{"title":"ARTSPACE","description":"","products":[{"product_id":"rachel-rose","title":"RACHEL ROSE \/ Rachel Rose","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eRachel Rose\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eRachel Rose  \u003c\/em\u003e2020\u003cbr\u003eSoftcover, 240 pages\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e22 x 29cm\u003cbr\u003eWalther Koenig, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKöln\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNew York–based artist Rachel Rose (born 1986) approaches visual storytelling as a sensory experience informed by key elements of the human experience: our relationship to landscape and the belief systems that have developed around ideas of mortality. 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And most important, these lesbians are crowded into a very small space, as was almost always the case in lesbian bars, basically stark and empty rooms to which the women, themselves, brought romance and glamour.\" -  Sarah Schulman, Artforum\u003c\/p\u003e","brand":"Ellen Cantor, Elise Dodeies, Nicole Eisenman, Daphne Fitzpatrick, Eliza Jackson, G. B. 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In this succinct and pointed new essay, the artist and writer Victor Burgin rereads Benjamin’s 1935 text, to elaborate a new argument contending that the camera today is profoundly imbricated in that which is not visible.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"VICTOR BURGIN","offers":[{"title":"Default Title","offer_id":45180325527833,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/015_32deba43-7aff-4309-8929-5c4f81adcd6d.jpg?v=1763000442"},{"product_id":"assemb","title":"DeFORREST BROWN JR \/ Assembling a Black Counter Culture","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eDeForrest Brown, Jr.\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eAssembling a Black Counter Culture\u003c\/em\u003e  2022\u003cbr\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePaperback, 432 pages, \u003c\/span\u003e13 x 21cm\u003cspan\u003e \u003cbr\u003e\u003c\/span\u003ePrimary Information, New York. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: New. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003eEditor: Rachel Valinsky; Editorial Consultant: Ting Ding and Camille Crain Drummond; Designer: Scott Ponik; Copy Editor: Madeleine Compagnon. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeForrest Brown, Jr.’s \u003c\/span\u003e\u003cem\u003eAssembling a Black Counter Culture\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003epresents a comprehensive account of techno with a focus on the history of Black experiences in industrialised labor systems—repositioning the genre as a unique form of Black musical and cultural production.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBrown traces the genealogy and current developments in techno, locating its origins in the 1980s in the historically emblematic city of Detroit and the broader landscape of Black musical forms. Reaching back from the transatlantic slave trade to Emancipation, the Industrial Revolution, and the Great Migration from the rural South to the industrialised North, Brown details an extended history of techno rooted in the transformation of urban centres and the new forms of industrial capitalism that gave rise to the African American working class. Following the groundbreaking work of key early players like The Belleville Three, the multimedia output of Underground Resistance and the myth-science of Drexciya, Brown illuminates the networks of collaboration, production, and circulation of techno from Detroit to other cities around the world.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAssembling a Black Counter Culture\u003c\/em\u003e\u003cspan\u003e reframes techno from a Black theoretical perspective distinct from its cultural assimilation within predominantly white, European electronic music contexts and discourse. With references to Theodore Roszak’s \u003c\/span\u003e\u003cem\u003eMaking of a Counter Culture, \u003c\/em\u003e\u003cspan\u003ewritings by African American autoworker and political activist James Boggs, and the “techno rebels” of Alvin Toffler’s \u003c\/span\u003e\u003cem\u003eThird Wave, \u003c\/em\u003e\u003cspan\u003eamong others, Brown draws parallels between movements in Black electronic music and Afrofuturist, speculative, and \u003c\/span\u003e\u003cspan\u003eAfrodiasporic practices to imagine a world-building sonic fiction and futurity embodied in techno.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeForrest Brown, Jr. is an Alabama-raised rhythmanalyst, writer, and representative of the Make Techno Black Again campaign. As Speaker Music, he channels the African American modernist tradition of rhythm and soul music as an intellectual site and sound of generational trauma. 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The selected writings, interviews, extended bibliography and chronology gathered in \u003cem\u003eSeth Siegelaub: “Better Read than Dead” Writings and Interviews 1964–2013\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003efill the historical gaps in the sprawling network of exhibitions, publications, projects, and collections that constitute Siegelaub’s life’s work.\u003c\/p\u003e","brand":"SETH SIEGELAUB","offers":[{"title":"Default Title","offer_id":45338919043353,"sku":"","price":95.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/seth-siegelaub-better-read-than-dead-74.jpg?v=1685423937"},{"product_id":"mike-bouchet-paul-mccarthy-powered-a-hole-spanish-donkey-sport-dick-drink-donkey-dong-dongs-sunscreen-model","title":"MIKE BOUCHET \u0026 PAUL McCARTHY \/ Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model","description":"\u003cp\u003e\u003cstrong\u003eMike Bouchet \u0026amp; Paul McCarthy\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003ePowered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model  \u003c\/em\u003e2016\u003cbr\u003eHardcover, 198 pages\u003cbr\u003e25 x 33 cm\u003cbr\u003eMousse Publishing\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: New\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAn extensive publication, documenting the process and final outcome of 'Powered A-Hole Spanish Donkey Sport Dick Drink Donkey Dong Dongs Sunscreen Model', a sensational and excessive exhibition by the two controversial artists which takes the form of a “Gesamtkunstwerk” pointing the multifaceted excesses of contemporary art production and commodification. 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Then in 1950 Charles and Ray Eames mass produced their iconic fiberglass chair with Herman Miller, Inc. In 1951, Camtray (now renamed as Cambro) began manufacturing fiberglass trays in Huntington Beach, CA. Many years later, in 2017, onestar press invited Lawrence Weiner to design an open edition serving tray produced by Cambro.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLawrence Weiner used his trademark font and came up with the following text : AS OFTEN AS NOT. The artist then concluded: LET US GET SOME DRINKS ON THE TRAY!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e","brand":"LAWRENCE WEINER","offers":[{"title":"Default Title","offer_id":45620568883481,"sku":"","price":225.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/LW.jpg?v=1691759623"},{"product_id":"rirkrit-tiravanija-fear-eats-the-soul","title":"RIRKRIT TIRAVANIJA \/ Fear Eats The Soul","description":"\u003cp\u003e\u003cstrong\u003eRirkrit Tiravanija\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eFear Eats The Soul  \u003c\/em\u003e2018\u003cbr\u003eFibreglass serving tray, 41.5 x 31cm \u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eFiberglass (Antique parchment) Silkscreen Printing (dishwasher safe)\u003cbr\u003eOpen edition\u003cbr\u003e\u003c\/span\u003eOne Star Press, Paris\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"mt-headerSM lg:mt-header pt-10\"\u003e\n\u003cdiv class=\"mb-beforeFooter\"\u003e\n\u003cdiv class=\"px-10 grid gap-5 gap-y-beforeFooter pt-edit lg:grid-cols-2\"\u003e\n\u003cdiv class=\"DESCRIPTION\"\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"grid\"\u003e\n\u003cdiv class=\"portableText\"\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eFollowing onestar press’ inaugural tray project by Lawrence Weiner, they are proud to present Rirkrit Tiravanija’s FEAR EATS THE SOUL.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eHere Tiravanija has appropriated his text from the title of Rainer Werner Fassbinder’s\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eAli: Fear Eats the Soul\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003ea film which still resonates today with its vibrant questions of race and class raised in 1970s Germany.\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eThe 4-worded phrase used by Rirkrit literally “serves” as a cornerstone of his artistic practice, using appropriated language to underscore the exploration between art and food, and now perfectly encapsulated in a fiberglass tray produced by Cambro, Huntington Beach, CA U.S.A\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RIRKRIT TIRAVANIJA","offers":[{"title":"Default Title","offer_id":45621114143001,"sku":"","price":235.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/RT.jpg?v=1692086578"},{"product_id":"lawrence-weiner-deep-blue-sky-light-blue-sky-2","title":"LAWRENCE WEINER \/ Deep blue sky \/ Light blue sky 2","description":"\u003cp\u003e\u003cstrong\u003eLawrence Weiner\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eDeep blue sky \/ Light blue sky 2  \u003c\/em\u003e2007\u003cbr\u003eSoftcover, 150 pages\u003cbr\u003e22.5 x 14cm\u003cbr\u003eSecond edition, printed in blue\u003cbr\u003e600 numbered copies\u003cbr\u003eOne Star Press\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn artists book by Lawrence Weiner incorporating texts and diagram drawings that plays on maritime theme and passages. 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This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e","brand":"LAWRENCE WEINER","offers":[{"title":"Default Title","offer_id":45621425766681,"sku":"","price":185.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_008_0168338c-39aa-42a6-a4c4-c613b9e98ab0.jpg?v=1688470810"},{"product_id":"john-baldessari-nose-peak","title":"JOHN BALDESSARI \/ Nose Peak","description":"\u003cp\u003e\u003cstrong\u003eJohn Baldessari\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eNose Peak  \u003c\/em\u003e2015\u003cbr\u003eSoftcover, 126 pages\u003cbr\u003e22.5 x 14cm, 250 numbered copies\u003cbr\u003eOne Star Press, Paris\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIt should be said that Baldessari’s penchant for depicting noses in his work extends as far back as 1965 with the conception of \"God Nose\", one of the artist’s very few pre-1965 paintings to have survived.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eHere, with his onestar press edition, Baldessari conceives a book about a nose, with a nose, wherein the artist’s famed subject appears and disappears upon a series of pages, in one fluid sweep.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eDuring its active years from 2000 to 2019, onestar press boasted a remarkable production line consisting of over 300 books, 300 multiples, and artists' films. The organisation's commitment to granting artists space, freedom, and flexibility in realising their creative concepts, along with its embrace of new technologies, fostered fruitful collaborations with international artists across a wide array of projects.\u003c\/p\u003e\n\u003cp class=\"first:mt-0 last:mb-0 relative my-20\"\u003eonestar press held a steadfast vision when it came to contemporary creation, maintaining a non-didactic and diversified approach. This vision manifested in their publication of artists from different generations, countries, and perspectives, effectively serving as a subjective \"encyclopedia\" that reflects our multifaceted civilisation.\u003c\/p\u003e","brand":"JOHN BALDESSARI","offers":[{"title":"Default Title","offer_id":45621574697241,"sku":"","price":85.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_009_1fc5d723-3e32-41a9-81a0-029b28a2acc3.jpg?v=1688471940"},{"product_id":"hannah-quinlan-rosie-hastings-gay-betrayals","title":"HANNAH QUINLAN \u0026 ROSIE HASTINGS \/ Gay Betrayals","description":"\u003cp\u003e\u003cstrong\u003eHannah Quinlan \u0026amp; Rosie Hastings \u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eGay Betrayals  \u003c\/em\u003e2020\u003cbr\u003eSoftcover, 102 pages. 21 x 15cm\u003cbr\u003eAfterall Books\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBersani’s intervention champions a truly disruptive vision of homosexuality, one that betrays the foundations of bourgeois heterosexual respectability. Building on artistic research into the politics of queer spaces and culture some 20 years later, Hannah Quinlan and Rosie Hastings revisit Bersani’s polemic. Through a kaleidoscopic array of drawings, preparatory sketches and egg tempera paintings, a narrative of everyday (homo)sociality emerges.In 1997, during a symposium at Centre Pompidou, pioneering queer theorist Leo Bersani presented a prescient critique of the assimilative tendencies that made 'gays melt into the very culture they like to think of themselves as undermining'. Leo Bersani (1931–2022) was an American theorist best known for his books 'Is the Rectum a Grave?', 'Homos' and 'Receptive Bodies'. Born in the Bronx, he graduated from Harvard in 1952 and eventually joined the University of California, Berkeley, where he became an influential teacher, remaining there for the rest of his career.\u003c\/span\u003e\u003c\/p\u003e","brand":"HANNAH QUINLAN \u0026 ROSIE HASTINGS","offers":[{"title":"Default Title","offer_id":45914970521881,"sku":"","price":35.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Screenshot_2022-07-12_at_111928.jpg?v=1690374576"},{"product_id":"rachel-harrison-sitting-in-a-room","title":"RACHEL HARRISON \/ Sitting in a Room","description":"\u003cp\u003e\u003cstrong\u003eRachel Harrison\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eSitting in a room  \u003c\/em\u003e2023\u003cbr\u003eHardcover, 220 pages\u003cbr\u003e23 x 30cm\u003cbr\u003eGregory R. Miller \u0026amp; Co.\/Astrup Fearnley Museum\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRachel Harrison's new book highlights recent work and published in conjunction with her exhibition at the Astrup Fearnley Museum. Spanning mediums that include sculpture, drawing, photography and painting, Harrison’s nimble, layered method has always escaped easy categorisation. This volume documents the show’s distinctive format, with each gallery conceived as a specific room. Abstraction is shot through with vernacular references to jarring, often comic effect, as formalist concerns are forced to vie with rogue elements from the outside world. From Sculpture Court to Town Square, Gym, Living Room and Cabinet, the exhibition places the viewer in contexts both intimate and public, and the original essays commissioned here expand and deepen those trajectories. Designed by Joseph Logan in close collaboration with the artist, this richly illustrated volume includes Harrison's own photography of Sitting in a Room and reflects her unique approach to the making of both exhibitions and the catalogues that outlast them.\u003c\/span\u003e\u003c\/p\u003e","brand":"RACHEL HARRISON","offers":[{"title":"Default Title","offer_id":45915064992025,"sku":"","price":115.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/9788293654209_720x_8496b97f-13b8-4898-b09a-5bbdd33514d4.webp?v=1690376223"},{"product_id":"richard-prince-new-paintings","title":"RICHARD PRINCE \/ New Paintings","description":"\u003cp\u003e\u003cstrong\u003eRichard Prince\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eNew Paintings  \u003c\/em\u003e2022\u003cbr\u003eHardcover, 377 pages, 32 x 22.5cm\u003cbr\u003eFulton Ryder\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eRichard Prince (born 1949) continues his revival of the Fulton Ryder imprint with an artist’s book that is both a monograph of new artworks and an expansive written statement on art history, personal biography and the contemporary impulse to create self-images. At first glance, the New Paintings are in a similar vein as Prince’s New Portraits. However, unlike that series, the New Paintings focuses on portraits of painters painting on Instagram, very often with back to the camera, facing away from the viewer. The resulting images are ambiguously manipulated; the series is self-described as an act of “social science fiction.” The image captions, integral to the artwork, contain a dense “Bird Talk” text, including ambiguous autobiography and art history commentary.\u003c\/p\u003e\n\u003cp\u003eJoan Katz offers some explanation in a comment found in a New Painting, stating: “Deep Nostalgia. Legitimate Doubts. Safeguards to prevent misuse. Digital imitation. Resemblance without manipulations. Skilled impersonations. Staged illusions. Imitation of Life (the sequel). It’s difficult to know if it’s new or just another resurrection. #post_place.”\u003c\/p\u003e","brand":"RICHARD PRINCE","offers":[{"title":"Default Title","offer_id":45977682903321,"sku":"","price":130.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/pr1.jpg?v=1691481226"},{"product_id":"johanna-drucker-diagrammatic-writing","title":"JOHANNA DRUCKER \/ DIAGRAMMATIC Writing","description":"\u003cp\u003e\u003cstrong\u003eJohanna Drucker\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eDIAGRAMMATIC Writing \u003c\/em\u003e 2018\u003cbr\u003eSoftcover, 36 pages\u003cbr\u003e21.5 x 14cm\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003eSet Margins (Eindhoven)\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDiagrammatic Writing is a poetic demonstration of the capacity of format to produce meaning. The articulation of the codex, as a space of semantically generative relations, has rarely (if ever) been subject to so highly focused and detailed a study. The text and graphical presentation are fully integrated, co-dependent, and mutually self-reflexive. This small book work should be of interest to writers, bibliographers, designers, conceptual artists, and anyone interested in the meta-language of diagrammatic thought in graphic form.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eJohanna Drucker is a writer and book artist known for her work in experimental typography. She has published and lectured widely on topics related to the history of the book, contemporary art, graphic design, and digital aesthetics. She is the Breslauer Professor of Bibliographical Studies in the Information Studies Department at the University of California, Los Angeles. Drucker wrote this text during residence at the Banff Art Centre, February 12-18, 2013.\u003c\/span\u003e\u003c\/p\u003e","brand":"JOHANNA DRUCKER","offers":[{"title":"Default Title","offer_id":46342626115865,"sku":"","price":25.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/011_cadda859-0cdc-493c-9663-26994c9ae80e.jpg?v=1763000344"},{"product_id":"jim-shaw-my-mirage","title":"JIM SHAW \/ My Mirage","description":"\u003cp\u003e\u003cstrong\u003eJim Shaw\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eMy Mirage  \u003c\/em\u003e2011\u003cbr\u003eSoftcover, 215 pages\u003cbr\u003e25.9 x 20cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJrp Ringier\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCatalogue documenting the complete \"My Mirage\" series of works by Jim Shaw. Edited by Fabrice Stroun and Lionel Bovier. Essay by Fabrice Stroun.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"productDescriptionWrapper\"\u003e\n\u003cp class=\"object-synopsis short\"\u003e“My Mirage” (1986-1991) is the first major body of work by Jim Shaw (*1952), an artist from Los Angeles who started exhibiting in the late 1970s. Composed of nearly 170 pieces—each one drawn, silk-screened, photographed, sculpted, filmed or painted in a different style—”My Mirage” recounts the wandering of Billy, a white, middle-class American sucked into the whirlwind of the 1960s and 1970s. His is a story of unceasing failure. After an anxious childhood, Billy later withdraws from the guilt-wracked spasms of adolescence in order to lose himself in a psychedelic utopia, which soon becomes a nightmare. In the depth of psychotic hallucinations, he follows a woman who he worships into a pagan sect, before finally returning to the religion of his youth, “reborn” as a fundamentalist Christian. Each piece appropriates an image taken from an extremely broad iconographic field ranging from children’s book to contemporary art and including comics, religious literature, and psychedelic posters. As a narrative, “My Mirage” is structured like a “Bildungsroman,” with successive chapters structuring the various, gradual mutations of Billy. This narrative appears and disappears, like a mirage, according to the distance of the observer, depending on whether one considers Shaw’s image to be aggregate of heterogeneous source, moments of a personal history, or fragments of a collective cultural history. Hence while creating a quasi-encyclopedic compendium of American vernacular iconography (which includes a page from a high-school yearbook, a thrift store painting, countless grass-root, counter-culture graphic designs, as well as late 1970s neo-Christian propaganda), “My Mirage” thus provides a social and cultural image of an individual in the 1960s and 1970s and, moreover, produces a sharp analysis of the evolution of the subject through the cultural and social history of that era.\u003cbr\u003e\u003cbr\u003eFrom the onset of the series, “My Mirage” has been constructed with the idea of the book as model. Not only does the overarching narrative takes the form of a coming of age novel, but many of the individual pieces make direct reference to a book format. Created in close collaboration with Jim Shaw, the book thus presents itself as the culmination of the artist’s original project. “My Mirage—The Book” will allow Jim Shaw’s ever-growing audience to look at the whole of Billy’s story for the first time. Furthermore, its format and content should appeal to a wide readership, beyond contemporary art, which includes anyone interested in the history of the counter-culture of the 1960s and 1970s, American graphic design and popular illustration.\" --publisher's statement.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"JIM SHAW","offers":[{"title":"Default Title","offer_id":46343012286745,"sku":"","price":110.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/61BcsMTtqaL._AC_UF894_1000_QL80.jpg?v=1692264519"},{"product_id":"nam-june-paik-expose-the-music","title":"NAM JUNE PAIK \/ Expose the Music","description":"\u003cp\u003e\u003cstrong\u003eNam June Paik\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eExpose the Music\u003c\/em\u003e  2023\u003cbr\u003eHardcover, 250 pages\u003cbr\u003e33 x 23cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpector Books, Leipzig\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCondition: New\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eNam June Paik liked to describe himself as “the world’s most famous bad pianist,” alluding to the musical and performative element in his work. The exhibition \u003cem\u003eNam June Paik: I Expose the Music\u003c\/em\u003e by Museum Ostwall at the Dortmunder U presents the work of the video art pioneer by focusing on live moments that run like a thread through his artistic career.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThis publication focuses on a feature of media artist Nam June Paik's (1932-2006) oeuvre that has been largely overlooked: the live dimension of his work, a consistent element running through his artistic career. The experience of the audience and their active involvement were crucial components in Paik's work. Starting with his early career as a composer, one focus of the book is on the way Paik approaches music as a score, a concept and an event. His artistic ideas and methods are presented with reference to key series of works--including his performances, his participatory pieces, his interest in live television and his multimedia works. This richly illustrated chronicle of his performances gives a vivid portrait of these live encounters. 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You see those people, making their shameful early morning pilgrimages to the corner shop, rolling around in dog shit in the cemetery grass, or furtively jiggling the pub doors at ten thirty in the morning. These are their stories. They are lonely, depressed, and need a drink. 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She is also exploring how to translate forms and languages, for example an old master painting into a 3D installation, a film into a graphic score, or the vocabulary of Minimalism into a more emotional language. She mines ambiguity by setting up a tension between the analytical, symbolic, lyrical, and anecdotal, addressing how our way of looking constructs the—colonial, bourgeois, modern—world and its uses. She works with various media such as installation, painting, sculpture, video, wall painting, and drawing.\u003c\/p\u003e\n\u003cp\u003eInformed by her studies of Renaissance and classical aesthetics, she has explored how French painter Nicolas Poussin gave form to constructed worlds in his detailed depictions of mythological scenes and to how baroque art empowered objects; she has often favored the genre of still life, be it carefully built or chaotically (dis)organized. 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I often took her for a drive.\u003cbr\u003eIt’s already three years since she disappeared from Nishiki.\u003cbr\u003eEven now, I still think of her sometimes.\u003cbr\u003eThis is a profile of her as she appears in my memory.\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/div\u003e","brand":"DAIDO MORIYAMA","offers":[{"title":"Default Title","offer_id":50293862695193,"sku":null,"price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_1548.jpg?v=1783944150"},{"product_id":"daido-moriyama-naomi-signed-copy","title":"DAIDO MORIYAMA \/ Momoe (signed)","description":"\u003cp\u003e\u003cstrong\u003eDaido Moriyama\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eMamoe\u003c\/em\u003e  2021\u003cbr\u003eSoftcover, stapled and printed on canvas, 80 pages\u003cbr\u003e30 x 21cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAkio Nagasawa Publishing, JP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLimited edition of 350 copies, signed and numbered.\u003cbr\u003e349\/350\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cdiv class=\"content unset js-translate-target\"\u003e\n\u003cp\u003e\u003cem\u003eMomoe\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eis the extra issue of a four books new series by Daido Moriyama 'Woman in the Night'.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eShe called herself Shinobu in Shinjuku, Hiroko in Minami, Naomi in Nishiki, Yukari in Nakasu.\u003cbr\u003eRumor has it that she is now living quietly in Ishikari where she was born, under the name she was given by her parents.\u003cbr\u003eMomoe. 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This copy is \u003cstrong data-start=\"198\" data-end=\"208\"\u003e67\/350\u003c\/strong\u003e.\u003cspan aria-hidden=\"true\" class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"211\" data-end=\"525\"\u003ePublished by Akio Nagasawa in 2023, \u003cstrong data-start=\"247\" data-end=\"256\"\u003eTokyo\u003c\/strong\u003e presents a previously unseen body of photographs made by Daido Moriyama in 1992. Bound in a silkscreen-printed canvas cover, the volume brings together seventy-eight images that remained unpublished for more than three decades before appearing here for the first time.\u003c\/p\u003e\n\u003cp data-start=\"527\" data-end=\"949\"\u003ePhotographed during a period of personal and professional transition, the work captures Moriyama roaming the streets of Shinjuku, Shibuya and Ikebukuro with an instinctive urgency. Grainy, high-contrast views of alleyways, signage, passers-by and fleeting moments coalesce into a portrait of Tokyo that is both restless and deeply intimate, revealing the city through movement, memory and chance rather than documentation.\u003c\/p\u003e\n\u003cp data-start=\"951\" data-end=\"1298\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThe book concludes with an afterword by Moriyama reflecting on the circumstances in which the photographs were made and on his enduring compulsion to walk the streets with a camera. More than thirty years after these images were taken, \u003cstrong data-start=\"1187\" data-end=\"1196\"\u003eTokyo\u003c\/strong\u003e offers a rare glimpse into an unseen chapter of one of photography's most influential bodies of work.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"DAIDO MORIYAMA","offers":[{"title":"Default Title","offer_id":50511830188313,"sku":null,"price":155.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/IMG_1555.jpg?v=1784268758"},{"product_id":"kathy-acker-empire-of-the-senseless","title":"KATHY ACKER \/ Empire of the Senseless","description":"\u003cp\u003e\u003cstrong\u003eKathy Acker\u003cbr\u003e\u003c\/strong\u003e\u003cem\u003eEmpire of the Senseless  \u003c\/em\u003e1988\u003cbr\u003eHardcover, 227 pages\u003cbr\u003e22 x 15cm\u003cbr\u003eGrove Press, New York\u003cbr\u003eFirst edition\u003c\/p\u003e\n\u003cp\u003eCondition: Fine, some foxing on page edges\u003c\/p\u003e\n\u003cp\u003eKathy Acker's \u003cem\u003eEmpire of the Senseless\u003c\/em\u003e is a bold, chaotic journey into a dystopian future where capitalism, patriarchy, and revolution collide. Through the eyes of Thivai, a pirate, and Abhor, a half-human, half-robot woman, Acker crafts a scathing critique of societal decay and an urgent search for alternative myths and futures. Blending science fiction, political critique, and raw, visceral imagery, this novel is an unapologetic exploration of the broken systems that shape our world and the unsettling possibility of something radically different.\u003c\/p\u003e","brand":"KATHY ACKER","offers":[{"title":"Default Title","offer_id":50547657212185,"sku":"","price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Folio_668.jpg?v=1742210552"},{"product_id":"masahisa-fukase-ravens","title":"MASAHISA FUKASE \/ Ravens","description":"\u003cp\u003e\u003cstrong\u003eMasahisa Fukase\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eRavens \u003c\/em\u003e2017\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEmbossed linen bound hardback, housed in a silkscreened slipcase, 148 pages\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e26.3 x 26.3 cm\u003cbr\u003e\u003c\/span\u003eMACK, London\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\"Ravens\u003cem\u003e\u003cspan\u003e \u003c\/span\u003eis one of the defining bodies of work in the history of photography and a high point in the photo book genre. This accumulation of accolades, and the passing of time, have obscured much of the fascinating detail which explains the artist’s pre-occupation with this motif throughout his work. It was not simply a reflection of the existential angst and anhedonia he suffered throughout his life but manifested in artistic self-identification with the raven and ultimately spiralled into a solitary existence and artistic practice on the edge of madness. And all this before an untimely accident in 1992, a fall down the stairs of his favourite bar, resulted in him spending the final twenty years before his death with his consciousness suspended and in medical isolation. 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His essay locates Ravens in Fukase’s wider work and life, and is illustrated with numerous recently discovered photographs and drawings.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eFukase’s haunting series of work was made between 1975 and 1986 in the aftermath of a divorce and was apparently triggered by a mournful train journey to his hometown. The coastal landscapes of Hokkaido serve as the backdrop for his profoundly dark and impressionistic photographs of ominous flocks of crows. The work has been interpreted as an ominous allegory for postwar Japan.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eMasahisa Fukase (b. 1934, Hokkaido; d. 2012) graduated from the Nihon University College of Art’s Photography Department in 1956. He became a freelance photographer in 1968 after working at the Nippon Design Center and Kawade Shobo Publishers. 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She rose to prominence during a major cultural shift in Japan, marked by the rise of coin-operated photo booths, point-and-shoot cameras, and film developing kiosks—all of which helped create a new visual language for Japanese teens.\u003c\/p\u003e\n\u003cp\u003eIn 1996, she released her first photobook, \u003cem\u003egirls blue\u003c\/em\u003e, a vibrant collection of 122 images, some taken when she was just 17. Published during the peak of the \"girly photo\" boom—when young female photographers were gaining attention—the book offers intimate snapshots of daily life: friends, food, flowers, and pets around Tokyo. 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The book contains texts and interviews with the group members, all written in Japanese. We obviously also love Barbara Kruger’s signature style of white-on-red Futura typeface in Bold Oblique, and how that same red is printed on the edges of the book. \u003c\/span\u003e\u003c\/p\u003e","brand":"YELLOW MAGIC ORCHESTRA","offers":[{"title":"Default Title","offer_id":50767323332889,"sku":"","price":80.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/019_e36f8033-5a8b-4252-a787-f34e778ba8d9.jpg?v=1747050490"},{"product_id":"philip-guston-five-stories-for-philip-guston","title":"PHILIP GUSTON \/ Five Stories for Philip Guston","description":"\u003cp\u003e\u003cstrong\u003ePhilip Guston\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eFive Stories for Philip Guston\u003c\/em\u003e 2023\u003cbr\u003eHardcover, 162 pages\u003cbr\u003e24 x 17cm\u003cbr\u003ePrinted Matter Inc, New York\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003eIn 1966, after over a decade of making abstractions, Philip Guston abruptly abandoned painting. 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The planetary spread of technology may have released modern science and technology from being exclusively European assets, but it has also propagated a set of cognitive models that bar us from thinking otherwise, and put in place a global axis of time through which European modernity becomes the synchronising metric of all civilisations.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eFollowing Novalis’s suggestion that philosophy is a form of homesickness, Jacques Derrida’s claim that philosophy is intrinsically European, and Bernard Stiegler’s insistence that philosophy’s\u003cspan\u003e \u003c\/span\u003e\u003ci\u003elogos\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eis inextricable from the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003etechne\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eof technology, in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003ePost-Europe\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eYuk Hui envisions a project of a post-European thinking. 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Richly illustrated and arranged by acclaimed designer Joseph Logan, this book documents the pavilion’s existence through the summer season, inhabited by live events from experimental music to spiritual workshops. Photographs of this “space of deep reflection” highlight Gates’ seven tar paintings produced for the installation, as well as the bronze bell sourced from a Chicago Catholic church placed outside to mark performances. Supplementing the images is new writing from architects, artists and musicians reflecting on Gates’ pavilion. 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His controversial stories about an advanced prehistoric civilization and a race of evil beings living at the center of the earth appeared in\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"italic\"\u003eAmazing Stories\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eand other landmark sci-fi publications of the 1940s and '50s. A decade later he was living in relative isolation and devoting himself to rock book research, a course of study that he shared with a devoted fan base of students and correspondents.\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"italic\"\u003eRichard Sharpe Shaver: Some Stones are Ancient Books\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003econtains a generous selection of Shaver’s Rokfogos, that is to say, rock-book documentation, accompanied by hand-typed texts in which he explains, not always patiently, what can be seen in these rocks. 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A few years later, Ra began disseminating his poems in – and sometimes on – his albums. \u003cbr\u003e\u003cbr\u003eHis debut, Jazz By Sun Ra, was issued in 1957 by the Boston-based Transition label, a short-lived company that sold records by subscription; this record contained a beautiful booklet, now as prized as the LP itself, with rare photographs and a selection of poems and proclamations, as well as the personnel and recording credits. \u003cbr\u003e\u003cbr\u003eRa's Jazz In Silhouette was released two years hence on Saturn Records, the label he started with Alton Abraham, and it came with a mimeographed liner booklet – now exceedingly rare – that was folded, unstapled, as an ultra-economical accompaniment to the vinyl. The CvsD version folds this slim pamphlet of poetry into a slipcover with a classic photo portrait of Ra by Thomas \"Bugs\" Hunter on the back. \u003cbr\u003e\u003cbr\u003ePerhaps Ra's best known book of poetry, reprinted in many alternative versions with different contents over the years, is The Immeasurable Equation; this incarnation restores the original Infinity Inc.\/Saturn Research version, published in Chicago in 1972 and distributed widely by the Arkestra, often from the bandstand. It features more than 60 of Ra's poems. \u003cbr\u003e\u003cbr\u003eFinally, perhaps the rarest of Ra's poetry books is Extensions Out: Immeasurable Equation Vol. II, which was also published by Infinity Inc.\/Saturn Research. 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Published to coincide with a solo show of Noland’s new work at Gagosian, 555 West 24th Street, New York, this artist’s book reproduces nearly one hundred previously unpublished Polaroids from the course of her career, providing unique insight into her sculptural practice.\u003c\/span\u003e\u003c\/p\u003e","brand":"CADY NOLAND","offers":[{"title":"Default Title","offer_id":51494994247961,"sku":null,"price":190.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/noland_polaroids_cover-v2_1024x1024_2x_454e9f0f-c167-4772-9962-56c6d32f07cd.jpg?v=1759723632"},{"product_id":"eva-hesse-transatlantique","title":"EVA HESSE \/ Transatlantique","description":"\u003cp\u003e\u003cstrong\u003eEva Hesse\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eTransatlantique\u003c\/em\u003e 2024\u003cbr\u003eSoftcover, 152 pages\u003cbr\u003e19 x 10cm\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eER Publishing, Fr\u003c\/p\u003e\n\u003cp\u003eCondition: New\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eEdited by Sébastien Gokalp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eContributors : \u003c\/span\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eKatinka Bock, Claire-Jeanne Jézéquel, Rachel Labastie, \u003c\/span\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eMélanie Matranga, Juliette Minchin, Valérie Mréjen and \u003c\/span\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eAgnès Thurnauer.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"font_7 wixui-rich-text__text\"\u003e\u003cspan class=\"wixui-rich-text__text\"\u003eTranscending the aesthetic categories and currents of her time, the German-born American artist Eva Hesse (1936–1970) revolutionized the very concept of sculpture with her use of unconventional materials. Her dazzling, prolific body of work has had a considerable influence ever since. Seven European women artists brought together by Sébastien Gokalp share their views on this major figure of the 20th century.\u003c\/span\u003e\u003c\/p\u003e","brand":"EVA HESSE","offers":[{"title":"Default Title","offer_id":51511300882713,"sku":null,"price":49.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/Couv-EvaHesse.avif?v=1760070510"},{"product_id":"bruce-nauman-mapping-the-studio-ii-with-color-shift-flip-flop-flip-flop-fat-chance-john-cage","title":"BRUCE NAUMAN \/ Mapping the Studio II with Color Shift, Flip, Flop \u0026 Flip \/ Flop (Fat Chance John Cage)","description":"\u003cp\u003e\u003cstrong\u003eBruce Nauman\u003c\/strong\u003e\u003cbr\u003eMapping the Studio II with Color Shift, Flip, Flop \u0026amp; Flip \/ Flop (Fat Chance John Cage) 2002\u003cbr\u003ePaperback, 92 pages \u003cbr\u003e11 x 15.5 cm\u003cbr\u003eSperone Westwater, New York, NY\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eComprised of stills from Bruce Nauman’s 2002 multi-channel video installation at Sperone Westwater, this staple bound flip book catalog presents hours of footage Nauman shot of his studio at night. Captured with an infrared video camera, each video still is followed by a corresponding meticulously recorded “event log” noting mundane sights and sounds: “fly on screen”, “cat on ledge”, and “noise plus train whistle”.\u003c\/span\u003e\u003c\/p\u003e","brand":"BRUCE NAUMAN","offers":[{"title":"Default Title","offer_id":51511302684953,"sku":null,"price":110.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/files\/BN_frontcover.jpg?v=1760071442"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0732\/5024\/2841\/collections\/251111_ARTSPACE_0133_WEB.jpg?v=1767587793","url":"https:\/\/landslidebooksandobjects.com\/collections\/artspace.oembed","provider":"Landslide","version":"1.0","type":"link"}