widely distributed book of Lebensztejn’s in English,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePissing Figures 1280–2014\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis simultaneously published in France by Éditions Macula.\u003c\/p\u003e","brand":"JEAN-CLAUDE LEBENSZTEJN","offers":[{"title":"Default Title","offer_id":45158628655385,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/pissing-figures_coverupdated.png?v=1683203003"},{"product_id":"romaine-brooks-strange-impressions","title":"ROMAINE BROOKS \/ Strange Impressions","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRomaine Brooks \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eStrange Impressions  \u003c\/em\u003e2022\u003cbr\u003eSoftcover, 180 Pages\u003cbr\u003e11 x 8cm\u003cbr\u003eDavid Zwirner Books, New York \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: New \u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eMost known for her bold and darkly painted portraits, Brooks was revolutionary in her feminist renderings of women in resistance. Openly queer, she challenged conceptions of gender and sexuality\u003c\/span\u003e\u003cspan\u003e in her art, which also served as her refuge. \u003c\/span\u003e\u003cspan\u003eWhile many of her male counterparts were disfiguring and cubing their subjects—often women—Brooks gave personhood and power to the figures she painted. \u003c\/span\u003e\u003cspan\u003eHer frank approach to her complicated relationship with her mother, faith, wealth, sexuality, and gender is complemented by a keen wit that echoes the grey tones of her work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThough her paintings are held in major collections, Brooks’s influence in modernist circles of the early twentieth century is largely under-explored. This new publication, guided by Brooks’s own impressionistic musings, bridges an important gap between the art and the artist. 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In the 1930s, Brooks began work on her autobiography, No Pleasant Memories, which consists of sketches of her troubled childhood, musings on artists’ roles in society, and reflections on her own rejection of the norms and traditions of art. 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In Mónica de la Torre’s introduction, she explores the connection between the three muses of music, art, and poetry, and the ekphrastic experience of reading Ashbery.\u003c\/p\u003e","brand":"JOHN ASHBERY","offers":[{"title":"Default Title","offer_id":45393909481753,"sku":"","price":20.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/2022-ashbery_01w.jpg?v=1686041744"},{"product_id":"young-kim-a-year-on-earth-with-mr-hell","title":"YOUNG KIM \/ A Year on Earth with Mr. Hell","description":"\u003cp\u003e\u003cstrong\u003eYoung Kim\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eA Year on Earth with Mr. Hell  \u003c\/em\u003e2023\u003cbr\u003eSoftcover, 254 pages\u003cbr\u003e10.7 x 18cm\u003cbr\u003eFashionbeast Editions\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 1\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eA Year on Earth With Mr. Hell \u003c\/span\u003e\u003cspan\u003eis the critically acclaimed début memoir by \u003c\/span\u003e\u003cspan\u003eYoung Kim\u003c\/span\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis book explores a liberated woman’s erotic experience in a clandestine affair without the clichéd political and cultural stereotypes of modern gender roles. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSet in New York, the book is a completely truthful and explicit account about the first ten months of a romantic affair Kim conducted with legendary punk rocker and writer, \u003c\/span\u003e\u003cspan\u003eRichard Hell\u003c\/span\u003e\u003cspan\u003e, starting in the winter of 2016. It is unique in that while it is a diary in its cinematic sweep, it reads like a novel. Because it was written as the unpredictable affair unfolded, there was always great uncertainty to the realisation of this “daybook-cum- docudrama.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKnown for his own erotic writing, Richard Hell instigated the book inadvertently by asking Kim to write something sexually provocative about their first night together. What resulted was an erotic relationship fuelled not only by carnal chemistry but also literary synergy. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSet in a Warholian swirl in the worlds of art, music, and fashion, spanning continents, the narrative is as much about Kim’s processing her grief for \u003c\/span\u003e\u003cspan\u003eMalcolm McLaren \u003c\/span\u003e\u003cspan\u003e(most famous for his role as the conceptualizer, art director, and manager of the Sex Pistols, as well as designing the punk style with his then-partner Vivienne Westwood), her romantic and business partner for the last 12 years of his life until his untimely death in 2010.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan\u003eThe design of the book, by \u003c\/span\u003e\u003cspan\u003eStudio Marie Lusa\u003c\/span\u003e\u003cspan\u003e, is an homage to \u003c\/span\u003e\u003cspan\u003eOlympia Press\u003c\/span\u003e\u003cspan\u003e, the notorious Parisian publisher of erotic and banned books like \u003c\/span\u003e\u003cspan\u003eLolita\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eThe Story of O, Naked Lunch \u003c\/span\u003e\u003cspan\u003eand Alexander Trocchi’s \u003c\/span\u003e\u003cspan\u003eHelen and Desire\u003c\/span\u003e\u003cspan\u003e, which was the inspiration behind one of McLaren’s iconic punk designs for SEX: the “I Groaned With Pain” T-shirt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA Year on Earth with Mr. Hell has garnered accolades from none other than Bret Easton Ellis, Greil Marcus, Matthew D’Ancona, Edmund White, Michael Bracewell and Helen Rumbelow of The Times.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eABOUT YOUNG KIM \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eYoung Kim grew up in Long Island, New York, before studying history at Yale University. After teaching English for one year in the former East Germany, she then completed the first year of law school at N.Y.U. before abandoning it in favor of her passion for the creative world. This led her to Paris to study fashion. During her second year in Paris, she met Malcolm McLaren and immediately commenced a romantic relationship. After a stint in the fashion world, including as an editor of \u003c\/span\u003e\u003cspan\u003eV Magazine\/ Visionaire\u003c\/span\u003e\u003cspan\u003e, she started working exclusively with McLaren in 2000 as his producer and creative partner on projects in art, fashion, music, film, theatre, advertising, and media, until his death in 2010. As the sole executor and heir of the Estate of Malcolm McLaren, she continues to work in the same worlds as well as writing. She has published pieces in \u003c\/span\u003e\u003cspan\u003eVogue \u003c\/span\u003e\u003cspan\u003eUS, \u003c\/span\u003e\u003cspan\u003eHoliday\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eDrugstore Culture\u003c\/span\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cspan\u003eGQ \u003c\/span\u003e\u003cspan\u003eUK\u003c\/span\u003e\u003cspan\u003e, Liber, A Rabbit’s Foot, The Evening Standard \u003c\/span\u003e\u003cspan\u003eand \u003c\/span\u003e\u003cspan\u003eGagosian Quarterly\u003c\/span\u003e\u003cspan\u003e. She lives between Paris and New York. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"YOUNG KIM","offers":[{"title":"Default Title","offer_id":45432297062681,"sku":"","price":45.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_81572.jpg?v=1686538786"},{"product_id":"copy-of-re-search-george-kuchar-1","title":"H.R. 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This American science fiction and fantasy comics magazine, published beginning in 1977 after the French magazine Métal Hurlant (est. 1974) remains incredibly popular and helped launch the careers of many artists including Giger. All Giger’s artworks are located and re-produced here from the pages of many lost issues of Heavy Metal, along with all accompanying articles and interviews re-typeset along with newly presented reference imagery throughout, all painstakingly indexed. H.R. Giger: Heavy Metal Index comes with exclusive bootleg stickers.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"block-c2574becbf3ecc0b64c7\" data-block-type=\"2\" class=\"sqs-block html-block sqs-block-html\"\u003e\n\u003cdiv class=\"sqs-block-content\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"H.R. 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The images were sent back and forth over iMessage during the long periods of lockdown that each city live in imposed on them throughout the Covid-19 Pandemic. 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The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RIRKRIT TIRAVANIJA","offers":[{"title":"Default Title","offer_id":45621114143001,"sku":"","price":235.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/RT.jpg?v=1692086578"},{"product_id":"lawrence-weiner-deep-blue-sky-light-blue-sky-2","title":"LAWRENCE WEINER \/ Deep blue sky \/ Light blue sky 2","description":"\u003cp\u003e\u003cstrong\u003eLawrence Weiner\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eDeep blue sky \/ Light blue sky 2  \u003c\/em\u003e2007\u003cbr\u003eSoftcover, 150 pages\u003cbr\u003e22.5 x 14cm\u003cbr\u003eSecond edition, printed in blue\u003cbr\u003e600 numbered copies\u003cbr\u003eOne Star Press\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn artists book by Lawrence Weiner incorporating texts and diagram drawings that plays on maritime theme and passages. Printed in blue ink on white paper. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e","brand":"LAWRENCE WEINER","offers":[{"title":"Default Title","offer_id":45621425766681,"sku":"","price":185.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_008_0168338c-39aa-42a6-a4c4-c613b9e98ab0.jpg?v=1688470810"},{"product_id":"rirkrit-tiravanija-do-not-ever-work","title":"RIRKRIT TIRAVANIJA \/ Do Not Ever Work","description":"\u003cp\u003e\u003cstrong\u003eRirkrit Tiravanija\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eDo Not Ever Work  \u003c\/em\u003e2015\u003cbr\u003eSoftcover, 102 pages\u003cbr\u003e 22.5 x 14cm, 250 numbered copies\u003cbr\u003eOne Star Press, Paris\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eFor his participation in the 56th Venice Biennale, Rirkrit Tiravanija realized\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eUntitled 2015 (14,086 unfired)\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ean event located in the Central Exhibition, Arsenale, allowing visitors to purchase construction bricks stamped with a Mandarin translation of Guy Debord’s protest slogan “Ne Travaillez Jamais” with proceeds benefiting the Italian foundation ISCOS, a nonprofit supporting international worker’s rights in Italy and developing countries.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eInspired by the ubiquitous presence of construction bricks piled before various building sites in Beijing, Tiravanija decided to “make a little factory” in China where this slogan was stamped into bricks by workers, emphasising their labor as literal building block of society whilst highlighting the various ways in which their force is equally taken for granted.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press is happy to present\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDO NOT EVER WORK\u003c\/em\u003e, an artist book by Rirkrit Tiravanija wherein the famed slogan “Ne Travaillez Jamais” has been translated into an international chorus of voices, printed in the artist’s typeface Tiravanija 1.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e","brand":"RIRKRIT TIRAVANIJA","offers":[{"title":"Default Title","offer_id":45621782020377,"sku":"","price":85.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_011_b646132d-ceb7-47c5-b165-a978b5486b73.jpg?v=1688474340"},{"product_id":"copy-of-john-holmstrom-punk-1","title":"IGGY POP \/ PUNK #4","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv class=\"_a9zs\"\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eJohn Holmstrom\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePUNK #4  \u003c\/em\u003e\u003cspan\u003e1976\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMagazine, 21 x 29cm\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePunk Magazine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Good, light wear\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIn 1976, New York was home to a booming counter-culture – and one magazine, Punk, was there to chronicle it all.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFounded in 1975 by cartoonist John Holmstrom, publisher Ged Dunn and journalist Legs McNeil.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"_aacl _aaco _aacu _aacx _aad7 _aade\"\u003e\u003cmeta charset=\"utf-8\"\u003eWritten entirely in hand lettered interior texts, Issue 4 of July 1976 features Iggy Pop on the cover, with editorial covering the likes of the Blondie, Theresa Stern, and an interview with Iggy Pop.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"JOHN HOLMSTROM","offers":[{"title":"Default Title","offer_id":45641608134937,"sku":"","price":650.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/PunkMag-4.jpg?v=1688649361"},{"product_id":"hannah-quinlan-rosie-hastings-gay-betrayals","title":"HANNAH QUINLAN \u0026 ROSIE HASTINGS \/ Gay Betrayals","description":"\u003cp\u003e\u003cstrong\u003eHannah Quinlan \u0026amp; Rosie Hastings \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eGay Betrayals  \u003c\/em\u003e2020\u003cbr\u003eSoftcover, 102 pages. 21 x 15cm\u003cbr\u003eAfterall Books\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBersani’s intervention champions a truly disruptive vision of homosexuality, one that betrays the foundations of bourgeois heterosexual respectability. Building on artistic research into the politics of queer spaces and culture some 20 years later, Hannah Quinlan and Rosie Hastings revisit Bersani’s polemic. Through a kaleidoscopic array of drawings, preparatory sketches and egg tempera paintings, a narrative of everyday (homo)sociality emerges.In 1997, during a symposium at Centre Pompidou, pioneering queer theorist Leo Bersani presented a prescient critique of the assimilative tendencies that made 'gays melt into the very culture they like to think of themselves as undermining'. Leo Bersani (1931–2022) was an American theorist best known for his books 'Is the Rectum a Grave?', 'Homos' and 'Receptive Bodies'. Born in the Bronx, he graduated from Harvard in 1952 and eventually joined the University of California, Berkeley, where he became an influential teacher, remaining there for the rest of his career.\u003c\/span\u003e\u003c\/p\u003e","brand":"HANNAH QUINLAN \u0026 ROSIE HASTINGS","offers":[{"title":"Default Title","offer_id":45914970521881,"sku":"","price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Screenshot_2022-07-12_at_111928.jpg?v=1690374576"},{"product_id":"copy-of-raymond-pettibon-virgin-fears","title":"RAYMOND PETTIBON \/ The Navigator's Wives","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eThe Navigator's Wives  \u003c\/em\u003e1985\u003cbr\u003eOffset print of ink on paper, 35 pages\u003cbr\u003e22 x 14cm, 1st edition \u003cbr\u003eSST Pubs\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsed, very good.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMild toning due to age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eEdition: 265 of 500. \u003cmeta charset=\"utf-8\"\u003e(Approximately 400 from the edition were destroyed), noted in red ink in Pettibon's hand on the front cover. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eKnown for his poetic collisions of \"high\" and \"low\" cultural forms, Raymond Pettibon first launched his career as an artist making zines, fliers, and other ephemera within the SoCal punk scene of the late 1970s and 1980s, published by his brother's record label SST Publications. \u003c\/span\u003e\u003cspan\u003e\"His work became identified with a brash and iconoclastic visual style that would influence and speak for an entire generation of disaffected youth … He stands alongside a generation of Los Angeles artists who have tackled the dissolution of American idealism head-on using fragments of its own visual culture.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThese early zines were at first mimeographed and later offset printed or photocopied. The drawings often express disillusionment with the utopian 1960s, a common punk sentiment at the time. One zine in particular, Tripping Corpse, which was serialised, tends to focus on hippie culture gone terribly wrong. Charles Manson is a favourite subject, and even in drawings where he’s not explicitly portrayed, his presence is felt. Far from purely reactionary, though, Pettibon’s work from this time targets the underlying violence of American culture at large, with portrayals of corrupt police officers, classic teen angst, drug addiction, self-loathing, marital dissatisfaction, and the private lives of celebrities and politicians such as Joan Crawford and J. Edgar Hoover.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":45959171440921,"sku":"","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Pettibon_front_15.jpg?v=1690720785"},{"product_id":"copy-of-raymond-pettibon-i-will-sign-anything-signed","title":"RAYMOND PETTIBON \/ console, heal, or depict...","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003econsole, heal, or depict...  \u003c\/em\u003e1984\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOffset print of ink on paper, 35 pages\u003cbr\u003e22 x 14cm, 1st edition\u003cbr\u003eSST Pubs\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsed, very good.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMild toning due to age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eEdition #236 of 500. \u003cmeta charset=\"utf-8\"\u003e(Approximately 400 from the edition were destroyed), noted in red ink in Pettibon's hand on the front cover.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eKnown for his poetic collisions of \"high\" and \"low\" cultural forms, Raymond Pettibon first launched his career as an artist making zines, fliers, and other ephemera within the SoCal punk scene of the late 1970s and 1980s, published by his brother's record label SST Publications. \u003c\/span\u003e\u003cspan\u003e\"His work became identified with a brash and iconoclastic visual style that would influence and speak for an entire generation of disaffected youth … He stands alongside a generation of Los Angeles artists who have tackled the dissolution of American idealism head-on using fragments of its own visual culture.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThese early zines were at first mimeographed and later offset printed or photocopied. The drawings often express disillusionment with the utopian 1960s, a common punk sentiment at the time. One zine in particular, Tripping Corpse, which was serialised, tends to focus on hippie culture gone terribly wrong. Charles Manson is a favourite subject, and even in drawings where he’s not explicitly portrayed, his presence is felt. Far from purely reactionary, though, Pettibon’s work from this time targets the underlying violence of American culture at large, with portrayals of corrupt police officers, classic teen angst, drug addiction, self-loathing, marital dissatisfaction, and the private lives of celebrities and politicians such as Joan Crawford and J. Edgar Hoover.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":45959662141721,"sku":"","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Pettibon_front_20.jpg?v=1690722604"},{"product_id":"copy-of-raymond-pettibon-console-heal-or-depict-1","title":"RAYMOND PETTIBON \/ Pig Cupid","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eRaymond Pettibon\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePig Cupid  \u003c\/em\u003e1985\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOffset print of ink on paper, 28 pages\u003cbr\u003e22 x 14cm, 1st edition \u003cbr\u003eSST Pubs\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUsed, very good.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMild toning due to age.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEdition #143 of 500. \u003cspan data-mce-fragment=\"1\"\u003e(Approximately 400 of the edition were destroyed), noted in red ink in Pettibon's hand on the front cover. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe plaintive cover image of \u003ci\u003ePig Cupid\u003c\/i\u003e is captioned “Why do I dream of undertow when I don’t even know what it is?” This zine, by punk artist Raymond Pettibon, deals with violent love and toxic relationships. Many of the women within have been violated, deserted, shot, bought or sold, but Pettibon’s fluid line drawings capture the inexplicable pull of desire, even against a woman’s better judgement. Cupid, argues Pettibon, is a pig.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eKnown for his poetic collisions of \"high\" and \"low\" cultural forms, Raymond Pettibon first launched his career as an artist making zines, fliers, and other ephemera within the SoCal punk scene of the late 1970s and 1980s, published by his brother's record label SST Publications. \u003c\/span\u003e\u003cspan\u003e\"His work became identified with a brash and iconoclastic visual style that would influence and speak for an entire generation of disaffected youth … He stands alongside a generation of Los Angeles artists who have tackled the dissolution of American idealism head-on using fragments of its own visual culture.\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan\u003eThese early zines were at first mimeographed and later offset printed or photocopied. The drawings often express disillusionment with the utopian 1960s, a common punk sentiment at the time. One zine in particular, Tripping Corpse, which was serialised, tends to focus on hippie culture gone terribly wrong. Charles Manson is a favourite subject, and even in drawings where he’s not explicitly portrayed, his presence is felt. Far from purely reactionary, though, Pettibon’s work from this time targets the underlying violence of American culture at large, with portrayals of corrupt police officers, classic teen angst, drug addiction, self-loathing, marital dissatisfaction, and the private lives of celebrities and politicians such as Joan Crawford and J. Edgar Hoover.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"RAYMOND PETTIBON","offers":[{"title":"Default Title","offer_id":45960159592729,"sku":"","price":750.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Pettibon_front_22.jpg?v=1690724091"},{"product_id":"cady-noland-the-clip-on-method","title":"CADY NOLAND \/ The Clip On Method","description":"\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s1\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eCady Noland\u003cbr data-mce-fragment=\"1\"\u003e \u003c\/b\u003e\u003ci data-mce-fragment=\"1\"\u003eThe Clip On Method  \u003c\/i\u003e2021\u003cbr data-mce-fragment=\"1\"\u003e Softcover, two volumes\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eVolume 1: 290 pages, B\u0026amp;W and 1 colour page, 28 x 21.5cm|\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eVolume 2: 306 pages, B\u0026amp;W and 8 colour pages, 28 x 21.5cm\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by Cady Noland, Rhea Anastas, and Robert Snowden\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"s2\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCondition: New. A light scratch to the protective plastic covers of both volumes that happened in transit from the distributor, reflected in price.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e 'The Clip-On Method' is a two-volume artist book about the work of Cady Noland. At almost 600 pages, this publication combines exhibition documentation from 1984 onwards and essays that interrogate the core of Noland’s practice and engagement in art.\u003c\/p\u003e\n\u003cp class=\"p1\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eBook 1 includes documents, essays, scholarly texts and articles exploring capitalism, violence, racial discrimination in US universities, paired with documentation of various iconic works in their debut presentations. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBook 2 combines documentation with writings by the artist herself, often presented as facsimiles, revealing artistic process and the artworks it yields. \u003c\/span\u003e\u003c\/p\u003e","brand":"CADY NOLAND","offers":[{"title":"Default Title","offer_id":46463921783065,"sku":"","price":190.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/clip-on-cover-body-1.jpg?v=1708003865"},{"product_id":"gus-van-sant-108-portraits-signed","title":"GUS VAN SANT \/ 108 Portraits (signed)","description":"\u003cp\u003e\u003cstrong\u003eGus Van Sant\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003e108 Portraits  \u003c\/em\u003e1992\u003cbr\u003eHardcover, 116 pages\u003cbr\u003e33 x 25.5cm, 1st edition\u003cbr\u003eSigned with a drawing by Van Sant inside front cover\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eTwin palms publishers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: Near fine\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe legendary film director's debut collection of portrait-photographs. Every subject is photographed in a frontal pose, taken at a medium-shot angle with minimal lighting, thereby bringing out both the chiaroscuro effect of light and shadow and the expressiveness of his subjects' faces and bodies. Gus Van Sant began taking photographs for the auditions of Drugstore Cowboy and My Own Private Idaho. The casual picture-taking quickly developed into a full-fledged project, encompassing a Who's Who of late twentieth-century cinema and capturing the exuberance and hedonism of a decade.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith \u003cmeta charset=\"utf-8\"\u003eTraci Lords, David Byrne, Ken Kesey, Dennis Hopper, Allen Ginsberg, River Phoenix, Heather Graham, John Waters and many more. As rare as they come and an absolute classic from a master of image making.\u003c\/span\u003e\u003c\/p\u003e","brand":"GUS VAN SANT","offers":[{"title":"Default Title","offer_id":46498518466841,"sku":"","price":950.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/ScreenShot2021-11-16at10.30.38AM_17c4483b-bc6f-4079-9fc7-28af6917a824.jpg?v=1692744286"},{"product_id":"linda-rosenkrantz-peter-hujars-day","title":"LINDA ROSENKRANTZ \/ Peter Hujar's Day","description":"\u003cp\u003e\u003cstrong\u003eLinda Rosenkrantz\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003ePeter Hujar's Day\u003c\/em\u003e  2022\u003cbr\u003eSoftcover, 56 pages\u003cbr\u003e20 x 13cm\u003cbr\u003eMagic Hour Press\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOn December 18, 1974, the author Linda Rosenkrantz asked her friend Peter Hujar to write down everything he did on that day. Hujar met Rosenkrantz at her apartment on 94th Street the following day, where she asked him about it in detail and tape-recorded their conversation. 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Only 1000 made, on superior glossy paper! Purple endpapers! Future rare collectible. The photos are infinitely sharper on the new glossy paper. The new hardback looks like a brand new book! This edition is superior to (and supersedes) all old printings offered elsewhere on the Internet.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e“…really a game changer, one of the most inspirational books I read. Much loved.” — Jack Sargeant, writer.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e“Packed with fascinating material, and as always beautifully produced and designed. A real insight into what links these artists and their obsessions.” — J.G. 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When learning about internet history, we are taught to focus on engineering, the military-industrial complex, and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers, and computers. It is an environment that shapes and is shaped by its inhabitants and their use.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe creation and use of the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCyberfeminism Index\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis a social and political act. It takes the name cyberfeminism as an umbrella, complicates it, and pushes it into plain sight. Edited by designer, professor, and researcher Mindy Seu, it includes more than 700 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, and bio-hacktivism; and depictions of feminist net art and new media art.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eBoth a vital introduction for laypeople and a robust resource guide for educators,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCyberfeminism Index\u003c\/i\u003e—an anti-canon, of sorts—celebrates the multiplicity of practices that fall under this imperfect categorization and makes visible cyberfeminism’s long-ignored origins and its expansive legacy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eContributors include: Skawennati, Charlotte Web, Melanie Hoff, Constanza Pina, Melissa Aguilar, Cornelia Sollfrank, Paola Ricaurte Quijano, Mary Maggic, Neema Githere, Helen Hester, Annie Goh, VNS Matrix, Klau Chinche \/ Klau Kinky and Irina Aristarkhova.\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"MINDY SEU","offers":[{"title":"Default Title","offer_id":47379121144089,"sku":"","price":73.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/seu-web.jpg?v=1699672173"},{"product_id":"scott-king-anxiety-depression","title":"SCOTT KING \/ Anxiety \u0026 Depression","description":"\u003cp\u003e\u003cstrong\u003eScott king\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eAnxiety \u0026amp; Depression  \u003c\/em\u003e2015\u003cbr\u003eSoftcover, 64 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eThird printing\u003cbr\u003e16.5 x 10.5cm\u003cbr\u003eJRP|Ringier\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eAnxiety \u0026amp; Depression\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eis an unusual and quirky ‘self-help’ manual for the 21st century, created by Scott King. 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